Paolo Marini (17th century) was an Italian painter. He was born in San Severino. He is noted as a painter in the apse of the church of San Filippo, San Severino Marche. [1] He also painted for the church of Santa Maria del Glorioso near San Severino. [2]
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Sebastiano Conca was an Italian painter.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
San Severo is a comune (municipality) of c. 51,919 inhabitants in the province of Foggia, Apulia, Southern Italy. Rising on the foot of the spur of Gargano, San Severo adjoins the communes of Apricena in the north, Rignano Garganico and San Marco in Lamis in the east, Foggia and Lucera in the south, and Torremaggiore and San Paolo di Civitate in the west.
San Severino Marche is a comune (municipality) in the Province of Macerata in the Italian region Marche, located about 50 kilometres (31 mi) southwest of Ancona and about 25 kilometres (16 mi) southwest of Macerata.
Marco Benefial was an Italian, proto-Neoclassical painter, mainly active in Rome. Benefial is best known for his repudiation of 18th century decorative Rococo styles pre-eminent in the Rome dominated by Carlo Maratta pupils. His paintings portrayed tangible human figures, with complex treatment of space, and luminous, warm colors. Along with the altarpieces and frescoes, he also painted many portraits. Because he partnered with some inferior artists who subsequently received credit, some of his paintings have been frequently misidentified.
Giuseppe Bartolomeo Chiari, also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome.
Felice Damiani or Felice da Gubbio (1530–1608) was an Italian painter of the Late Renaissance or Mannerism period.
Giuseppe Ghezzi was an Italian painter of the Baroque period, active mainly in Rome.
Giuseppe Natali (1652–1722) was an Italian painter of the Baroque period and active mainly in Cremona and Lombardy.
Angelo Everardi was a painter and printmaker active in Brescia in the second half of the 17th century. No paintings have been attributed to him with certainty. He is reported to have been a painter of battle scenes, Bambocciate, i.e. low life genre scenes as well as of history paintings.
Lorenzo d’Alessandro was an Italian painter and interpreter of late gothic style. He is known by different authorities and authors by different names, including:
Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Giuseppe Servolini, also known as Sorbolini (1748–1834) was an Italian painter active mainly in Florence.
Cipriano Divini was an Italian painter of the Baroque period.
Giangentile di Lorenzo was an Italian painter. Along with his two brothers, Antonio and Sanseverino, he learned his craft initially from his father the painter Lorenzo d'Alessandro of Sanseverino. In the town of Sanseverino, Ricci claims they likely came in contact with Pinturicchio. Antonio and Giangentile painted a Madonna and St Martin (1560) for the San Severino Cathedral; they also painted for the church of Santa Maria Assunta, Sarnano. Giangentile also painted a Madonna and Child for the church of the Madonna dei Lumi, San Severino Marche. He is said to have died on 19 December 1576.
The Master of Staffolo was an anonymous late-Gothic style painter active in the region of Marche and Umbria.
Piero or Pietro Paolo Vasta was an Italian painter of the Baroque period, mainly active in the east of his native Sicily.