In Greek mythology, Pandora was the first human woman created by Hephaestus on the instructions of Zeus. As Hesiod related it, each god cooperated by giving her unique gifts. Her other name—inscribed against her figure on a white-ground kylix in the British Museum—is Anesidora, "she who sends up gifts".
Bartolomé Esteban Murillo was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.
Circe Offering the Cup to Ulysses is an oil painting in the Pre-Raphaelite style by John William Waterhouse that was created in 1891. It is now in Gallery Oldham, Oldham, England.
Pedro Laín Entralgo was a Spanish physician, historian, author and philosopher. He worked, fundamentally, on medical history and anthropology.
Friar Nicolás Borrás (1530–1610) was a Spanish Renaissance Catholic monk and painter, active in Valencia.
Francisco Camilo was a Spanish painter, the son of an Italian immigrant who had settled in Madrid. When his father died, his mother remarried, and Camilo became the stepson of the painter Pedro de las Cuevas.
The Kitchen Maid and Kitchen Maid with the Supper at Emmaus are two paired domestic paintings by Diego Rodríguez de Silva y Velázquez from his early Seville period. A wide range of dates has been suggested for its completion, although most place it between 1620 and 1622. The first version is kept in the Art Institute of Chicago; the second version is held at the National Gallery of Ireland.
Philippe Mercier was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia, usually defined to French school. Active in England for most of his working life, Mercier is considered one of the first practitioners of the Rococo style, and is credited with influencing a new generation of 18th-century English artists.
Sampiro (c. 956 – 1041) was a Leonese cleric, politician, and intellectual, one of the earliest chroniclers of post-conquest Spain known by name. He was also the Bishop of Astorga from 1034 or 1035 until his death.
Pandora's box is an artifact in Greek mythology connected with the myth of Pandora in Hesiod's c. 700 B.C. poem Works and Days. Hesiod related that curiosity led her to open a container left in the care of her husband, thus releasing curses upon mankind. Later depictions of the story have been varied, with some literary and artistic treatments focusing more on the contents than on Pandora herself.
Pancracio Celdrán Gomáriz was a Spanish professor, intellectual and journalist whose specialties were the history and literature of antiquity and the medieval period.
John of Castile, called the "el de Tarifa" was an infante of Castile and León. He was engaged in a decades-long fight for control over the Lordship of Biscay with Diego López V de Haro, the uncle of his wife.
The Portrait of Philip IV in Fraga is a mid-length portrait of Philip IV of Spain by Velázquez. It was painted over the course of three sessions in June 1644 in Fraga, where Philip IV had moved the royal court as part of the "Jornada de Aragón" which resulted in the recovery of Lérida from France, which had occupied the city earlier during the Reapers' War. The portrait was gifted by Philip V to his son, the future Philip, Duke of Parma, and the painting left Spain along with him in 1748. In 1911 it was acquired by the Frick Collection, where it is currently on display.
José Romano Gutiérrez-Solana y Gutiérrez-Solana was a Spanish painter, engraver and author. He usually signed his paintings as "J. Solana". Generally, he is considered to be an Expressionist, but his style was heavily influenced by El Greco, the Black Paintings of Goya and the works of Eugenio Lucas Velázquez.
David Hernández de la Fuente is a Spanish writer, translator and university lecturer who is specialized in Classics.
The Jester Calabacillas is a 1626-1632 oil on canvas painting by Diego Velázquez, now in the Cleveland Museum of Art. Its attribution is based on stylistic similarities to other works by the artist - for example, José López-Rey sees similarities in the treatment of the face in this work and that of Bacchus in The Triumph of Bacchus. Its subject is thought to be the jester Juan Calebasse, also painted by the artist in a work now in Madrid and a now-lost work entitled "calebasses in a turban", the latter recorded in 1642 and 1655 inventories of Diego Felipez de Guzmán's collection.
William Bryan Jordan Jr. was an American art historian who facilitated acquisitions, curated exhibitions, and authored publications on Spanish artists and still life paintings, particularly from the Golden Age.
Carlos Sánchez Pérez, known professionally as Ceesepe, was a Spanish painter, comics artist and illustrator. He was especially prolific in drawings and collages, with his style is often classified as pop art. He is considered a major figure in La Movida Madrileña. His pseudonym is based on the Spanish pronunciation of his initials: C: ce, S: ese, P: pe = "Ceesepe".
