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Nos amis les Terriens | |
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Directed by | Bernard Werber |
Written by | Bernard Werber |
Produced by | Claude Lelouch |
Starring | Pierre Arditi Audrey Dana Boris Ventura Annelise Hesme Thomas Le Douarec |
Edited by | Stephane Mazalaigue |
Music by | Alex Jaffray Loïc Etienne |
Distributed by | Les Films 13 |
Release dates |
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Running time | 85 minutes |
Country | France |
Language | French |
Our Earthmen Friends (French : Nos amis les Terriens) is a French film released theatrically in April 2007 and produced by Claude Lelouch. It has been adapted from the play written by Bernard Werber Nos Amis Les Humains.
The film is shot as if extraterrestrials were making a documentary about humans. A voice-over gives the analysis of the extraterrestrials. This external point of view allows to analyze the human behavior. The aim is to make the beholder think about their condition of human being. Two couples are studied: the husband of the first couple and the wife of the second are trapped into an invisible cage while the two others are studied in their environment. Extraterrestrials are doing experiments on the two prisoners. [1]
Henri René Albert Guy de Maupassant was a 19th-century French author, celebrated as a master of the short story, as well as a representative of the naturalist school, depicting human lives, destinies and social forces in disillusioned and often pessimistic terms.
Juan Moreno y Herrera-Jiménez, known as Jean Reno, is a French actor. He has worked in American, French, English, Japanese, Spanish and Italian movie productions; Reno appeared in films such as: Flushed Away (2006), Crimson Rivers (2000), Godzilla (1998), The Da Vinci Code (2006), Mission: Impossible (1996), The Pink Panther (2006), Ronin (1998), Les Visiteurs (1993), Wasabi (2001), The Big Blue (1988), Hector and the Search for Happiness (2014), La Femme Nikita (1990), and Léon: The Professional (1994).
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Bernard Werber is a French science fiction writer, active since the 1990s. He is chiefly recognized for having written the trilogy Les Fourmis, the only one of his novels to have been published in English. This series weaves together philosophy, spirituality, science fiction, thriller, science, mythology and consciousness.
An extraterrestrial or alien is a lifeform that did not originate on Earth. The word extraterrestrial means "outside Earth". Extraterrestrials are a common theme in modern science-fiction, and also appeared in much earlier works such as the second-century parody True History by Lucian of Samosata.
The Church of Saint-Sulpice is a Catholic church in Paris, France, on the east side of Place Saint-Sulpice, in the Latin Quarter of the 6th arrondissement. Only slightly smaller than Notre-Dame and Saint-Eustache, it is the third largest church in the city. It is dedicated to Sulpitius the Pious. Construction of the present building, the second on the site, began in 1646. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. Saint-Sulpice is also known for its Great Organ, one of the most significant organs in the world.
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Two Friends is a 2015 French romantic dramedy film directed by Louis Garrel in his feature debut, and co-written by Garrel and Christophe Honoré. The film is loosely based on the play The Moods of Marianne by Alfred de Musset. It was selected to screen in the Critics' Week section at the 2015 Cannes Film Festival.
Samuel Lucien Terrien was a French-American Protestant theologian and biblical scholar. A professor at Union Theological Seminary for thirty-six years, he is known for his biblical commentary, particularly for his scholarly contributions to the study of Job and the Psalms in the Old Testament and for his book, The Elusive Presence (1978), in which he presented a new theology of the presence and absence of God written largely in the context of cult, not covenant. It incorporated both Old and New Testaments in a broader ecumenical context and introduced a way for future theologians to ask how the presence of God is experienced by engaging the wisdom traditions to explore how ‘empirical observation can testify to a divine presence in human life just as visionary experiences can.'
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