Otto Evens | |
---|---|
Born | Copenhagen, Denmark | 16 February 1836
Died | 21 November 1895 69) | (aged
Resting place | Assistens Cemetery, Copenhagen |
Nationality | Danish |
Education | Royal Danish Academy of Fine Arts |
Known for | Sculptor |
Otto Frederik Theobald Evens (16 February 1826 - 21 November 1895) was a Danish sculptor.
Evens was born in Copenhagen, the son of brazier Thomas Mandix Evens (1791-1870) and his wife Ane Margrethe Frederiksen (1790-1853). He was articled to his father and later J. Dalhoff. In 1843, he was admitted to the Royal Danish Academy of Fine Arts and became an assistant in Herman Wilhelm Bissen's studio when he was in his twenties. He won the academy's small silver medal in 1846, its large silver medal in 1849 and the small gold medal in 1851 for Thetis bønfalder Vulkan om Vaaben til Achilles. In 1857, after several unsuccessful attempts, he won the Neuhausen Prize for the group sculpture Maternal Love (Moderkærlighed).
He spent a couple of months in Paris in 1856 and was in Italy in 1858–61 on a stipend from the academy. In 1865, he returned to Italy on a grant from the Ancher Foundation (Det Ancherske Legat). [1]
Evens belonged to the group of sculptors who, with Bissen and H. E. Freund, continued the Neoclassical tradition from Bertel Thorvaldsen but gradually represented the transition to Naturalism.
Evens remained a minor figure in Danish sculpture. His works include a memorial to Ewald and Wessel at Trinitatis Church in Copenhagen (1879). He also contributed to the decoration of the Marble Church with the statue of Hieronymus and created the group sculpture Faun and en Satyr for the complex at Gammeltorv in Aalborg (1850) and A Neapolitan Fisherman Teaches His Son to Play the Flute for Store Strandstræde in Copenhagen and on Rustenborgvej in Lyngby-Taarbæk (1861).
He also created two memorials to Caroline Amalie (1882 in Sorgenfri Palace Park, Lyngby-Taarbæk and Frederik VII which was installed on the marketplaces in Give (1868), Næstved (1870) and Sorø (1877). He has also portrayed a number of historical figures, including Saxo and Snorre, Herluf Trolle, Birgitte Gøye, Arild Hvidtfeldt, Griffenfeld and Niels Juel. [2]
Evens never married. He died in 1895 and is buried in Assistens Cemetery in Copenhagen.
Lyngby-Taarbæk Municipality is a municipality in the Capital Region of Denmark near Copenhagen on the eastern coast of the island of Zealand. It is part of the Greater Copenhagen area. The municipality borders Rudersdal Municipality to the north, Furesø Municipality to the west and Gladsaxe and Gentofte Municipality to the south. It borders the Øresund to the east.
Kongens Lyngby is the seat and commercial centre of Lyngby-Taarbæk Municipality in the northern suburbs of Copenhagen, Denmark. Lyngby Hovedgade is a busy shopping street and the site of a branch of Magasin du Nord as well as Lyngby Storcenter. The district is also home to several major companies, including COWI A/S, Bang & Olufsen, ICEpower a/s and Microsoft. The Technical University of Denmark relocated to Lyngby from central Copenhagen in the 1970s. Lyngby station is located on the Hillerød radial of Copenhagen's S-train network.
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Johan Frederik (Frits) Nikolai Vermehren, also known as Frederik Vermehren, a genre and portrait painter in the realist style.
Herman Wilhelm Bissen was a Danish sculptor. Bissen created a number of public works, working in plaster, marble and bronze.
Michael Gottlieb Birckner Bindesbøll was a Danish architect active during the Danish Golden Age in the first half of the 19th century. Most known for his design of Thorvaldsens Museum in Copenhagen, he was a key figure in the stylistic shift in Danish architecture from late classicism to Historicism. He was the father of the designer Thorvald Bindesbøll and the textile artist Johanne Bindesbøll.
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Store Strandstræde is a street in Copenhagen, Denmark. It extends diagonally from Kongens Nytorv, at the corner of Nyhavn and Bredgade, to Sankt Annæ Plads. Lille Strandstræde joins the street shortly before reaching Sankt Annæ Plads.
Christian Gottlieb Vilhelm Bissen was a Danish sculptor. He was also a professor at the Royal Danish Academy of Fine Arts with great influence on the next generation of Danish sculptors and for a while served as its director. Bissen was trained in the Neoclassical tradition from Bertel Thorvaldsen but after a stay in Paris around 1880, he was influenced by Naturalism. With the equestrian statue of Absalon he turned to Neo-romanticism.
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Johan Martin Quist or Qvist was a Danish architect who made a significant contribution to the city of Copenhagen. Together with those of Andreas Hallander, his classically styled buildings form part of the legacy of 19th-century Danish Golden Age architects who reconstructed areas of the old town which had been destroyed in the Copenhagen Fire of 1795.
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Frederik Vilhelm Tvede was a Danish architect.
Ludvig Brandstrup was a Danish sculptor. He is remembered above all for his equestrian statue of Christian IX in Esbjerg but was also one of the most competent portraitists of his day.
Lottenborg is an 18th-century roadside inn located next to Sorgenfri Cemetery in Sorgenfri, Lyngby-Taarbæk Municipality, in the northern suburbs of Copenhagen, Denmark. It is situated on Lottenborgvej, a side street to Lyngby Kongevej located opposite Sorgenfri Palace. The building is still used as a restaurant but is only open for lunch Thursday through Sunday.
The Johannes Ewald and Johan Hermann Wessel Memorial is located next to the Round Tower and Trinitatis Church, just off Købmagergade, in central Copenhagen, Denmark. Johannes Ewald and Johan Herman Wessel were two of the leading Danish poets of the 18th century.
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Taarbæk Church, formerly known as Skovkapellet, is a Church of Denmark parish church in Taarbæk, Lyngby-Taarbæk Municipality, some 15 km north of central Copenhagen, Denmark. The church and adjacent cemetery is bordered by Jægersborg Dyrehave to the north and west and by the Coast Line to the east. The church was inaugurated in 1864 but Taarbæk Paris was not disjoined from that of Lyngby until 1907.