Both the location of the former palace and a large part of the ground plan can be gathered from excavations of the remains of foundations and walls carried out by Corrado Ricci in the period between 1907 and 1911 in the garden of the Monghini family and in the adjacent area between the Viale Farini und Via Alberoni.[1] Ricci identified the building on the basis of lead sewer pipes on which the name of Theodoric was engraved. The palace lay behind San Apollinare Nuovo, Theodoric's cathedral church, and the partial building which is now referred to as the "so-called Palace of Theodoric", which was erroneously believed to be a remnant of the palace for a long time. The lead pipes revealed by the excavation, along with other finds, are kept in a dedicated room of the National Museum, Ravenna.
A large-scale mosaic depiction of the palace, located on the upper part of the southern interior wall of San Apollinare Nuovo and dating from the time of Theodoric, allows the palace to be reconstructed to a certain extent. From that, the palace seems not to have been very large. The relevant mosaic in San Apollinare Nuovo, which probably originally depicted Theodoric sitting on a horse in the centre and members of his court or his family in the two flanking colonnades, was altered after Theodoric's death in 526. Because he was an Arian, the Roman Church considered him a heretic. After his death, therefore, all images that depicted him and other people were removed from the mosaic and covered with other images. Of the original figures, the hands still remain on the columns of the palace.
In the excavations, among other things, some remnants of the palace's mosaic floor were discovered. The mosaics were brought to the "so-called Palace of Theodoric" in 1923, where they were set up in a display room. In the display room, on the upper level, a poster with a plan of the excavated foundations was displayed as well.
Building material was taken from the ruins of Theodoric's palace by Charlemagne, including several columns that he reused in the construction of his Palatine Chapel in Aachen. The columns, which served mostly as decoration and had no structural role, were removed by Napoleon and displayed in the Louvre. Some of the columns were later returned to Aachen.
Notes
↑ Wilhelm Jänecke: Die drei Streitfragen am Grab Theoderichs. In: Sitzungsberichte der Heidelberger Akademie der Wissenschaften, Philosophisch-historische Klasse, 1927/1928 (Winter), Heidelberg 1928 (24 pages).
Theodoricthe Great, also called Theodoric the Amal, was king of the Ostrogoths (471–526), and ruler of the independent Ostrogothic Kingdom of Italy between 493–526, regent of the Visigoths (511–526), and a patrician of the East Roman Empire. As ruler of the combined Gothic realms, Theodoric controlled an empire stretching from the Atlantic Ocean to the Adriatic Sea.
Ravenna is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire from 402 until the empire collapsed in 476. It then served as the capital of the Ostrogothic Kingdom until it was re-conquered in 540 by the Byzantine Empire. Afterwards, the city formed the centre of the Byzantine Exarchate of Ravenna until the invasion of the Lombards in 751. Although it is an inland city, Ravenna is connected to the Adriatic Sea by the Candiano Canal. It is known for its well-preserved late Roman and Byzantine architecture, with eight buildings comprising the UNESCO World Heritage Site "Early Christian Monuments of Ravenna".
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
Aachen Cathedral is a Roman Catholic church in Aachen, Germany and the see of the Roman Catholic Diocese of Aachen.
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire.
The Baths of Caracalla in Rome, Italy, were the city's second largest Roman public baths, or thermae, likely built between AD 212 and 216/217, during the reigns of emperors Septimius Severus and Caracalla. They were in operation until the 530s and then fell into disuse and ruin.
The Palatine Chapel in Aachen is an early medieval chapel and remaining component of Charlemagne's Palace of Aachen in what is now Germany. Although the palace itself no longer exists, the chapel was preserved and now forms the central part of Aachen Cathedral. It is Aachen's major landmark and a central monument of the Carolingian Renaissance. The chapel held the remains of Charlemagne. Later it was appropriated by the Ottonians and coronations were held there from 936 to 1531.
A loggia is an architectural feature which is a covered exterior gallery or corridor usually on an upper level, or sometimes ground level. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room. An overhanged loggia may be supported by a baldresca.
The Basilica of Sant'Apollinare Nuovo is a basilica church in Ravenna, Italy. It was erected by the Ostrogothic king Theodoric the Great as his palace chapel during the first quarter of the 6th century. This Arian church was originally dedicated in 504 AD to "Christ the Redeemer".
The Baptistery of Neon is a Roman religious building in Ravenna, northeastern Italy. The most ancient monument remaining in the city, it was partly erected on the site of a Roman bath. It is also called the Orthodox Baptistery to distinguish it from the Arian Baptistery constructed on behest of Ostrogothic King Theodoric some 50 years later.
The Basilica of Sant' Apollinare in Classe is a church in Ravenna, Italy, consecrated on 9 May 549 by the bishop Maximian and dedicated to Saint Apollinaris, the first bishop of Ravenna and Classe. An important monument of Byzantine art, in 1996 it was inscribed with seven other nearby monuments in the UNESCO World Heritage List, which described it as "an outstanding example of the early Christian basilica in its purity and simplicity of its design and use of space and in the sumptuous nature of its decoration".
The Arian Baptistry in Ravenna, Italy is a Christian baptismal building that was erected by the Ostrogothic King Theodoric the Great between the end of the 5th century and the beginning of the 6th century A.D., at the same time as the Basilica of Sant' Apollinare Nuovo.
The Basilica of San Vitale is a late antique church in Ravenna, Italy. The 6th century church is an important surviving example of early Christian Byzantine art and architecture. It is one of eight structures in Ravenna inscribed on the UNESCO World Heritage List. Its foundational inscription describes the church as a basilica, though its centrally-planned design is not typical of the basilica form. The Roman Catholic Church has designated the building a "basilica", an honorific title bestowed on exceptional church buildings of historic and ecclesial importance.
The Archiepiscopal Museum is located in Ravenna, Italy, next to the Baptistry of Neon and behind the Duomo of Ravenna. In the museum relics of early Christian Ravenna are preserved, including fragments of mosaic from the first cathedral church, and the chapel of Sant'Andrea, dating from the Gothic kingdom.
Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories. This is especially true before the Byzantine Iconoclasm of the 8th century.
The Port of Ravenna is an Italian seaport on the North Adriatic Sea in Ravenna, Italy. It is one of the top twenty Italian ports and top forty European ports.
Classe was a commercial port located 4 km (2.5 mi) east south east from Ravenna, Italy. It was near the head of the Adriatic coast. For almost five hundred years it was an important strategic military port. When it was not being used as a military port, it was an important commercial port for the imperial capital of Ravenna in the Roman Empire. Classe comes from the Latin word classis, meaning fleet.
Ostrogothic Ravenna refers to the time period in which Ravenna, a city in Northeastern Italy, served as the capital of the Ostrogothic Kingdom, which existed between 493 and 553 CE. During that time, Ravenna saw a great renovation, in particular under Theodoric the Great (454–526). During his rule, Ravenna saw many of its finest monuments constructed or renovated, including the Basilica of Sant'Apollinare Nuovo, the Palace of Theoderic, and Mausoleum of Theodoric. Many of these monuments reflected Theodoric's, as well as the Goths as a people, religion of Arian Christianity. Though an Arian Christian himself, Theodoric's rule was a time of religious tolerance in the city of Ravenna. His religious tolerance extended also to forging a balance between the Romans and Goths in Ravenna. Theodoric attempted to model Ravenna as a capital equivalent to that of Rome or Constantinople and as such was a defender of classical antiquity in a western world that saw much of its classical heritage disappearing.
The Throne of Maximian is a cathedra that was made for Archbishop Maximianus of Ravenna and is now on display at the Archiepiscopal Museum, Ravenna. It is generally agreed that the throne was carved in the Greek East of the Byzantine Empire and shipped to Ravenna, but there has long been scholarly debate over whether it was made in Constantinople or Alexandria.
Byzantine mosaics are mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular and historically significant art forms produced in the empire, and they are still studied extensively by art historians. Although Byzantine mosaics evolved out of earlier Hellenistic and Roman practices and styles, craftspeople within the Byzantine Empire made important technical advances and developed mosaic art into a unique and powerful form of personal and religious expression that exerted significant influence on Islamic art produced in Umayyad and Abbasid Caliphates and the Ottoman Empire. In addition, Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty.
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