Pagliacci | |
---|---|
Directed by | Joe W. Coffman |
Written by | Ruggero Leoncavallo (libretto) |
Produced by | Fortune Gallo |
Cinematography | Al Wilson |
Edited by | Joe W. Coffman |
Production company | Audio Cinema |
Distributed by | Leo Brecher |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | Italian |
Pagliacci is a 1931 American musical film directed by Joe W. Coffman and starring Fernando Bertini, Alba Novella and Mario Valle. [1] It is a filmed version of a stage performance of the opera Pagliacci by Ruggero Leoncavallo. [2]
Mario Del Monaco was an Italian operatic tenor.
Renata Tebaldi was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "la voce d'angelo", and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."
Pagliacci is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. Pagliacci premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London and in New York. Pagliacci is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire.
Carlo Bergonzi was an Italian operatic tenor. Although he performed and recorded some bel canto and verismo roles, he was above all associated with the operas of Giuseppe Verdi, including many of the composer's lesser known works he helped revive. He sang more than forty other roles throughout his career.
Victoria de los Ángeles López García was a Catalan Spanish operatic lyric soprano and recitalist whose career began after the Second World War and reached its height in the years from the mid-1950s to the mid-1960s.
The Real Teatro di San Carlo, as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice.
Anna Moffo was an American opera singer, television personality, and actress. One of the leading lyric-coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima".
Gary Bertini was one of the most important Israeli musicians and conductors. In 1978 he was awarded the Israel Prize for Music.
Italy competed at the 1964 Summer Olympics in Tokyo, Japan. 168 competitors, 157 men and 11 women, took part in 91 events in 18 sports.
Giuseppe Taddei was an Italian baritone, who, during his career, performed multiple operas composed by numerous composers.
Natalia Rom, soprano, was born in Kazan, in the Soviet Union, on May 14, 1950, and graduated from the Leningrad Conservatory. In late 1976, she emigrated to New Orleans, where she attended Loyola University's College of Music, and studied voice with Patricia Havranek. In 1979, she made her professional debut in a small role in the New Orleans Opera Association's Die Zauberflöte. That same year, she won the Metropolitan Opera National Council Auditions. In 1980, she sang the title role in Aïda, for the Seattle Opera.
Gabriella Tucci was an Italian operatic soprano who was particularly associated with the Italian repertory and performed at notable opera houses worldwide. She appeared at the Metropolitan Opera in 11 Verdi roles across 13 seasons, including Violetta in La traviata and Desdemona in Otello.
The San Carlo Opera Company was the name of two different opera companies active in the United States during the first half of the twentieth century.
Caterina Mancini was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s.
Afro Poli was an Italian operatic baritone, particularly associated with the Italian repertory.
Fernando del Valle is an American operatic tenor. He is the son of Edward King Skinner II, a Korean War veteran and Concha Marina Meléndez del Valle the cousin of George Melendez Wright. He is the grandson of Aranka Bischitz great-great-granddaughter of Baroness Johanna Bischitz von Heves and niece of Hungarian radiochemist and Nobel Prize in Chemistry laureate George de Hevesy. He is the nephew of the Architect Manuel Roberto Meléndez Bischitz.
Carlo Sabajno was an Italian conductor. From 1904 to 1932, he was the Gramophone Company's chief conductor and artistic director in Italy, responsible for some of the earliest full-length opera recordings, most of them with the orchestra of La Scala, Milan and prominent singers there. Particularly outstanding among these are his stately, authoritative late-1920s and early-1930s electrical recordings of Don Pasquale, Traviata, Aida, Otello and Bohème.
Alba Arnova was an Italian-Argentine ballerina and actress.
I Pagliacci is a 1923 British silent historical drama film directed by G. B. Samuelson and S. W. Smith and starring Adelqui Migliar, Lillian Hall-Davis and Campbell Gullan. The film was shot at Isleworth Studios. It is based on the 1892 opera Pagliacci by Ruggero Leoncavallo.
I Pagliacci is a 1915 Italian silent drama film directed by Francesco Bertolini. It is based on the 1892 opera Pagliacci by Ruggero Leoncavallo.