Overprinting

Last updated
Knock-out
without trapping
Knock-out
with trapping
Overprinting
Comparison of a knock-out with and without trapping, and overprinting for perfect and imperfect registration. Rows are as follows:
The cyan (lighter) plate,
The magenta (darker) plate,
Result with perfect registration (some monitors show slight misalignment), and
Result with imperfect registration. Knockout trapping overprinting.svg
 Knock-out
without trapping
Knock-out
with trapping
Overprinting

Comparison of a knock-out with and without trapping, and overprinting for perfect and imperfect registration. Rows are as follows:
  1. The cyan (lighter) plate,
  2. The magenta (darker) plate,
  3. Result with perfect registration (some monitors show slight misalignment), and
  4. Result with imperfect registration.

Overprinting refers to the process of printing one colour on top of another in reprographics. This is closely linked to the reprographic technique of 'trapping'. Another use of overprinting is to create a rich black (often regarded as a colour that is "blacker than black") by printing black over another dark colour. [1] [2]

It is also the term used in the production of envelopes customised to order by printing images (such as logos) and texts (such as slogans) on mass-produced machine-made envelopes; the alternative way of producing such envelopes is to print "on the flat" and then cut out the individual shapes and fold them to form the envelopes.[ citation needed ] However the latter method is generally only economically viable for large print runs offering returns to scale.[ citation needed ]

Overprinting also refers to the printing of additional information onto self-adhesive labels and product packaging. "Best Before", "Use By" dates and batch codes are printed in situ onto product packaging as the items are packed. Generally thermal printers, ink jet printers or laser printers are used.

Related Research Articles

Printer (computing) Computer peripheral that prints text or graphics

In computing, a printer is a peripheral machine which makes a persistent representation of graphics or text, usually on paper. While most output is human-readable, bar code printers are an example of an expanded use for printers. Different types of printers include 3D printers, inkjet printers, laser printers, and thermal printers.

Screen printing Printing technique

Screen printing is a printing technique where a mesh is used to transfer ink onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. One colour is printed at a time, so several screens can be used to produce a multi-coloured image or design.

Printmaking Process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. Historically, many printed images were created as a preparatory study, such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".

Inkjet printing Type of computer printing

Inkjet printing is a type of computer printing that recreates a digital image by propelling droplets of ink onto paper and plastic substrates. Inkjet printers were the most commonly used type of printer in 2008, and range from small inexpensive consumer models to expensive professional machines. By 2019, laser printers outsold inkjet printers by nearly a 2:1 ratio, 9.6% vs 5.1%.

Envelope Packaging item, usually made of thin flat material

An envelope is a common packaging item, usually made of thin, flat material. It is designed to contain a flat object, such as a letter or card.

Dye-sublimation printing Digital printing technology with wide color range

Dye-Sublimation Printing is a computer printing technique which uses heat to transfer dye onto materials such as a plastic, card, paper, or fabric. The sublimation name was first applied because the dye was considered to make the transition between the solid and gas states without going through a liquid stage. This understanding of the process was later shown to be incorrect, as there is some liquefying of the dye. Since then, the proper name for the process has become known as dye-diffusion, though this technically correct term has not supplanted the original name. Many consumer and professional dye-sublimation printers are designed and used for producing photographic prints, ID cards, clothing, and more.

Reprography is the reproduction of graphics through mechanical or electrical means, such as photography or xerography. Reprography is commonly used in catalogs and archives, as well as in the architectural, engineering, and construction industries.

Flexography Form of printing process

Flexography is a form of printing process which utilizes a flexible relief plate. It is essentially a modern version of letterpress, evolved with high speed rotary functionality, which can be used for printing on almost any type of substrate, including plastic, metallic films, cellophane, and paper. It is widely used for printing on the non-porous substrates required for various types of food packaging.

Stationery Writing materials

Stationery refers to commercially manufactured writing materials, including cut paper, envelopes, writing implements, continuous form paper, and other office supplies. Stationery includes materials to be written on by hand or by equipment such as computer printers.

Spore print Fungi spore print color

The spore print is the powdery deposit obtained by allowing spores of a fungal fruit body to fall onto a surface underneath. It is an important diagnostic character in most handbooks for identifying mushrooms. It shows the colour of the mushroom spores if viewed en masse.

Chromolithography Method for making multi-colour prints

Chromolithography is a method for making multi-colour prints. This type of colour printing stemmed from the process of lithography, and includes all types of lithography that are printed in colour. When chromolithography is used to reproduce photographs, the term photochrome is frequently used. Lithographers sought to find a way to print on flat surfaces with the use of chemicals instead of raised relief or recessed intaglio techniques. Chromolithograph is also known as Oleograph.

Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative, a positive transparency , or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Digital photographs are commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing".

Imposition is one of the fundamental steps in the prepress printing process. It consists of the arrangement of the printed product’s pages on the printer’s sheet, in order to obtain faster printing, simplify binding and reduce paper waste.

Color printing or colour printing is the reproduction of an image or text in color. Any natural scene or color photograph can be optically and physiologically dissected into three primary colors, red, green and blue, roughly equal amounts of which give rise to the perception of white, and different proportions of which give rise to the visual sensations of all other colors. The additive combination of any two primary colors in roughly equal proportion gives rise to the perception of a secondary color. For example, red and green yields yellow, red and blue yields magenta, and green and blue yield cyan. Only yellow is counter-intuitive. Yellow, cyan and magenta are merely the "basic" secondary colors: unequal mixtures of the primaries give rise to perception of many other colors all of which may be considered "tertiary."

Wedding invitation

A wedding invitation is a letter asking the recipient to attend a wedding. It is typically written in the formal, third-person language and mailed five to eight weeks before the wedding date.

Tracing paper

Tracing paper is paper made to have low opacity, allowing light to pass through. It was originally developed for architects and design engineers to create drawings that could be copied precisely using the diazo copy process; it then found many other uses. The original use for drawing and tracing was largely superseded by technologies that do not require diazo copying or manual copying of drawings.

Postage stamps of Ireland Stamps issued by the Republic of Ireland

The postage stamps of Ireland are issued by the postal operator of the independent Irish state. Ireland was part of the United Kingdom of Great Britain and Ireland when the world's first postage stamps were issued in 1840. These stamps, and all subsequent British issues, were used in Ireland until the new Irish Government assumed power in 1922. Beginning on 17 February 1922, existing British stamps were overprinted with Irish text to provide some definitives until separate Irish issues became available. Following the overprints, a regular series of definitive stamps was produced by the new Department of Posts and Telegraphs, using domestic designs. These definitives were issued on 6 December 1922; the first was a 2d stamp, depicting a map of Ireland. Since then new images, and additional values as needed, have produced nine definitive series of different designs.

Printing registration

In color printing, print registration is the layering of printed patterns to form a multicolor pattern. Registration error is the "position misalignment in the overlapped patterns." Machine components such as the print cylinder, doctor blade assembly, printing plates, stress/friction and more, affect the registration of the machine. Inconsistencies among these components can cause the printing press to fall out of registration; that is when press operators will begin to see defects in their print. There are many different ways to achieve proper registration, many of which employ the alignment of registration marks. Many press manufacturers have installed automatic register systems to assist the operator in getting the print back into proper alignment.

A contract proof usually serves as an agreement between customer and printer and as a color reference guide for adjusting the press before the final press run. Most contract proofs are a prepress proof.

Chromoxylography

Chromoxylography was a colour woodblock printing process, popular from the mid-19th to the early-20th century, commonly used to produce illustrations in children's books, serial pulp magazines, and cover art for yellow-back and penny dreadfuls. The art of relief engraving and chromoxylography was perfected by engravers and printers in the 19th century, most notably in Victorian London by engraver and printer Edmund Evans who was particularly good with the process, producing a wide range of hues and tones through color mixing. Chromoxylography was a complicated technique, requiring intricate engraving and printing for the best results. Less expensive products, such as covers for pulp magazines, had to be produced with few colours, often only two or three, whereas more intricate and expensive books and reproductions of paintings used as many as a dozen or more colors. For each colour used, a separate woodblock had to be carved of the image being reproduced.

References

  1. Craig, James; Scala, Irene Korol (16 May 2012). Designing with Type, 5th Edition: The Essential Guide to Typography. Clarkson Potter/Ten Speed. p. 98. ISBN   978-0-8230-8560-6 . Retrieved 29 September 2021.
  2. Cohen, Sandee (10 July 2012). InDesign CS6: Visual QuickStart Guide. Peachpit Press. p. 136. ISBN   978-0-13-300610-0 . Retrieved 29 September 2021.