Paola Antonelli

Last updated
Paola Antonelli
Paola Antonelli in 2008.jpg
Antonelli at the Digital Life and Design Conference, Munich, 2008
Born1963 (age 6061)
Education Polytechnic University of Milan (Architecture)
Occupation(s)Author, editor, and educator
Organization(s) Museum of Modern Art (MoMA), New York
TitleSenior Curator of Architecture & Design
Director of Research & Development
Lecture by Paola Antonelli about Visions of Digital Creativity Organic Design at the World Economic Forum

Paola Antonelli (born 1963) is an Italian architect, curator, author, editor, and educator. Antonelli is the Senior Curator of Architecture and Design at the Museum of Modern Art (MoMA), New York, where she also serves as the founding Director of Research and Development. She has been described as "one of the 25 most incisive design visionaries in the world" by TIME magazine. [1]

Contents

Early life and education

Antonelli was born in Sassari, Sardinia, Italy. She attended and graduated from the Politecnico di Milano University in Milan, from which she received a laurea degree in architecture in 1990. Notwithstanding her training, she has never worked as an architect. [2] [3]

Work and career

After graduating from university, Antonelli curated several architecture and design exhibitions in Italy, France, and Japan. [ citation needed ] She was a contributing editor for Domus magazine from 1987 to 1991, then from 1992 to 1994 she was the design editor of Abitare magazine. She has also contributed articles to publications such as the Harvard Design Magazine , Metropolis , I.D. , Paper , Metropolitan Home , Harper's Bazaar , and Nest .[ citation needed ]

Lecturer

From 1991 to 1993, Antonelli was a lecturer at the University of California, Los Angeles, where she taught design history and theory. In the spring of 2003, she started to teach a course in design theory at the Harvard University Graduate School of Design. She has also lectured elsewhere[ citation needed ] on design and architecture in Europe and the United States and served on several international architecture and design juries. [4] [5]

Curator at The Museum of Modern Art

Antonelli joined MoMA in February 1994 as a curator in the Department of Architecture and Design. The first important exhibition at the museum curated by Antonelli opened in 1995 and was titled Mutant Materials in Contemporary Design. This was followed in 1996 by Thresholds: Contemporary Design from the Netherlands; Achille Castiglioni: Design! in 1997 (through 1998); Projects 66: Campana/Ingo Maurer in 1999; Open Ends and Matter (September 2000 – February 2001). Her 2001 exhibition Workspheres was devoted to the design of the workplace of the near future. In 2005 she curated the exhibition entitled Safe: Design Takes on Risk also at MoMA.

She curated the exhibition entitled "Safe" in 2005 based on her show at the International Design Conference in Aspen (August 20–23, 2003), similarly entitled "Safe: Design Takes on Risk." Other recent projects include a book about food worldwide, as examples of distinctive design, and a television program on design. As a curator, Antonelli has added various video games to the permanent collection of the Museum of Modern Art [6] and she has been attempting to include Boeing 747 in MoMA's permanent collection as well. [7]

Together with Jamer Hunt, Antonelli established an installation entitled Design and Violence which focuses on the physical representation of some of humanity's most prominent features, such as sex, aggression, and smelliness. One piece, for example, is a vial of synthetic sweat. Of the exhibit, Antonelli says, "We wanted objects that have an ambiguous relationship with violence." Each object—an outline of a drone, a self-guided bullet, a stiletto—is selected to highlight both the beneficial and also destructive side of design. Design is multidimensional nowadays, and Antonelli and Hunt aimed to represent this. [8]

In 2017, Antonelli and Michelle Millar Fisher curated "Items: Is Fashion Modern?", an exhibition that explores 111 items of clothing and accessories that have had a strong impact on the world in the 20th and 21st centuries [9] and taught a related massive open online course (MOOC) titled Fashion as Design. [10]

In an exhibit featuring video games such as Pac-Man, Tetris, and Minecraft, viewers are intended to actually play the games to showcase the interaction design of these products. The Guardian, for example, responded, "Sorry MoMA, Video Games Are Not Art". [11]

She has said that she believes that "design has been kind of neglected or misconstrued as decoration or as an embellishment" and has described her work as an attempt to change that misperception, further saying that "Without designers, life would not happen because any kind of scientific or technological innovation gets filtered by design and becomes part of our life. Without designers, we couldn’t use microwaves, we couldn’t use the internet, we couldn’t use so many innovations. [12] [13]

Recognition and awards

In 2014, Antonelli was awarded an honorary doctorate by the Royal College of Art. [14] She was recognized with an AIGA Medal in 2015 for "expanding the influence of design in everyday life by sharing fresh and incisive observations and curating provocative exhibitions at MoMA". [15] She was named one of the 100 most powerful people in the world of art by Art Review and Surface Magazine . [16] She also received honorary degrees from Kingston University in London, ArtCenter College of Design in Pasadena, and Pratt Institute in New York. [17] She received the following distinctions: 2006 National Design Award, [18] Cooper Hewitt (Smithsonian Institution); [19] 2007 TIME magazine design visionaries; [20] 2010 Lucky Strike Designer Award  [ de ] (Raymond Loewy Foundation); 2011 Hall of Fame inductee, Art Directors Club (ADC); [21] 2019 American Academy in Rome honouree; [22] 2020 London Design Medal; [23] and the 2021 German Design Award Personality of the Year. [24]

Publications

Books

Contributions

See also

Related Research Articles

<span class="mw-page-title-main">Museum of Modern Art</span> Art museum in New York City, U.S.

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum, America's first devoted exclusively to modern art, was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site.

Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. His work is characterized by its innovative use of framing and reflection, often using the natural environment or architectural elements to frame his subjects. Over the course of his career, Friedlander has been the recipient of numerous awards and his work has been exhibited in major museums and galleries worldwide.

Design Academy Eindhoven is an interdisciplinary educational institute for art, architecture and design in Eindhoven, Netherlands. The work of its faculty and alumni have brought it international recognition, and is widely regarded as one of the world’s leading design schools.

<span class="mw-page-title-main">Bean bag chair</span> Anatomic chair design

The Sacco chair, also called a bean bag chair,beanbag chair, or simply a beanbag, is a large fabric bag, filled with polystyrene beans, designed by Piero Gatti, Cesare Paolini and Franco Teodoro in 1968. The product is an example of an anatomic chair, as the shape of the object is set by the user. “[The Sacco] became one of the icons of the Italian anti-design movement. Its complete flexibility and formlessness made it the perfect antidote to the static formalism of mainstream Italian furniture of the period,” as Penny Spark wrote in Italian Design – 1870 to the Present.

<span class="mw-page-title-main">Jasper Morrison</span> British designer

Jasper Morrison is an English product and furniture designer. He is known for the refinement and apparent simplicity of his designs. In a rare interview with the designer, he is quoted as saying: "Objects should never shout."

<span class="mw-page-title-main">Lilly Reich</span> German designer (1885–1947)

Lilly Reich was a German designer of textiles, furniture, interiors, and exhibition spaces. She was a close collaborator with Ludwig Mies van der Rohe for more than ten years during the Weimar period from 1925 until his emigration to the U.S. in 1938. Reich was an important figure in the early Modern Movement in architecture and design. Her fame was posthumous, as the significance of her contribution to the work of Mies van der Rohe and others with whom she collaborated with only became clear through the research of later historians of the field.

<span class="mw-page-title-main">Achille Castiglioni</span> Italian architect and designer (1918–2002)

Achille Castiglioni was an Italian architect and designer of furniture, lighting, radiograms and other objects. As a professor of design, he advised his students "If you are not curious, forget it. If you are not interested in others, what they do and how they act, then being a designer is not the right job for you."

<span class="mw-page-title-main">Satyendra Pakhale</span> Indian artist and architect (born 1967)

Satyendra Pakhalé is a designer, artist, industrial designer, and architect. He realizes projects in art, design, industrial design, applied research to design vision of the future, technologically challenging product development, manufacturing, highly crafted pieces, exhibitions, and architecture. He works in the fields of art, design, exhibition design, product design, including consumer electronics, health care, aviation, mobility, home appliances, furniture, digital products & computers, and interior design and architecture. In 2008, he was selected as one of L’Uomo Vogue magazine's 80 most influential creative people with a vision worldwide in art, design and architecture. His works are in the permanent collections of several museums worldwide.

Arturo Vittori, is an Italian artist, architect, and industrial designer. He is co-founder and director of the architecture and design team Architecture and Vision.

Andreas Vogler is a Swiss architect, designer and artist. He is founder and director of the architecture and design firm, Andreas Vogler Studio.

Architecture and Vision (AV) is an international multidisciplinary design agency that was formed in 2003 by Arturo Vittori in partnership with Andreas Volger. AV works in architecture, design, and art.

Klaus Biesenbach is a German curator and museum director. He is the Director of the Neue Nationalgalerie, with Berggruen Museum and Scharf-Gerstenberg Collection, as well as the Berlin Museum of Modern Art under construction, Museum des 20. Jahrhunderts.

Standard Deviations was the name of a Museum of Modern Art exhibition that was notable for showcasing the 23 digital typefaces that MoMA acquired in January 2011 for its Architecture and Design Collection. The exhibition was open from March 2, 2011 through January 30, 2012. The full title of the exhibition was Standard Deviations: Types and Families in Contemporary Design, though the title was originally announced as Standard Deviations: Prototypes, Archetypes, and Families in Contemporary Design. The exhibition was organized by Paola Antonelli, Senior Curator in the Department of Architecture and Kate Carmody, curatorial assistant.

<span class="mw-page-title-main">Hella Jongerius</span> Dutch industrial designer (born 1963)

Hella Jongerius is a Dutch industrial designer.

<span class="mw-page-title-main">Fiona Raby</span>

Fiona Raby is a British artist and University Professor of Design and Social Inquiry at The New School. She served as professor of Industrial Design at the University of Applied Arts Vienna. She was also a member of the research and teaching staff at the Royal College of Art (RCA) from 1994 to 2015. She left to focus on her partnership with Dunne & Raby. Her work, in collaboration with partner Anthony Dunne, is part of the Museum of Modern Art's (MoMA) permanent collection.

<span class="mw-page-title-main">Pier Giacomo Castiglioni</span> Italian architect and furniture designer (1913–1968)

Pier Giacomo Castiglioni was an Italian architect and designer.

<span class="mw-page-title-main">Zanotta (company)</span> Italian furniture company

Zanotta is an Italian furniture company particularly known for the iconic pieces of Italian design it produced in the 1960s, 70s, and 80s. These include the "Sacco" bean bag chair and "Blow", the first mass-produced inflatable chair. The company was founded in 1954 and has its main plant in Nova Milanese. In 1984 Zanotta established its experimental division, Zabro, headed by Alessandro Guerriero, with Alessandro Mendini and Stefano Casciani. Since the death of its founder, Aurelio Zanotta, in 1991, it has been run by members of his family. Zanotta's products were awarded the Compasso d'Oro in 1967, 1979, 1987 and 2020.

<span class="mw-page-title-main">Livio Castiglioni</span> Italian architect and designer (1911–1979)

Livio Castiglioni was an Italian architect and designer. He made a significant contribution to twentieth-century Italian lighting design and was an early proponent of the practice of industrial design in Italy.

<i>Pasta by Design</i> Book about the various forms of pasta

Pasta by Design is a book by George L. Legendre, with a foreword by Paola Antonelli, and photography by Stefano Graziani. It is based on an idea by Marco Guarnieri.

References

  1. "Paola Antonelli, Senior Curator, Department of Architecture and Design, and Director, Research and Development". The Museum of Modern Art. Retrieved 2003-04-03.
  2. Matarrese, Antonella (2013-05-22). "Paola Antonelli, lady design al Moma – Panorama.it" (in Italian). Archived from the original on 2013-05-22. Retrieved 2022-10-15.
  3. Capps, Kriston (2012-10-09). "Paola Antonelli Discusses R&D at the Museum of Modern Art". The Journal of the American Institute of Architects. Retrieved 2022-10-15.
  4. "Dezeen Awards 2020 judges include Norman Foster and Paola Antonelli". Dezeen. 2020-02-05. Retrieved 2022-10-22.
  5. "London Design Biennale Jury". London Design Biennale. 2019-04-04. Retrieved 2022-10-22.
  6. Mlot, Stephanie (2013-03-02). "MoMA Exhibit Showcases Video Games as Modern Art". PC Magazine. Archived from the original on 2015-09-24. Retrieved 2022-10-15.
  7. "Paola Antonelli on Curating, MoMA's Collection, and Design Today: A Reddit AMA Recap". 11 March 2015.
  8. Garber, Megan (26 June 2014). "The Most Modern Curator". The Atlantic . Retrieved 2016-06-26.
  9. "Items: Is Fashion Modern?". Museum of Modern Art (MoMA). Retrieved 2022-10-15.
  10. 1 2 "Fashion as Design". Coursera (Massive Open Online Course (MOOC)).
  11. Garber, Megan (26 June 2014). "Sorry MoMA, Video Games Are Not Art". The Guardian . Retrieved 30 October 2021.
  12. Burke, Anthony (4 December 2013). "Paola Antonelli interview: 'Design has been misconstrued as decoration'". The Conversation. Retrieved 30 October 2021.
  13. "Q+A with MoMA's Paola Antonelli". Australian Design Review. 2015-03-24. Retrieved 2023-05-03.
  14. "Honorands, Royal College of Art". RCA Website. Retrieved 2022-10-15.
  15. Pearlman, Chee. "Paola Antonelli". AIGA. Retrieved 18 October 2015.
  16. Bailey, Spencer. "Surface Magazine Power 100, Paola Antonelli". Surface Magazine. Archived from the original on 4 March 2016. Retrieved 18 October 2015.
  17. "PAOLA ANTONELLI". London Design Biennale. 2019-04-04. Retrieved 2022-10-14.
  18. "An Ambassador for Design – BAIA Link". 2016-08-03. Archived from the original on 2016-08-03. Retrieved 2023-04-26.
  19. "2006 National Design Award Winners | Cooper Hewitt, Smithsonian Design Museum". www.cooperhewitt.org. 2019-09-24. Retrieved 2022-10-12.
  20. "Style & Design: Visionaries – TIME". Time. 2007-08-14. ISSN   0040-781X . Retrieved 2022-10-12.
  21. "Paola Antonelli". ADC • Global Awards & Club. Retrieved 2022-10-14.
  22. Rome, American Academy in (20 June 2019). "A Starry Night Honoring Paola Antonelli and Luca Guadagnino". American Academy in Rome. Retrieved 2022-10-12.
  23. "Paola Antonelli, Ken Garland, Ellen MacArthur, Yinka Ilori awarded the 2020 London Design Medals". World Architecture Community. Retrieved 2022-10-12.
  24. "German Design Awards 2021: "All Eyes On" – Presentation of this year's winning projects and the "Newcomer of the Year"" . Retrieved 2022-10-12.
  25. Antonelli, Paola (May 25 – August 27, 1995). Mutant Materials in Contemporary Design. The Museum of Modern Art. ISBN   0-87070-131-2 . Retrieved April 11, 2015.
  26. "Achille Castiglioni: Design! | MoMA". The Museum of Modern Art. Retrieved 2022-10-12.
  27. Vittori, Arturo; Vogler, Andreas (2012). From Pyramids to Spacecraft (3rd ed.). Bormarzo, Italy. pp. 14–15. ISBN   978-3-00-026959-2 . Retrieved 11 April 2015.{{cite book}}: CS1 maint: location missing publisher (link)
  28. Antonelli, Paola (2011). Talk to Me: Design and the Communication between People and Objects. The Museum of Modern Art. ISBN   978-0-87070-796-4.
  29. Antonelli, Paola; Guarnaccia, Steven (2000). Achille Castiglioni. Maurizio Corraini srl. p. 162. ISBN   88-87942-02-1.
  30. Varnedoe, Kirk; Siegel, Joshua; Antonelli, Paola (January 30, 2001). Modern contemporary: art at MoMA since 1980. New York, New York: Museum of Modern Art. ISBN   0-87070-021-9.
  31. Antonelli, Paola (May 12, 2008). Design and the Elastic Mind. New York, New York: Museum of Modern Art. ISBN   978-0-87070-732-2.
  32. Antonelli, Paola (2002). Satyendra Pakhalé Dal progetto al pradotto. Editoriale Modo, Milano, Italy. p. 256. ISBN   88-7419-002-6.
  33. Antonelli, Paola (September 28, 2000). Modern Contemporary. New York: The Museum of Modern Art. p. 3. ISBN   0-87070-022-7.
  34. Antonelli, Paola; Schouwenberg, Louise; Rawsthorn, Alice (16 February 2011). Hella Jongerius – Misfit. Phaidon Press. pp. 233–234. ISBN   978-0-7148-5987-3.
  35. Sparke, Penny (2009). Japanese Design (1st ed.). New York: The Museum of Modern Art. pp. 7–8, 143. ISBN   978-0-87070-739-1.
  36. Antonelli, Paola (2001). Workspheres . New York: The Museum of Modern Art. ISBN   0-87070-013-8.
  37. Antonelli, Paola (2005). Safe: Design Takes on Risk. New York: The Museum of Modern Art. ISBN   0-87070-580-6.
  38. Antonelli, Paula (1999). Margaret Helfand Architects: Essential Architecture. New York: The Monacelli Press. pp. 006–011. ISBN   1-885254-93-8.
  39. "Design Emergency | Design | Store | Phaidon". www.phaidon.com. Retrieved 2023-01-07.
  40. "Rawsthorn and Antonelli: there will always be a design emergency | Salone del Mobile". www.salonemilano.it. Retrieved 2023-01-07.
  41. Legendre, George L. (2011). Pasta by Design. New York, New York: Thames & Hudson Inc. p. 007. ISBN   978-0-500-51580-8.
  42. Robbins, Mark (1999). On the Table. Columbus: Wexner Center for the Arts. ISBN   1-881390-20-9.
  43. Ramakers, Renny; Bakker, Gijs (1998). Droog Design: Spirit of the Nineties. 010 Publishers. ISBN   978-90-6450-301-6.
  44. Arad, Ron (2009). No Discipline. Paris: The Museum of Modern Art. ISBN   978-0-87070-759-9.
  45. Antonelli, Paola (2019). Satyendra Pakhalé Culture of Creation. nai01 Publishers, Rotterdam, NL. p. 448. ISBN   978-94-6208-514-5.

30. Antonelli, Paola. Workspheres: Design and Contemporary Work Styles. Museum of Modern Art, 2001. 31. Antonelli, Paola, and Steven Guarnaccia. Achille Castiglioni. Corraini Editore, 2006.