A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound.
Bruno Nettl was an ethnomusicologist who was central in defining ethnomusicology as a discipline. His research focused on folk and traditional music, specifically Native American music, the music of Iran and numerous topics surrounding ethnomusicology as a discipline.
Musical nationalism refers to the use of musical ideas or motifs that are identified with a specific country, region, or ethnicity, such as folk tunes and melodies, rhythms, and harmonies inspired by them.
Svend Hersleb Grundtvig was a Danish literary historian and ethnographer. He was one of the first systematic collectors of Danish traditional music, and he was especially interested in Danish folk songs. He began the large project of editing Danish ballads. He also co-edited Icelandic ballads. He was the son of N. F. S. Grundtvig.
Max Friedlaender was a German bass singer, music editor, and musicologist. He specialized in German Lieder.
Sveriges Medeltida Ballader (SMB) is a scholarly edition which compiles, in principle, all of the known Swedish medieval (traditional) ballads in existence, including those from Swedish-speaking parts of Finland. The collection was published between 1983 and 2001 by the Svenskt visarkiv, and edited by Bengt R. Jonsson, Margareta Jersild and Sven-Bertil Jansson.
The Suffolk Miracle is Child ballad 272 and is listed as #246 in the Roud Folk Song Index. Versions of the ballad have been collected from traditional singers in England, Ireland and North America. The song is also known as "The Holland Handkerchief" and sometimes as "The Lover's Ghost".
The Aalborg Defence and Garrison Museum is a military museum in Aalborg, Denmark that covers all branches of Danish defence organizations.
Franz-Josef Deiters is a German-Australian literary scholar. From 2006 to 2020, he was associate professor in German Studies at Monash University. In December 2021, he was appointed as Honorary Associate with the Department of Germanic Studies at The University of Sydney. Before moving to Australia he taught at University of Tübingen (Germany), and has held visiting appointments at the University of Sarajevo, Johann Wolfgang Goethe University of Frankfurt/M. (Germany) and at the University of Bergamo (Italy). Deiters is a Fellow of the Australian Academy of the Humanities.
Karl Søren Clausen was a Danish pianist, conductor, composer and musicologist. In addition to his work as a high school teacher in German and Music, he composed several instrumental and choral works, as well as songs. He became increasingly involved in work with amateur choirs and school singing, and he became a very popular choir conductor, who led several choirs to many musical successes, often with his own choir arrangements, based on folk melodies.
Philip Vilas Bohlman is an American ethnomusicologist.
An occasional song is a novelty song or ballad written and sung for a special occasion. Occasional songs were a cultural tradition throughout Europe and were often important in immigrant communities. In Denmark the tradition of the lejlighedssang has remained strong.
"Agnete og Havmanden" (Danish) or "Agneta och havsmannen" (Swedish) is a ballad. It is also found in Norway and as a prose folktale published by Just Mathias Thiele in his 1818 Danske Folkesagn, though Thomas Bredsdorff has argued that this prose version is of literary rather than folkloric origin. The ballad too is generally thought to be relatively late in its composition, perhaps from the eighteenth century.
Otto Schlicht was a German-American manufacturer of concertinas in Chicago.
Franz Theodor Magnus Böhme was a German academic, musicologist, composer, folksong collector and writer on music history and folksong.
The Gwerz Santes Enori is a Breton gwerz, a type of folk song that combines literary with musical characteristics. The song, which is preserved in many versions and fragments, tells a story that resembles a saint's life, a 14th-century version of the hagiography of the Breton saint Budoc. Its general theme has been called that of "the girl with a golden breast", as told in stories throughout the Celtic world and surviving in oral form into the 20th century.
The Deutsche Volksliedarchiv, a research institute for Volkslied in German, was founded in 1914 and was integrated into the University of Freiburg in 2014, now called Zentrum für Populäre Kultur und Musik. It has extensive collections of traditional and popular songs, maintained and expanded in the new centre, and accessible to the public without restriction. Before 2014, it was independent scientific research institute of the state Baden-Württemberg, based in Freiburg im Breisgau.
Wir sind des Geyers schwarzer Haufen is an interwar-era German marching song. Composed around the 1920s, the lyrics of the song are sourced from the poem Ich bin der arme Konrad by the Bavarian poet and artillery officer Heinrich von Reder (1824–1909). The melody of the song is arranged by German songwriter and later National Socialist Fritz Sotke (1902–1970) in 1919. As a song about the German Peasants' War, the song lyrics are noted for their strong anti-clerical and anti-noble themes.
Breton Ballads is an academic monograph by Mary-Ann Constantine, published in 1996. The book includes examples of the Breton ballad known as the gwerz, and follows their history, and that of scholarship on the genre, into the 19th and 20th centuries. It was awarded the Katharine Briggs Prize by The Folklore Society in 1996.
Bell Robertson was a Scottish reciter of folk songs who contributed almost four hundred memorised ballads to the Greig-Duncan collection.
