Related Research Articles
Emil Nolde was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals.
Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.
The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. It consists of three connected buildings, dating from 1869, 1921 (Kuppelsaal) and 1997, located in the Altstadt district between the Hauptbahnhof and the two Alster lakes.
The Berlin Secession was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art. The movement is classified as a form of German Modernism, and came on the heels of several other secessions in Germany, including Jugendstil and the Munich Secession.
The Lentos Art Museum is a museum of modern art in Linz, Austria, which opened in May 2003 as the successor to the Neue Galerie der Stadt Linz.
The Museum Wiesbaden is a two-branch museum of art and natural history in the Hessian capital of Wiesbaden, Germany. It is one of the three Hessian State museums, in addition to the museums in Kassel and Darmstadt.
Theodor Fischer (1878–1957) was a Swiss art dealer and auctioneer in Lucerne who after the First World War built a highly successful firm of auctioneers that dominated the Swiss art market. In 1939 he was the auctioneer at the infamous Grand Hotel auction of "degenerate art" removed from German museums by the Nazis. During the Second World War he played a key part in the trading of art looted by the Germans from occupied countries.
The New Secession was an association of expressionist artists organizing joint exhibitions in Berlin 1910–1914.
Ernst August Max Friedrich Rump was a German merchant, art patron and collector. In 1912, he wrote the Lexikon der bildenden Künstler Hamburgs, Altonas und der näheren Umgebung, which became a classic; generally referred to as Der Rump.
Fritz Nathan was a German-Swiss gallery owner and art dealer.
The art collection of Ismar Littmann (1878–1934), a German lawyer who lived in Breslau, comprised 347 paintings and watercolors and 5,814 drawings from artists such as Lovis Corinth, Max Pechstein, Erich Heckel, Max Liebermann, Käthe Kollwitz, Lucien Adrion, and Otto Mueller.
Kunsthalle Emden is a German art museum in Emden in East Frisia, Germany.
Große Berliner Kunstausstellung , abbreviated GroBeKa or GBK, was an annual art exhibition that existed from 1893 to 1969 with intermittent breaks. In 1917 and 1918, during World War I, it was not held in Berlin but in Düsseldorf. In 1919 and 1920, it operated under the name Kunstausstellung Berlin. From 1970 to 1995, the Freie Berliner Kunstausstellung was held annually in its place.
In the first half of the 20th century, the Munich art dealer Julius Böhler was one of the largest and most important art dealers in the German-speaking world.
Otto Nathan Deutsch was a Jewish art collector and refugee from Nazis.
Robert Graetz, was a German Jewish textile industrialist and art collector in Berlin who was deported by the Nazis and died at Auschwitz.
Maximilian Kellner was an Austrian art collector persecuted by the Nazis because of his Jewish heritage.
Walter Bornheim was a German art dealer deeply involved in Nazi looted art.
Fritz Salo Glaser was a German Jewish art collector.
References
- 1 2 "Julius, Otto Siegfried | Proveana". www.proveana.de. Retrieved 2024-11-27.
- ↑ "Sammlung Otto Siegfried Julius | Proveana". www.proveana.de. Retrieved 2024-11-29.
Zu ihnen zählten ein griechischer Marmorkopf, mittelalterliche Skulpturen, Renaissance-Möbel, Elfenbein-Objekte, Bronzestatuetten, Teppiche, Porzellan und Silber. Zu seinen wertvollsten Stücken gehörte eine Riemenschneider-Madonna. Darüber hinaus besaß er moderne Gemälde u. a. von Nolde, Pechstein, Nesch, Bossányi, Modersohn-Becker, Daubigny, eine Skulptur von Kolbe sowie eine große grafische Sammlung (u. a. das gesamte grafische Werk von Nesch, Zeichnungen und alle Radierungen von Modersohn Becker, Arbeiten von Kolbe und Schmidt-Rottluff, Radierungen von Toulouse-Lautrec)
- ↑ "Lina JULIUS". meta-studies.net. Retrieved 2024-11-27.
- ↑ "Linz restituiert Emil Noldes „Maiwiese" - Linz restitutes Emil Nolde's 'Meadow in May'". www.lootedart.com. Retrieved 2024-11-27.
- ↑ "Nazi victim heirs want Klimt, Nolde paintings back". lootedart.com.
The Nolde painting, dated 1915 and called "May Meadow", was owned by Jewish physician Fred Julius of Hamburg, a major patron of Nolde's "Bruecke" (Bridge) group. The oil painting disappeared en route to his home in exile in Switzerland in 1939, Lillie said. Linz bought it in 1953 from another collector known to trade in artworks seized by the Nazis, she added.