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Outta Sight Records | |
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Founded | 2007 |
Distributor(s) | Passion Music, Essential Music & Marketing |
Genre | Northern Soul Rare Soul Modern Soul |
Country of origin | UK |
Location | Midlands |
Official website | www |
Outta Sight Records, also known as Outta Sight Soul Essentials was formed in the UK in December 2006, [1] as part of the Castle Music family of imprints within the Sanctuary Records Group. It was conceived as a vehicle to reissue the soul catalogue owned by the group. The catalogue included the Pye and Piccadilly/Dawn UK labels plus De-Lite, Sugarhill, Chelsea, Perception, Today, Maple and associated subsidiaries. In late 2007 Sanctuary was acquired by the Universal Music Group (UMG). Outta Sight reverted to being an independent label and was relaunched in February 2010. [2] The label, based in Warwickshire, England is distributed in the UK by Passion Music Limited and Essential Music & Marketing.
Outta Sight specializes in Northern soul and Rare soul music and as at 2010 is the only UK record label to release previously unissued material by Detroit girl group The Heartstoppers, [3] [ failed verification ] Susan Phillips, Innervision and Michael Valvano. The label is distributed around the world finding particular favour in the US and Japan.
Outta Sight is a featured label on the BBC 6 Music Craig Charles Funk and Soul Show [4] [ failed verification ] and the BBC Radio 2 Mark Lamarr Show. [5] [ failed verification ]
In October 2010 Outta Sight published the book The Northern Soul Years 1973-81 written by Northern Soul authority Tim Brown. The book accurately recounts, for the first time, the significant records played at the Wigan Casino during its 8-year reign over the UK Northern Soul scene. This important document is the result of extensive research, much of it at the British Library, and personal recollections.
Outta Sight Records were the company behind the Northern soul documentary Keep on Burning. Directed by Alan Byron, the documentary featured Marc Almond, Tony Blackburn, Ian Levine, Tony Palmer and many other key DJs and people from the dancefloors of the Wigan Casino and Blackpool Mecca. When the documentary was repeated on Talking Pictures TV in 2021, they described it as "a look at the world's most enduring underground music movement". [6] [7]
Soul music is a popular music genre that originated in the African-American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul, which added modern production elements and influence from hip-hop.
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Northern soul is a music and dance movement that emerged in Northern England and the Midlands in the early 1970s. It developed from the British mod scene, based on a particular style of Black American soul music with a heavy beat and fast tempo.
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Ian Geoffrey Levine is a British songwriter, producer, and DJ. A moderniser of Northern soul music in the UK, and a developer of the style of hi-NRG, he has written and produced records with sales totalling over 40 million. Levine is known as a fan of the long-running television show Doctor Who.
The Wigan Casino is the colloquial name for the nightclub the Casino Club, that operated in Wigan between Friday, August 27 1965 and 1981, associated with the Northern Soul movement in the UK. The club's enduring dedication to Northern Soul "all nighters" made it an icon among fans of the genre, continuing the efforts that other clubs such as the Twisted Wheel in Manchester, the Chateau Impney (Droitwich), the Catacombs (Wolverhampton) and the Golden Torch had started. It remains one of the most famous clubs in Northern England. In 1978, allegedly the American music magazine Billboard voted Wigan Casino "The Best Disco in the World", ahead of New York City's Studio 54, although there is no tangible evidence of this award ever being publicised.
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Dean Parrish was an American singer from New York City, best known for the song "I'm on My Way", which became noted for being the penultimate record that was played at the last Northern soul all-nighter at the Wigan Casino.
Outta Here is the debut studio album by Dutch pop artist and songwriter Esmée Denters. It was released on Tennman Records in May and June 2009 in Europe, and was released in the UK on 11 January 2010. Production was handled mostly and executively by Justin Timberlake with Denters herself co-writing the album.
British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to American rock 'n' roll. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion in the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general
Neil Rushton is a British journalist, DJ, record dealer, record label entrepreneur, event promoter and author who is closely associated with the Northern soul scene.
Belleruche ( BEL-ROOSH was a three-piece electronic/soul band from the United Kingdom. They were signed on the Brighton-based Tru Thoughts label. The members of the band were Kathrin deBoer, Ricky Fabulous, and DJ Modest.
"What" is a song and single written by H. B. Barnum, performed by Melinda Marx and released in 1965. Marx, daughter of Groucho Marx was a reluctant pop singer and the high notes on "What" found her straining. She recorded only one further single before leaving musical performing which had been foist upon her by her father.