Otto Floersheim [last name pronounced Flairs-hime] (born in Aix-la-Chapelle, 2 March 1853; died 1917) was an American composer, critic and editor.
He received his musical education under Ferdinand Hiller in Cologne, and emigrated to the United States in 1875. There he became an editor of the Musical Courier in 1880. From 1894 to 1904, he was in charge of its Berlin bureau. James Huneker describes him as "fat, rather pompous, good-humoured and perspiring."
He is remembered for a damning review of an early performance of Richard Strauss's A Hero's Life : "... alleged symphony ... revolutionary in every sense of the word. The climax of everything that is ugly, cacophonous, blatant and erratic, the most perverse music I ever heard in all my life, is reached in the chapter 'The Hero's Battlefield.' The man who wrote this outrageously hideous noise, no longer deserving of the word music, is either a lunatic, or he is rapidly approaching idiocy" (Musical Courier, April 19, 1899) [1]
His orchestral compositions include a "Prelude and Fugue," which was played in New York City under the direction of Theodore Thomas; "Alla Marcia," which was produced under Frank van der Stucken; a symphonic poem called Consolation, which was performed by the principal musical societies in the United States; and a piano composition with orchestra and organ accompaniment entitled Elevation, which was produced in Brooklyn under the direction of Anton Seidl. Another work for orchestra is Scherzo.
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
Charles Edward Ives was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century.
Nicolas Slonimsky, born Nikolai Leonidovich Slonimskiy, was a Russian-born American musicologist, conductor, pianist, and composer. Best known for his writing and musical reference work, he wrote the Thesaurus of Scales and Melodic Patterns and the Lexicon of Musical Invective, and edited Baker's Biographical Dictionary of Musicians.
Otto Nossan Klemperer was a German conductor and composer, originally based in Germany, and then the United States, Hungary and finally, Great Britain. He began his career as an opera conductor, but he was later better known as a conductor of symphonic music.
Charles Tomlinson Griffes was an American composer for piano, chamber ensembles and voice. His initial works are influenced by German Romanticism, but after he relinquished the German style, his later works make him the most famous American representative of musical Impressionism, along with Charles Martin Loeffler. He was fascinated by the exotic, mysterious sound of the French Impressionists, and was compositionally much influenced by them while he was in Europe. He also studied the work of contemporary Russian composers such as Scriabin, whose influence is also apparent in his use of synthetic scales.
Walter Johannes Damrosch was a Prussian-born American conductor and composer. He was the director of the New York Symphony Orchestra and conducted the world premiere performances of various works, including Aaron Copland's Symphony for Organ and Orchestra, George Gershwin's Piano Concerto in F and An American in Paris, and Jean Sibelius' Tapiola. Damrosch was also instrumental in the founding of Carnegie Hall. He also conducted the first performance of Rachmaninoff's Piano Concerto No. 3 with the composer himself as soloist.
John Serry Sr. was an American concert accordionist, arranger, composer, organist, and educator. He performed on the CBS Radio and Television networks and contributed to Voice of America's cultural diplomacy initiatives during the Golden Age of Radio. He also concertized on the accordion as a member of several orchestras and jazz ensembles for nearly forty years between the 1930s and 1960s.
James Gibbons Huneker was an American art, book, music, and theater critic. A colorful individual and an ambitious writer, he was "an American with a great mission," in the words of his friend, the critic Benjamin De Casseres, and that mission was to educate Americans about the best cultural achievements, native and European, of his time. From 1892 to 1899, he was the husband of the sculptor Clio Hinton.
Johannes Francis Anton Hekking was a Netherlands-born cellist and teacher.
Natalie Curtis, later Natalie Curtis Burlin was an American ethnomusicologist. Curtis, along with Alice Cunningham Fletcher and Frances Densmore, was one of a small group of women doing important ethnological studies in North America at the beginning of the 20th century. She is remembered for her transcriptions and publication of traditional music of Native American tribes as well as for having published a four-volume collection of African-American music. Her career was cut short by her accidental death in 1921.
Felix Fox was a German-born concert pianist and educator.
Bruno Oscar Klein was an American composer and organist of German origin. He wrote a number of works for orchestra, some chamber music, church music, and a large number of songs.
William Foster Apthorp was an American writer, drama and music critic, editor and musician.
Arthur Eaglefield Hull was an English music critic, writer, composer and organist. He was the founder of the British Music Society.
Francis Rea MacMillen was an American violinist.
Fay Foster was an American pianist, composer, and teacher.
Nicholas Laucella was an American concert flautist and composer. During the course of a professional musical career which spanned over three decades, he performed as the principal flute with several leading orchestral ensembles including the New York Philharmonic and the Metropolitan Opera Orchestra in New York City.
Katharine Kemp Stillings was a violinist, composer, and music educator.
Silvio Hein was an American composer, songwriter, conductor, and theatrical producer. He was a songwriter for Tin Pan Alley and composed the scores to fourteen Broadway musicals. His most successful stage work was the 1917 musical Flo-Flo which he created with the French librettist and playwright Fred de Gresac. His songs were also interpolated into musicals created by others, including The Little Duchess and Ziegfeld Follies. In addition to his work writing music, he also worked as both a conductor and producer on Broadway. In 1914 he was a founding member of the American Society of Composers, Authors and Publishers.
Carlo Buonamici was an Italian-born American pianist and music educator who was chiefly active as both a concert pianist and piano pedagogue in the city of Boston from 1896 until his death in 1920.