Related Research Articles
Mark Anthony Myrie, known professionally as Buju Banton, is a Jamaican reggae dancehall musician. He is one of the most significant and well-regarded artists in Jamaican music. Banton has collaborated with many international artists, including those in the hip hop, Latin and punk rock genres, as well as the sons of Bob Marley.
Moses Anthony Davis, professionally known as Beenie Man, is a Jamaican dancehall deejay.
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.
The Grammy Award for Best Reggae Album is an award presented at the Grammy Awards, a ceremony that was established in 1985 and originally called the Gramophone Awards, to recording artists for quality works in the reggae music genre. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
Miguel Orlando Collins, known by his stage name Sizzla Kalonji or Sizzla, is a Jamaican reggae musician. He is one of the most commercially and critically successful contemporary reggae artists and is noted for his high number of releases. As of 2018 he has released 56 solo albums.
William Anthony Maragh, also known as Super Cat, is a Jamaican deejay who achieved widespread popularity during the late 1980s and early 1990s dancehall movement. His nickname, "Wild Apache", was given to him by his mentor Early B. Super Cat is considered one of the greatest deejays in the history of the Jamaican dancehall scene.
Keith Blair, better known by the stage name Anthony B, is a Jamaican DJ and member of the Rastafari movement.
Von Wayne Charles, better known by his stage name Wayne Wonder, is a Jamaican reggae artist. While his early recordings were dancehall and reggae, he later moved towards hip hop and rap. His most popular single is the 2003 hit "No Letting Go".
Tyrone Downie was a Jamaican keyboardist and pianist best known for his involvement as a member of Bob Marley and the Wailers.
Stop Murder Music is a campaign to oppose Caribbean artists who produce music with lyrics alleged to glorify murder of homosexual men. The campaign was mainly against Jamaican musicians, primarily dancehall and reggae artists such as Buju Banton, Bounty Killer, and the Bobo Ashanti Rastafarians Sizzla and Capleton.
Burro Banton is a dancehall reggae deejay popular in the mid-1980s and 1990s.
Madhouse Records is a record label founded by Dave Kelly and his business partner Janet Davidson. The label was named after its out-of-the-box approach to making music, which earned the label the name Madhouse. In 1987, Janet was living in London, running Germain Music along with producer Donovan Germain. She was also the manager of Maxi Priest. Dave's brother Anthony "Tony" Kelly was assistant engineer at Bob Marley's Tuff Gong label and Dave soon joined him there, learning the trade of engineering. Soon, the Kelly brothers joined Maxi Priest on the road as tour engineers. In 1988, Dave Kelly partnered with Germain to start Penthouse Productions, where he worked out of Penthouse studios as engineer, producer, writer, mixer, and beat maker for the label's records, playing a crucial role during Penthouse's glory days.
David Kelly is a Jamaican record producer and the brother of record producer Tony "CD" Kelly. He began his career as an engineer in the late 1980s. After getting into producing at the Penthouse label of Donovan Germain, he started his own label, Madhouse, together with business partner Janet Davidson in 1991. He went on to become one of the most successful dancehall reggae producers in Jamaica, recording numerous songs that topped the local and international reggae charts, such as "Action" by Nadine Sutherland & Terror Fabulous in 1994 and "Look" by Bounty Killer in 1999.
Donovan Germain OD is a reggae producer, one of the most successful of the digital era.
Mega Banton is a Jamaican dancehall deejay who came to prominence in the early 1990s.
Starkey Banton aka Starkey Super is a British reggae deejay known for his "cultural" lyrics, active since the mid-1970s.
"Anything for You" is a song by Canadian reggae recording artist Snow, released as the first single from his second album, Murder Love (1995). While becoming a club favorite and a grassroots hit on The Box in the United States and Canada, the single only peaked at number 74 on the Canadian Singles Chart. The All-Star Remix, however, reached number one in Jamaica and became the country's top-selling single of 1995.
Black Scorpio is a Jamaican sound system and record label run by Maurice "Jack Scorpio" Johnson.
Many Moods of Moses is the eighth studio album by Jamaican dancehall musician Beenie Man. It was released on December 9, 1997 through VP Records. Recording sessions took place at Penthouse Recording Studios, Sonic Sounds, Hard Sound Recording Studios, and Anchor Studios in Kingston and at Wildwood Recording Studios in Nashville. Production was handled by Lenky, Sly and Robbie, Andrew Thomas, Handel Tucker, Bob Patin, Buju Banton, David Cole, Jeremy Harding, Tony "CD" Kelly, Lloyd "Gitsy" Willis and Beenie Man himself, with Patrick Roberts serving as executive producer. It features guest appearances from A.R.P., Bob Patin, Buju Banton, Danny Marshall, Lady Saw, Little Kirk and The Taxi Gang.
Winston Foster, better known by the stage name Yellowman and also known as King Yellowman, is a Jamaican reggae and dancehall deejay. He first became popular in Jamaica in the 1980s, rising to prominence with a series of singles that established his reputation.
References
- 1 2 3 Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, ISBN 1-84353-329-4
- 1 2 3 Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, ISBN 0-7535-0242-9
| International | |
|---|---|
| National | |
