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Gurumurti Sastri was a composer of Carnatic music who lived during the 18th century in the village of Kayatar in Tirunelveli district of Tamil Nadu. [1]
His family name was Paidala. He learnt music from Venkatasubbayya. He was well-versed in both Sangitha and Sahitya. He was felicitated Madras.
Gurumurti Sastri composed many Gitas, or short songs illustrating Janaka (means parent, also known as melakarta) and Janya ragas . He composed around 1000 gitas which earned him the name ' Veyi Gitala Gurumurti Sastri' . He was famous for his technical knowledge of the science of Ragas. His mudra (signature) was Gurumurthi.
The Gitas he composed in Sanskrit were lost to time. Here are a few that sustained the test of time.
Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Muthuswami Dikshitar (IAST: muttusvāmi dīkṣitar, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed. He is also known by his signature name of Guruguha which is also his mudra. His compositions are widely sung and played in classical concerts of Carnatic music.
Shyama Shastri or Syama Sastri was a musician and composer of Carnatic music. He was the oldest among the Trinity of Carnatic music, Tyagaraja and Muthuswami Dikshitar being the other two.
Music of Tamil Nadu has a long tradition and history going back thousands of years. Music is a very important aspect of marriage and temple festival Tamil people.
A mudra is a term woven into compositions in Indian classical music, particularly Carnatic music, that indicates the identity of the composer, a patron, the raga, tala, or style. A composer might use his own name or a pseudonym. Not all composers have mudras, and they do not necessarily relate to the composer's name.
Harikesanallur Muthiah Bhagavatar, commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 ragas.
Muthu Thandavar (Tamil:முத்துத்தாண்டவர்) was composer of Carnatic music. He was an early architect of the present day Carnatic kriti (song) format, which consists of the pallavi (refrain), anupallavi and charanam. He lived in the town of Sirkazhi in Tamil Nadu. His contributions to Carnatic music have been largely forgotten and not many of his kritis are in vogue today. Muthu Thandavar, along with Arunachala Kavi (1712–1779) and Marimutthu Pillai (1717–1787) are known as the Tamil Trinity of Carnatic music.
Arunachala Kavi (1711–1779) was a Tamil poet and a composer of Carnatic music. He was born in Tillaiyadi in Thanjavur District in Tamil Nadu. The three Tamil composers Arunachala Kavi, Muthu Thandavar and Marimutthu Pillai are considered the Tamil Trinity, who contributed to the evolution of Carnatic music.
Pacchimiriam Adiappayya was a famous court musician at the Maratha kingdom of Thanjavur in the 18th century. He belongs to Kannada Madhwa Brahmin community. Famous musicians Veena Venkatamaramana Das of Vijayanagaram and Veena Seshanna of Mysore are his descendants. He was a composer of Carnatic music. Some of his famous disciples were Syama Sastri, one of the Trinity of Carnatic composers, and Ghanam Krishna Iyer. His compositions are in the Telugu language.
Akumadugula Manambuchavadi Venkatasubbaiyya (1803–1862) was a Carnatic music vocalist and composer. He composed the varnam Jalajakshi, in raga Hamsadhwani. He was the cousin and a direct student of the famous composer Tyagaraja. He was also an accomplished singer and a renowned teacher. He was a scholar in Telugu and Sanskrit. He composed in Telugu Language.
Vaidyanatha Sivan was a composer and vocalist of Carnatic music. He was a great exponent of extemporaneous singing. He also composed a ragamalika with all the 72 melakartha ragas.
Patnam Subramania Iyer was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions.
Papanasa Mudaliyar (1650–1725) was an early Carnatic music composer who lived in Tamil Nadu, India. Among his compositions mukattai kAttiya in Bhairavi ragam and nadamAdittirintha in Kambhoji ragam are well known. The latter composition is an example of the Nindastuti style in musical compositions wherein the superficial meaning of the song seems to ridicule the deity involved. Later Tyagaraja followed this in songs like Adigi sukhamu in Madhyamavathi raga.
The Haridaasas, the Vaishnava saints of Karnataka, are classified into the Vyaasakuta and Daasakuta. The Vyaasakuta were the pontifical saints known for their scholarship and exposition of Madhva's philosophy. The Daasakuta were the peripatetic saint disciples of the Vyaasakuta sanyasins. They were proficient singers and composers and used classical music and the Kannada language as a medium to propagate the teachings and philosophy of the Dvaita school. While Sripadaraya is sometimes credited with starting this musical movement, Purandaradaasa, a disciple of Vyaasasraaya, became renowned as Karnataka Sangita Pitaamaha.
Manjapara Devesa Bhagavathar Ramanathan was a Carnatic music composer and vocalist who created a distinctive style of singing rich in Bhava and Laya. He was considered for the Madras Music Academy's Sangeetha Kalanidhi award in 1983.
Kharaharapriya is a rāga in Carnatic music. It is the 22nd melakarta rāga in the 72 melakarta rāga system. It is possible that the name of the ragam was originally Harapriya but it was changed to conform to the Katapayadi formula. Kharaharapriya has a distinct melody and brings out the Karuna rasam, invoking pathos in the listeners. The Kafi thaat of Hindustani music is the equivalent of Kharaharapriya. Its Western equivalent is the Dorian mode.
Mayuram Viswanatha Sastri (1893–1958) was a Carnatic music composer. His most remembered composition is the patriotic song "Jayathi Jayathi Bharata Mata". Translated "Victory Victory to Mother India", the song has become a standard among classical singers of South India. This song is one of the 18 songs in his book 'Bharat Bhajan' which was published in the year 1948 containing songs in praise of Bharat Matha( Mother India) and Mahatma Gandhi. This book was one among his many publications.
S.R.Janakiraman is a Carnatic vocalist and a musicologist. He is a recipient of several awards including the Sangita Kala Acharya, Kalaimamani from the Tamil Nadu Government and the Sangeet Natak Academy Award of the Government of India and the Padma Shri.
R. Suryaprakash is a Carnatic vocalist, composer, and lyricist. An 'A Grade' artist of All India Radio, he has travelled extensively and received accolades for his performances.
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