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The King and I is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals.
Margaret Nixon McEathron, known professionally as Marni Nixon, was an American soprano and ghost singer for featured actresses in musical films. She is now recognized as the singing voice of leading actresses on the soundtracks of several musicals, including Deborah Kerr in The King and I, Natalie Wood in West Side Story, and Audrey Hepburn in My Fair Lady, although her roles were concealed from audiences when the films were released. Several of the songs she dubbed appeared on AFI's 100 Years...100 Songs list.
Eileen Farrell was an American soprano who had a nearly 60-year-long career performing both classical and popular music in concerts, theatres, on radio and television, and on disc. NPR noted, "She possessed one of the largest and most radiant operatic voices of the 20th century." While she was active as an opera singer, her concert engagements far outnumbered her theatrical appearances. Her career was mainly based in the United States, although she did perform internationally. The Daily Telegraph stated that she "was one of the finest American sopranos of the 20th century; she had a voice of magnificent proportions which she used with both acumen and artistry in a wide variety of roles." And described as having a voice "like some unparalleled phenomenon of nature. She is to singers what Niagara is to waterfalls."
Mary Beth Peil is an American actress and soprano. She began her career as an opera singer in 1962 with the Goldovsky Opera Theater. In 1964 she won two major singing competitions, the Young Concert Artists International Auditions and the Metropolitan Opera National Council Auditions; the latter of which earned her a contract with the Metropolitan Opera National Company with whom she performed in two seasons of national tours as a leading soprano from 1965–1967. She continued to perform in operas through the 1970s, notably creating the role of Alma in the world premiere of Lee Hoiby's Summer and Smoke at the Minnesota Opera in 1971. She later recorded that role for American television in 1982. With that same opera company she transitioned into musical theatre, performing the title role of Cole Porter's Kiss Me, Kate in 1983. Later that year she joined the national tour of Rodgers and Hammerstein's The King and I as Anna Leonowens opposite Yul Brynner, and continued with that production when it opened on Broadway on January 7, 1985. She was nominated for a Tony Award for her portrayal.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
Frances Yeend was an American classical soprano who had an active international career as a concert and opera singer during the 1940s through the 1960s. She had a long and fruitful association with the New York City Opera (NYCO) between 1948 and 1958, after which she joined the roster of principal sopranos at the Metropolitan Opera where she sang between 1961 and 1963. She also had an extensive concert career, particularly in the United States. By 1963 she had sung in more than 200 orchestral concerts in North American with major symphonies like the New York Philharmonic, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony Orchestra among others.
John M. McCollum was an American tenor who had an active singing career in operas, concerts, and recitals during the 1950s through the 1970s. As an opera singer he performed with companies throughout North America, mostly working with second tier opera houses. He was much more successful as a singer of oratorios and other works from the concert repertoire, and enjoyed a particularly productive and lengthy relationship with the Boston Symphony Orchestra. As a concert singer he sang a wide repertoire but drew particular acclaim for his performances in the works of Johann Sebastian Bach and George Frideric Handel.
Doretta Morrow was an American actress, singer and dancer who appeared in stage and television productions during the 1940s and 1950s. She is best remembered for having created roles in the original productions of three successful Broadway musicals: Kitty Verdun in Where's Charley? (1948), Tuptim in The King and I (1951) and Marsinah in Kismet (1953). She co-starred in the 1952 Hollywood film Because You're Mine, as Mario Lanza's love interest. She appeared in several live television musicals. She retired from performance in 1960 at the age of 33.
The King and I is a 1956 American musical film made by 20th Century-Fox, directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical The King and I, based on the 1944 novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' stories were autobiographical, although various elements of them have been called into question. The film stars Deborah Kerr and Yul Brynner.
Patricia Neway was an American operatic soprano and musical theatre actress who had an active international career during the mid-1940s through the 1970s. One of the few performers of her day to enjoy equal success on both the opera and musical theatre stages, she was a regular performer on both Broadway and at the New York City Opera during the 1950s and 1960s.
Delores Ivory Davis is a soprano, known internationally for her performances in opera, oratorio, and performances with the Springfield (Mass.) Symphony, St. Paul Symphony, and Detroit Symphony Orchestra. She has performed in the Broadway musical Porgy and Bess as Serena and in the televised performance of Treemonisha as Monisha alongside Obba Babatundé.
Joanna Elizabeth Simon was an American mezzo-soprano and journalist. The daughter of publisher Richard L. Simon, Joanna was an elder sister of singer and songwriter Carly Simon, singer and musical theatre composer Lucy Simon, and photographer Peter Simon.
Christiane Noll is an American actress and singer known for her work in musicals and on the concert stage. She originated the role of Emma Carew in Frank Wildhorn's Jekyll & Hyde, and had roles in Urinetown, Ragtime, and Dear Evan Hansen.
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
Lucille Norman was an American mezzo-soprano, radio personality, and stage and film actress active in the 1940s and 1950s.
Marilyn Cotlow is an American lyric coloratura soprano best remembered for creating the role of Lucy in Gian Carlo Menotti's The Telephone in both the original Broadway and West End productions. She sang professionally during the 1940s and 1950s in the United States and Europe, performing with such companies as the Metropolitan Opera, Theater Bremen, Theater Basel, and the Wexford Festival Opera. After 1957, Cotlow mainly retired from performance to devote time to teaching voice and being a mother; although she continued to perform periodically in recitals, on the stage, and on disc up into the 1990s. She has taught vocal music on the faculties of the Peabody Conservatory, the University of Michigan, and Catholic University of America in addition to teaching privately from her home in Northern Virginia. Several of her students have had successful careers, including Alessandra Marc and Jennifer Wilson.
Adelaide Bishop was an American operatic soprano, musical theatre actress, opera director, stage director, and voice teacher. She began her career appearing in Broadway musicals as a teenager during the early 1940s. She became a principal soprano with the New York City Opera (NYCO) in 1948, where she performed through 1960 in a broad repertoire encompassing German, French, Italian, and English operas from a variety of musical periods. In the late 1950s, she started working actively as a stage director and as a voice teacher, working with many opera companies throughout the United States and serving on the music faculties of several different American universities. She also served as the artistic director of the Wolf Trap Opera for many years.
Shirlee Emmons was an American classical soprano, voice teacher, and author on vocal pedagogy. She began her career in the early 1940s as a concert soprano, eventually becoming one of the original singers in the Robert Shaw Chorale in 1948. She branched out into opera in the 1950s; performing mainly with regional companies in the United States. She achieved several honours as a performer, including winning the Marian Anderson Award in 1953 and an Obie Award in 1956.
Andrew McKinley was an American operatic tenor, violinist, arts administrator, music educator, and school administrator. Although he mainly performed in the United States, he had an active international singing career with major opera companies and symphony orchestras from the 1940s through the 1960s. His repertoire spanned a wide range, from leading tenor parts to character roles.
Camellia Johnson was an American concert and opera singer. She began her career performing works from the mezzo-soprano repertoire, but after encouragement from the staff at the Metropolitan Opera retrained her voice as a soprano. She successfully made that transition after winning the Young Concert Artists competition in 1993. She went on to perform as a leading soprano with orchestras and opera companies internationally.
References
- ↑ Fox, Margalit (2008-05-08). "Frances Yeend, Soprano at City Opera and the Met, Dies at 95". The New York Times. ISSN 0362-4331 . Retrieved 2023-01-31.
- ↑ http://www.ibdb.com/production.php?id=4357 The King and I Broadway Theatre
- ↑ Roth, Bobby (2004-04-25), Brave New Girl (Drama, Family, Music), Lions Gate Television, Lionsgate Television, Park Lane Productions, retrieved 2023-01-31
