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The Palazzo Visconti frescoes are a series of eight 1486–1587 frescoes by Donato Bramante, now hanging in the Pinacoteca di Brera in the same city. They are the only surviving fragments of the decorative scheme in a room of the now-demolished Palazzo Visconti (later renamed the Palazzo Panigarola) on via Lanzone in Milan and were commissioned by its then-owner, privy counsellor Gaspare Ambrogio Visconti. The earliest mention of them is one in the 16th century written by Giovanni Paolo Lomazzo when the cycle in the room was still complete – he states that they showed the most famous soldiers of their time.
It consists of:
They are shown inside fake architectural niches, which help give them considerable perspectival strength. The figures' clear definition and the clear spatial network help give the figures a sculptural impression. This and their archaeologically researched costumes turn the figures into soldiers of ancient Rome. [1]
The works belong to a Renaissance tradition of cycles of famous people, such as Andrea del Castagno's Famous Men and Women Cycle and Famous Men of the Past and Present in the studiolo of Federico da Montefeltro.
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
Andrea Appiani was an Italian neoclassical painter.
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the thirteenth to the twentieth century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Palazzo Brera or Palazzo di Brera is a monumental palace in Milan, in Lombardy in northern Italy. It was a Jesuit college for two hundred years. It now houses several cultural institutions including the Accademia di Brera, the art academy of the city, and its gallery, the Pinacoteca di Brera; the Orto Botanico di Brera, a botanical garden; an observatory, the Osservatorio Astronomico di Brera; the Istituto Lombardo Accademia di Scienze e Lettere, a learned society; and an important library, the Biblioteca di Brera.
Il bacio is an 1859 painting by the Italian artist Francesco Hayez. It is possibly his best known work. This painting conveys the main features of Italian Romanticism and has come to represent the spirit of the Risorgimento. It was commissioned by Alfonso Maria Visconti di Saliceto, who donated it to the Pinacoteca di Brera after his death.
Antonio d'Enrico, called Tanzio da Varallo, or simply il Tanzio was an Italian painter of the late-Mannerist or early Baroque period.
The Accademia di Belle Arti di Brera, also known as the Accademia di Brera or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni. In 2018 it was announced that Caserma Magenta was no longer a viable option, with the former railway yard in Via Farini now under consideration as a potential venue for the campus extension.
Mosè Bianchi (1840–1904) was an Italian painter and printmaker.
The Biblioteca Nazionale Braidense or Braidense National Library, usually known as the Biblioteca di Brera, is a public library in Milan, in northern Italy. It is one of the largest libraries in Italy. Initially it contained large historical and scientific collections before it was charged with the legal deposit of all publications from Milan. Since 1880, it has had the status of a national library and is today one of the 47 Italian State libraries.
Cherubino Cornienti was an Italian painter, active in a Romantic style mainly in Northern Italy.
Santa Maria in Brera was a church in Milan, in Lombardy in northern Italy. It was built by the Humiliati between 1180 and 1229, given a marble façade and Gothic portal by Giovanni di Balduccio in the fourteenth century, and deconsecrated and partly demolished under Napoleonic rule in the early nineteenth century. The Napoleonic rooms of the Pinacoteca di Brera occupy the upper floor of what was the nave.
The Palazzo Sampieri Talon is a palace located on Strada Maggiore in Bologna, region of Emilia Romagna, Italy.
The Feast in the House of Simon the Pharisee is an oil on canvas painting by Paolo Veronese, completed in 1570 for San Sebastiano, a Hieronymite monastery in Venice. He also produced a cycle of works for the monastery church, where he was later buried. After the French occupation of Venice in the late 18th century, the monastery was suppressed and its art confiscated. In 1817, after the fall of Napoleon, Feast was assigned to the Pinacoteca di Brera in Milan, where it still hangs.
Mystic Marriage of Saint Catherine is a c.1616-1620 oil on canvas painting by Giulio Cesare Procaccini, now in the Pinacoteca di Brera in Milan. It is one of the artist's last works, influenced by Correggio, Titian's allegories and Leonardo da Vinci's The Virgin and Child with Saint Anne (Louvre).
The Palazzo Sampieri frescoes are a set of paintings by Annibale, Agostino and Ludovico Carracci in the Palazzo Sampieri in Bologna. They form the last surviving collection of works by the three artists.
Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts, Budapest.
An Allegory of Truth and Time is a 1584–85 oil on canvas painting by Annibale Carracci, now on display in Hampton Court as part of the Royal Collection.
Christ and the Canaanite Woman is a 1594-1595 oil on canvas painting by Annibale Carracci, now in the Pinacoteca Stuard in Parma.