Related Research Articles
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The music of the Dominican Republic is primarily influenced by Western European music, with Sub-Saharan African and native Taino influences. The Dominican Republic is mainly known for its merengue and bachata music, both of which are the most famous styles of music in the Dominican Republic, and have been exported and popularized around the world.
Merengue is a type of music and dance originating in present day Dominican Republic which has become a very popular genre throughout Latin America, and also in several major cities in the United States with Latino communities. Merengue was inscribed on November 30, 2016 in the representative list of the Intangible Cultural Heritage of Humanity of UNESCO.
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music.
The culture of the Dominican Republic is a diverse mixture of different influences from around the world. The Dominican people and their customs have origins consisting predominantly in a European cultural basis, with native Taíno and African influences.
Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It arose amid a process of syncretism between the traditional Kongo religion of Central Africa, the Roman Catholic branch of Christianity, and Spiritism. An initiatory religion practised by paleros (male) and paleras (female), Palo is organised through small autonomous groups called munanso congo, each led by a tata (father) or yayi (mother).
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures.
Abakuá, also sometimes known as Ñañiguismo, is an Afro-Cuban men's initiatory fraternity or secret society. It originated from fraternal associations in the Cross River region of present-day southeastern Nigeria and southwestern Cameroon.
African dance refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance uses the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles.
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land.
Cabildos de nación were African ethnic associations created in Cuba in the late 16th century based on the Spanish cofradías that were organized in Seville for the first time around the 14th century. The Sevillian cofradías had the tutelage of a Catholic saint and were held in the saint’s chapel.
Afro-Dominicans are Dominicans of predominant or full Black African ancestry. They are a minority in the country representing 7.8% of the Dominican Republic's population according to a census bureau survey in 2022. About 4.0% of the people surveyed claim an Afro-Caribbean immigrant background, while only 0.2% acknowledged Haitian descent. Currently there are many black illegal immigrants from Haiti, who are not included within the Afro-Dominican demographics as they are not legal citizens of the nation.
Cocolo is a term used in the Hispanic Caribbean to refer to Afro-Caribbean migrant descendants. The term originated in the Dominican Republic and is historically used to refer to the Anglophone Caribbean immigrants and their descendants and more rarely, towards those from the Francophone Caribbean. It is mainly used to refer to the migrants in San Pedro de Macorís, Puerto Plata, the Samaná Peninsula, and other Afro-descendants who arrived in the Atlantic coastal areas of the country in the late 1800s and early 1900s. At the time these migrants were culturally distinct from the lighter Dominicans who primarily lived in the northern interior of the country and had a higher degree of colonial European ancestry.
Christianity is the most widely professed religion in the Dominican Republic. Historically, Catholicism dominated the religious practices of the country, and as the official religion of the state it receives financial support from the government. About 60% of Dominicans identify themselves as Catholic.
Holy Week in Seville is one of two biggest annual festivals in Seville, Andalusia, Spain, the other being the Feria de Abril, which follows two weeks later. It is celebrated in the week leading up to Easter, and features the procession of pasos, floats of lifelike wooden sculptures of individual scenes of sorrowful Mysteries of the Rosary, or images of the grieving Virgin Mary.
Villa Mella, or San Felipe de Villa Mella, is a municipality in Santo Domingo Norte, Dominican Republic. Villa Mella is located north of the Isabela River, about 6 miles to the north of the center of Santo Domingo, and is considered an additional neighborhood of the capital. This sector is considered one of the economically stable areas in the Santo Domingo metropolitan area. It is also home to the musical organization known as the Brotherhood of the Holy Spirit of the Congos of Villa Mella, recognized in 2001 by UNESCO.
Holy Week in Spain is the annual tribute of the Passion of Jesus Christ celebrated by Catholic religious brotherhoods and fraternities that perform penance processions on the streets of almost every Spanish city and town during the Holy Week –the last week of Lent, immediately before Easter–.
The Carnival in the Dominican Republic is a Dominican celebration that takes place throughout February, and sometimes during Holy Week in March. Dominican Carnival is celebrated in most cities and towns in the main streets. The carnival season in the Dominican Republic kicks off with a carnival gala held indoors in Santiago de los Caballeros, as opposed to every other carnival event held outdoors throughout the month of February. Among its main characteristics are its flashy costumes and loud music. The one held in La Vega, which is one of the biggest in the country, and the national parade in Santo Domingo, were the first Carnivals held in the Americas.
Afro-Venezuelans are Venezuelans of African descent. Afro-Venezuelans are mostly descendants of enslaved Africans brought to the Western Hemisphere during the Atlantic slave trade. This term also sometimes refers to the combining of African and other cultural elements found in Venezuelan society such as the arts, traditions, music, religion, race, and language.
This is a compilation of traditional dances from Nicaragua.
References
- ↑ Janette Keys. "Palos, Atabales, Babula and Quiyombo Music of Dominican Republic". Colonialzone-dr.com. Retrieved 2016-02-04.
- ↑ "Palo Drum: Afro-Dominican Tradition". Iasorecords.com. Retrieved 2016-02-04.