Ọṣun, is an Orisha, a spirit, a deity, or a goddess that reflects one of the manifestations of the Yorùbá Supreme Being in the Ifá oral tradition and Yoruba-based religions of West Africa. She is one of the most popular and venerated Orishas. Oshun is an important river deity among the Yorùbá people. She is the goddess of divinity, femininity, fertility, beauty and love. She is connected to destiny and divination.
Orishas are spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. The preferred spelling varies depending on the language in question: òrìṣà is the spelling in the Yoruba language, orixá in Portuguese, and orisha, oricha, orichá or orixá in Spanish-speaking countries,
Ifẹ̀ is an ancient Yoruba city in south-western Nigeria. The city is located in present-day Osun State. Ife is about 218 kilometers northeast of Lagos with a population of 509,813, the highest in Osun State according to population census of 2006.
Egungun, in the broadest sense is any Yoruba masquerade or masked, costumed figure. More specifically, it is a Yoruba masquerade for ancestor reverence, or the ancestors themselves as a collective force. Eégún is the reduced form of the word egúngún and has the same meaning. [Rowlands, E.C. (1973-01-01). "Yoruba (Teach Yourself Books", chapter 7, page 39] There is a misconception that Egun or Eegun is the singular form, or that it represents the ancestors while egúngún is the masquerade or the plural form. This misconception is common in the Americas by Orisa devotees that do not speak Yorùbá language as a vernacular. "Egungun is a visible manifestation of the spirits of departed ancestors who periodically revisit the human community for remembrance, celebration, and blessings."
Ding (鼎) are prehistoric and ancient Chinese cauldrons, standing upon legs with a lid and two facing handles. They are one of the most important shapes used in Chinese ritual bronzes. They were made in two shapes: round vessels with three legs and rectangular ones with four, the latter often called fangding. They were used for cooking, storage, and ritual offerings to the gods or to ancestors. The earliest recovered examples are pre-Shang ceramic ding at the Erlitou site but they are better known from the Bronze Age, particularly after the Zhou deemphasized the ritual use of wine practiced by the Shang kings. Under the Zhou, the ding and the privilege to perform the associated rituals became symbols of authority. The number of permitted ding varied according to one's rank in the Chinese nobility: the Nine Ding of the Zhou kings were a symbol of their rule over all China but were lost by the first emperor, Shi Huangdi in the late 3rd century BCE. Subsequently, imperial authority was represented by the Heirloom Seal of the Realm, carved out of the sacred Heshibi; it was lost at some point during the Five Dynasties after the collapse of the Tang.
The traditional beliefs and practices where of African people are highly diverse beliefs that include various ethnic religions. Generally, these traditions are oral rather than scriptural and passed down from one generation to another through folk tales, songs, and festivals, include belief in an amount of higher and lower gods, sometimes including a supreme creator or force, belief in spirits, veneration of the dead, use of magic and traditional African medicine. Most religions can be described as animistic with various polytheistic and pantheistic aspects. The role of humanity is generally seen as one of harmonizing nature with the supernatural.
Robert Farris Thompson was an American art historian and writer who specialized in Africa and the Afro-Atlantic world. He was a member of the faculty at Yale University from 1965 to his retirement more than fifty years later and served as the Colonel John Trumbull Professor of the History of Art. Thompson coined the term "black Atlantic" in his 1983 book Flash of the Spirit: African and Afro-American Art and Philosophy – the expanded subject of Paul Gilroy's book The Black Atlantic.
Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin.
The Yoruba of West Africa are responsible for one of the finest artistic traditions in Africa, a tradition that remains vital and influential today.
Yorùbá medicine, or egbòogi, is an African system of herbalism practiced primarily in West Africa and the Caribbean.
The Songye people, sometimes written Songe, are a Bantu ethnic group from the central Democratic Republic of the Congo. They inhabit a vast territory between the Sankuru and Lubilash rivers in the west and the Lualaba River in the east. Many Songye villages can be found in present-day East Kasai province, parts of Katanga and Kivu Province. The people of Songye are divided into thirty-four conglomerate societies; each society is led by a single chief with a Judiciary Council of elders and nobles (bilolo). Smaller kingdoms east of the Lomami River refer to themselves as Songye, other kingdoms in the west, refer to themselves as Kalebwe, Eki, Ilande, Bala, Chofwe, Sanga and Tempa. As a society, the people of Songye are mainly known as a farming community; they do, however, take part in hunting and trading with other neighboring communities.
Ikegobo, the Edo term for "altars to the Hand," are a type of cylindrical sculpture from the Benin Empire. Used as a cultural marker of an individual's accomplishments, Ikegobo are dedicated to the hand, from which the people of Benin considered the will for wealth and success to originate. These commemorative objects are made of wood or brass with figures carved in relief around their sides.
The Kingdom of Luba or Luba Empire (1585–1889) was a pre-colonial Central African state that arose in the marshy grasslands of the Upemba Depression in what is now southern Democratic Republic of Congo.
An Epa mask is a ceremonial mask worn by the Yoruba people of Nigeria during the Epa masquerade. Carvings representing priests, hunters, farmers, kings, and mothers are usually depicted on the masks. They are used to acknowledge important roles within the community, and to honor those who perform the roles, as well as ancestors who performed those roles in the past.
Agere ifa is a holding receptacle, vessel or container for keeping and raising the sacred palm nuts or ikin used in Yoruba divination. Most Agere are made from a medium of wood, but also ivory and coconut shells.
An Oba's crown represents the highest level of authority vested in Yoruba rulers. Referred to as an Ade, the bead-embroidered crown is the foremost attribute of the ruler. An oba's crown may also be referred to as an Adenla, or great crown. Andenlas are elaborate conical headdresses, like the ade, but feature a heavily beaded veil that covers the face. In his article on the topic, Robert F. Thompson writes, "The crown incarnates the intuition of royal ancestral force, the revelation of great moral insight in the person of the king, and the glitter of aesthetic experience."
An ọpọ́n Ifá is a divination tray used in traditional African and Afro-American religions, notably in the system known as Ifá and in Yoruba tradition more broadly. The etymology of opon, literally meaning "to flatter", explains the artistic and embellished nature of the trays, as they are meant to praise and acknowledge the noble work of the Babalawo (diviners). The etymology of the term Ifá, however, has been a subject of debate. Ifá may be considered an orisha, or a Yoruba god — specifically, the god of divination Orula. Conversely, some scholars have referred to Ifá merely as the "great consulting oracle" as opposed to a god or a deity, without any divine connotations.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba of the 16th century Benin Empire, taking the form of a traditional African mask. The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897.
Okó, also known in Brazil as Ocô, is an Orisha. In Nigeria and the Benin Republic, he is a strong hunter & farming deity as well as a fighter against sorcery. He is associated with the annual new harvest of the white African yam. Among the deities, he is considered a close friend of Oosa Ogiyan and Shango, as well as at one time husband of Oya and Yemoja. Bees are considered the messengers of Oko.
Iyami Aje is a Yoruba term of respect and endearment used to describe a woman of African ancestry who is considered to be an Aje, a woman who wields myriad arcane creative biological, spiritual, and cosmic powers.
