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| Palazzo Patriarcale | |
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| General information | |
| Architectural style | Venetian Classical style |
| Completed | 1850 |
Palazzo Patriarcale (or Arcivescovile) is a palace in the Piazzetta dei Leoncini, Venice, Italy. It is the seat of the Patriarchate of Venice.
After the fall of the Venetian Republic, St Mark's Basilica became a cathedral, the Palazzo Patriarcale was built as the new headquarters of the Patriarchate of Venice (former headquarter was San Pietro di Castello). In 1837, architect Lorenzo Santi started to work on the building. The construction ended in 1850. [1] [2]
From 1894 to 1903, the building was the residence of Giuseppe Melchiorre Sarto (1835-1914), who later became Pope Pius X. [3] [4]
Between 2005 and 2007, the Diocesan Museum hosted two private exhibitions, Il ciclo di Tintoretto e la quadreria del Palazzo Patriarcale and "Officina Dürer". [4]
In 2006, the heating and air-conditioning systems in the building were modernized. [5] The Diocesan Museum, housed in the building, opened to the public in 2007. [3] [4]
The Palazzo Patriarcale is adjacent to the St Mark's Basilica. [1] The façade faces the Piazzetta dei Leoncini.
The building also houses the Historical Archive of the Patriarchate of Venice. [6]
Piazza San Marco, often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as la Piazza. AThe Piazzetta is an extension of the Piazza towards San Marco basin in its southeast corner. The two spaces together form the social, religious and political centre of Venice and are referred to together. This article relates to both of them.
The Doge's Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
The Patriarchal Cathedral Basilica of Saint Mark, commonly known as St Mark's Basilica, is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city.
Jacopo d'Antonio Sansovino was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his Vita of Sansovino separately.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
The Grand Canal is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city.
The properties of the Holy See are regulated by the 1929 Lateran Treaty signed with the Kingdom of Italy. Although part of Italian territory, some of them enjoy extraterritoriality similar to those of foreign embassies.
Piazzetta dei Leoncini is a city square in Venice, Italy. The square is located on the north side of the St Mark's Basilica, near the Palazzo Patriarcale and San Basso. The square is known for its lion statuary in marble of Cottanello, made by the sculptor Giovanni Bonazza in 1722. Also on the square, in an alcove of the Basilica itself, is the sarcophagus of Daniele Manin, the president of the brief independent Republic of San Marco, established during a rebellion in 1848 against Habsburg rule.
Ca' Foscari, the palace of the Foscari family, is a Gothic building on the waterfront of the Grand Canal in the Dorsoduro sestiere of Venice, Italy.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Piazza del Duomo is the main piazza of Milan, Italy. It is named after, and dominated by, Milan Cathedral. The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m2, the piazza includes some of the most important buildings of Milan, as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city.
The Palazzo Venezia or Palazzo Barbo, formerly Palace of Saint Mark, is a large early Renaissance palace in central Rome, Italy, situated to the north of the Capitoline Hill. Today the property of the Republic of Italy it houses the National Museum of the Palazzo Venezia. The main (eastern) facade measures 77 metres in length, with a height of about 31 metres. The north wing, containing the "Cibo Apartment", extending westwards, measures 122 metres in length. It covers an area of 1.2 hectares and encloses two gardens and the Basilica of Saint Mark. It was built in the present form during the 1450s by Cardinal Pietro Barbo (1417-1471), titular holder of the Basilica of Saint Mark, who from 1464 ruled as Pope Paul II. Barbo, a Venetian by birth as was customary for cardinals of the Basilica of Saint Mark, lived there even as pope and amassed there a great collection of art and antiquities. During the first half of the 20th century it became the residence and headquarters of the fascist dictator Benito Mussolini, who made notable orations from its balcony to huge crowds filling the Piazza Venezia.
Giuseppe Angeli was an Italian painter of the late-Baroque, known for depicting both genre and religious subjects.
Santa Caterina is a deconsecrated Roman Catholic church in the Cannaregio district of Venice, now forming part of the Liceo Marco Foscarini complex, to which it was joined when the Augustinian monks took over the running of the school.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
Via dei Coronari is a street in the historic center of Rome. The road, flanked by buildings mostly erected in the 15th and the 16th century, belongs entirely to the rione Ponte and is one of the most picturesque roads of the old city, having maintained the character of an Italian Renaissance street.
Sylke von Gaza is a German artist. First and foremost an abstract painter, she also pursues numerous projects that investigate the effect and impact of painting in architectural spaces and the process of painting including site-specific settings. Von Gaza lives and works in Munich, Venice and Zurich.
The Venetian Renaissance had a distinct character compared to the general Italian Renaissance elsewhere. The Republic of Venice was topographically distinct from the rest of the city-states of Renaissance Italy as a result of their geographic location, which isolated the city politically, economically and culturally, allowing the city the leisure to pursue the pleasures of art. The influence of Venetian art did not cease at the end of the Renaissance period. Its practices persisted through the works of art critics and artists proliferating its prominence around Europe to the 19th century.
