The Palazzo Gussoni Grimani Della Vida, also called Grimani a San Fosca is a Renaissance-style palace on the Grand Canal, located between the Palazetto Barbarigo and the Rio di Noale, in the sestiere of Cannaregio, in Venice, Italy.
The Palazzo Gussoni Grimani Della Vida, also called Grimani a San Fosca is a Renaissance-style palace on the Grand Canal, located between the Palazetto Barbarigo and the Rio di Noale, in the sestiere of Cannaregio, in Venice, Italy.
The palace was built in the mid-16th century by a branch of the Venetian noble Gussoni family and attributed to a design of Michele Sanmicheli. The Gussoni family is said to have played a role in the founding of Santa Sofia, San Matteo, and Santa Maria dei Crociferi. A different branch of the family lived in the Gussoni palace in San Vitale, later owned by the Cavalli.
In May 1569, the archduke Charles of Austria watched a regatta in his honor from this palace. During 1647-1690, the palace hosted the Accademia Delfica, also called Gussonia. The male Gussoni branch extinguished in 1735 with the death of the Senator Giulio. The palace briefly passed to the Minio family, who sold it to the Grimani. In 1816, it was purchased by the Jewish family Dalla Vida (Della Vida).
The courtyard had frescoes by Giovanni Battista Zelotti. [1] The facade once had frescoes by Tintoretto depicting allegories of Dawn and Dusk. [2]
The Doge's Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
Tiziano Vecelli or Vecellio ,, Latinized as Titianus, hence known in English as Titian, was an Italian (Venetian) Renaissance painter of Lombard origin, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
The Grand Canal is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis, an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock".
Domenico Passignano, born DomenicoCresti or Crespi, was an Italian painter of a late-Renaissance or Counter-Maniera (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century.
Soave is a small comune of the Veneto region in the Province of Verona, northern Italy, with a population of roughly 6,800 people.
Francesco Menzocchi (1502–1574) was an Italian painter of the late-Renaissance and Mannerist period. He was born in Forlì, belonged to the Forlì painting school and was active mainly in Forlì and Pesaro.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
Palazzo Cavalli-Franchetti is a palace in Venice, Italy, not far from the Ponte dell'Accademia and next to the Palazzo Barbaro on the Grand Canal of Venice. The palace was erected in 1565 by the patrician Marcello family, later passing to the Gussoni. In the 19th century it was internally modernised and externally enriched in revived Venetian Gothic style, with rich window framing, by a series of grand owners.
The Palazzo Grimani of Santa Maria Formosa is a State museum, located in Venice in the Castello district, near Campo Santa Maria Formosa.
Domenico Robusti, also known as Domenico Tintoretto, was an Italian painter from Venice. He grew up under the tutelage of his father, the renowned painter Jacopo Tintoretto.
The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.
Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia.
The Abbey of Santa Maria in Sylvis is a monastery in the centre of Sesto al Reghena, in the province of Pordenone, Northeastern Italy.
The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy.
The Palazzo Loredan Cini is a Gothic-style palace located between the Palazzo Balbi Valier and the Rio San Vio on the Grand Canal, in the sestiere of Dorsoduro, Venice, Italy. The palace was formed from the amalgamation of the former Palazzo Foscari-Loredan with the adjacent Palazzo Grimani. The narrow facade on the Canal has no entrance, but the facade to the north on the Rio, has a single water door, and is connected to the adjacent campo by a bridge. The facade is decorated with two poliforas.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
