The Paget process was an early colour photography process patented in Britain in 1912 by G.S. Whitfield and first marketed by the Paget Prize Plate Company in 1913. A paper-based Paget process was also briefly sold. Both were discontinued in the early 1920s. One of the most outstanding exponents of the Paget process was Australian photographer Frank Hurley.
The system used two glass plates, one of which was the colour screen plate while the other was a standard black-and-white negative plate. The colour screen plate comprised a series of red, green and blue filters, laid down in a regular pattern of lines to form a réseau, or matrix. Because the negatives of the time required long exposure times, the colours in the screen plate were diluted to let more light through to the negative, resulting in a quicker exposure. A viewing screen with more intense colour filters was used in combination with the developed positive to project a composite colour image.
The colour screen plate was usually sold as a separate item to the panchromatic negatives. A single colour screen plate could be placed into the camera and used to expose many negatives in succession. The resultant negatives looked like standard black-and-white negatives, with a noticeable crosshatch patterning in areas of strong colour.
Transparency positives could be made from the system's panchromatic negatives by contact printing; these positives were then bound in register with a colour viewing screen of the same type as used for exposure, to reproduce the image in colour. Multiple copies could be printed from each negative, the resultant positives each being registered with their own colour viewing screens. If, on the other hand, a black-and-white print was required, the negative was used and the colour viewing screen ignored.
Many surviving Paget viewing screens have faded or suffered colour shifts over the years, the purplish hues which some of these present no longer giving a true indication of their original colour fidelity.
One advantage of the Paget system was that Paget plates were more sensitive than contemporary autochrome plates, allowing exposures of around 1/25 second (four times faster than autochrome). It was also a negative/positive process with a separate colour screen, which meant that multiple prints were straightforward to produce.
The chief disadvantage of the system was that the colours were considered unfaithful and pale compared to the rich colours captured by autochrome.
Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV) light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.
The following list comprises significant milestones in the development of photography technology.
The Autochrome Lumière was an early color photography process patented in 1903 by the Lumière brothers in France and first marketed in 1907. Autochrome was an additive color "mosaic screen plate" process. It was the principal color photography process in use before the advent of subtractive color film in the mid-1930s.
Photographic paper is a paper coated with a light-sensitive chemical formula, like photographic film, used for making photographic prints. When photographic paper is exposed to light, it captures a latent image that is then developed to form a visible image; with most papers the image density from exposure can be sufficient to not require further development, aside from fixing and clearing, though latent exposure is also usually present. The light-sensitive layer of the paper is called the emulsion. The most common chemistry was based on silver halide but other alternatives have also been used.
In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.
Gabriel Lippmann conceived a two-step method to record and reproduce colours, variously known as direct photochromes, interference photochromes, Lippmann photochromes, Photography in natural colours by direct exposure in the camera or the Lippmann process of colour photography. Lippmann won the Nobel Prize in Physics for this work in 1908.
Sergey Mikhaylovich Prokudin-Gorsky was a Russian chemist and photographer. He is best known for his pioneering work in color photography and his effort to document early 20th-century Russia.
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.
Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative, a positive transparency , or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Digital photographs are commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing".
Kinemacolor was the first successful colour motion picture process, used commercially from 1908 to 1914. It was invented by George Albert Smith in 1906. He was influenced by the work of William Norman Lascelles Davidson and, more directly, Edward Raymond Turner. It was launched by Charles Urban's Urban Trading Co. of London in 1908. From 1909 on, the process was known and trademarked as Kinemacolor. It was a two-colour additive colour process, photographing and projecting a black-and-white film behind alternating red and green filters.
The history of photography began with the discovery of two critical principles: camera obscura image projection and the observation that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
The Joly colour process is an early additive colour photography process devised by Dublin physicist John Joly in 1894.
Dufaycolor is an early British additive colour photographic film process, introduced for motion picture use in 1932 and for still photography in 1935. It was derived from Louis Dufay's Dioptichrome plates, a glass-based product for colour still photography, introduced in France in 1909. Both Dioptichrome and Dufaycolor worked on the same principles as the Autochrome process, but achieved their results using a layer of tiny colour filter elements arrayed in a regular geometric pattern, unlike Autochrome's random array of coloured starch grains. The manufacture of Dufaycolor film ended in the late 1950s.
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
Thomas Sutton was an English photographer, author, and inventor.
The Desmet Method is a method for restoring the colours of early silent films, which had originally been subjected to the processes of either:
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film.
The Finlay colour process was an early additive colour photography process devised by an Irish woman named Clare Elizabeth Finlay which could produce a picture in natural colour with a single exposure.