Partners of the Tide is a novel by Joseph C. Lincoln published in 1905. It was adapted into a 1921 film. [1] The story revolves around a shipwreck. L. V. Jefferson is given directing credit in the catalog of copyrights. [2]
The film was an Irvin V. Willat production and the fourth film made at Willat Studios. [3]
The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was America's most prominent film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.
Deafula is a 1975 American horror film done completely in American Sign Language. A voice over is provided for those who do not understand sign language. The film starred Peter Wechsberg, who also serves as director and writer, under the pseudonym Peter Wolf. It was the first American Sign Language feature film ever made. The film tells the story of a young man who cannot control his urge to kill people for their blood, and the police investigation searching for the murderer.
Fred C. Fishback was a film director, actor, screenwriter, and producer of the silent era. Following the 1921 scandal surrounding Roscoe Arbuckle, in which he was involved, Fishback worked mostly under the pseudonym Fred Hibbard.
Battle for Life is a nature documentary series made from 1932 until 1934 by Horace Woodard and Stacy Woodard, The short films include the 1935 Oscar award-winning City of Wax, about honey bees. The one-reel short films were released by Educational Pictures. A homemade camera setup for closeups was used. The Woodards followed the series with another series titled Struggle to Live.
Kenneth Alexander was a photographer for United Artists, 20th Century Studios and Samuel Goldwyn Productions. He was known for his celebrity portraiture, photographing such stars as Marlene Dietrich, Lillian Gish, Betty Blythe, and Vilma Bánky.
August Weekend or August Week End or Week-End Madness is a 1936 American drama film directed by Charles Lamont and starring Valerie Hobson, Paul Harvey and G. P. Huntley. The screenplay was adapted by Paul Perez from a story by Faith Baldwin. It was produced by Chesterfield Motion Pictures and distributed by Grand National Distributors.
Alfred Hollingsworth was an American actor during the silent film era. He was in dozens of films from 1911 until 1925. According to IMDb he also directed four short films in 1916. Hell's Hinges has been described as a classic and Hollingsworth earned plaudits for his role in it.
Harold Holland was a British theatre and silent film actor and playwright. He was born in Bloomsbury, London. He played Dr. Rogers in the 1913 film Riches and Rogues, and took the lead role of Dr. Thomas "Tom" Flynn in the 1914 comedy The Lucky Vest. After having worked on Charlie Chaplin films including Shanghaied and The Bank in 1915, he was hired by the Morosco Photoplay Company in 1916 as it expanded.
Benjamin Bowles Hampton (1875–1932) was an American film producer, writer, and director. He led a 1916 plan to conglomerate film companies via acquisition. He was married to actress Claire Adams and was a partner in Zane Grey Pictures. He wrote the History of the American Film Industry from Its Beginnings to 1931. He is credited with producing numerous films.
L. V. Jefferson was an American screenwriter and short story author. He claimed to be capable of automatic writing and was an influence on Jane Wolfe. He credited looking into a crystal ball with empowering him. He was born in Carthage, Missouri. He worked in the Western scenario department for Universal. He also wrote for Triangle and worked with Irvin Willat of Willat Studios.
William F. Rose was an American illustrator and film poster artist active in the 1930s and 1940s. He is recognized as one of the most distinctive poster artists of the Classical Hollywood era, a time when most film posters featured painted illustrations rather than photography. Rose painted dozens of poster illustrations for RKO Radio Pictures and other studios. As one of the leading designers in RKO's art department, he helped to define the studio's bold visual aesthetic. Although he was prolific, only a fraction of his poster designs have been individually attributed to him. Most of his output remains unidentified. His artwork is prized by collectors, and original prints of his posters have fetched high prices at auction.
Hugh E. Dierker was an American film director and producer.
Jere F. Looney was a writer for several American silent films.
William H. Clifford was a writer, director, and film company head during the silent film era. He was a production manager for Monogram Film Company. He worked for Marcus Loew and Thomas Ince.
Leonard Anderson was an American film editor and film director, and he co-owned a film production company. Anderson's short films of African-American musical acts include footage of Anna Mae Winburn with the International Sweethearts of Rhythm, Lucky Millinder and his orchestra, and Henri Woode.
Sing and Be Happy is a series of animated sing-along films produced by Universal Pictures. The first film in the series was released in 1946.
Citizen Saint: The Life of Mother Cabrini is a 1947 film about a Catholic saint. It was directed by Harold Young. It was produced by Clyde Elliott Attractions. It is about Frances Xavier Cabrini, an Italian woman who becomes a nun and is eventually sainted. The film includes songs.
Robert H. McLaughlin (1877-1939) was a novelist, playwright, theater manager, publicist, and screenwriter in the United States.
Living Between Two Worlds is a 1963 American film and Horace Jackson's debut film. The film was publicized as the first full-length feature film independently financed, written and produced by African Americans with an all African American cast.