Patrick Thomas is a graphic artist. [1] [2] He has illustrated book reviews and opinion pieces in The New York Times . [3] Thomas was born in Liverpool in 1965, [4] and lives in Berlin. [5] [6]
A billboard Thomas created depicting a horse with the title "Moo" was displayed at the Leicester Square tube station in London as promotion for the Affordable Art Fair. The poster appeared in the midst of a horse-meat scandal involving the queen. [7] The controversy arose when six carcasses tainted with the anti-inflammatory drug, a potential carcinogen, exported to France in May 2019, may have entered the food chain and been eaten by the Queen and members of the Royal Family after the horse meat was passed off as beef. [8] Thomas commented that it "is the job of an artist to be witness to his time in history and art should have a social function and be an intrinsic part of everyday life." [6]
He regularly contributes illustrations to The New York Times Book Review . [9] His works were featured in a March 2009 exhibition at The New York Times' Gallery 7. [10]
Thomas' Protest Stencil Toolkit is a set of graffiti stencils sold in book form. The stencils are designed to facilitate the creation of protest graphics in public spaces. [11] [12]
Thomas has lived in Berlin since 2011 and has an artist's studio in Neukölln, Berlin. [7]
Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Frank Shepard Fairey is an American contemporary artist, activist and founder of OBEY Clothing who emerged from the skateboarding scene. In 1989 he designed the "Andre the Giant Has a Posse" (...OBEY...) sticker campaign while attending the Rhode Island School of Design (RISD).
Milton Glaser was an American graphic designer. His designs include the I Love New York logo, a 1966 poster for Bob Dylan, and the logos for DC Comics, Stony Brook University, and Brooklyn Brewery.
Dave Lee Stevens was an American illustrator and comics artist. He was most famous for creating The Rocketeer comic book and film character, and for his pin-up style "glamour art" illustrations, especially of model Bettie Page. He was the first to win Comic-Con International's Russ Manning Most Promising Newcomer Award in 1982, and received both an Inkpot Award and the Kirby Award for Best Graphic Album in 1986.
Josh MacPhee is an artist, curator, stonemason and activist living in Brooklyn, New York.
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Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
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Niels Shoe Meulman is a visual artist, graffiti writer, graphic designer and art director, born, raised and based in Amsterdam, Netherlands. ”Experimenting within the traditional medium of paint-on-canvas, but also unafraid to venture into other domains like conceptual installations and poetry, Niels Shoe Meulman keeps pushing the limits of the global urban contemporary art movement," writes the Museum of Graffiiti, who collected his artwork into their permanent collection, as has the Stedelijk Museum in Amsterdam and The San Francisco Museum of Modern Art, and many private collectors.
Commercial graffiti is the commercial practice of graffiti artists being paid for their work. In New York City in particular, commercial graffiti is big business and since the 1980s has manifested itself in many of the major cities of Europe such as London, Paris and Berlin. Increasingly it has been used to promote video games and even feature prominently within them, reflecting a real life struggle between street artists and the law. Commercial graffiti has created significant controversy between those who view it as an effective medium of advertising amongst specific target audiences and those who believe that legal graffiti and advertising using it encourages illegal graffiti and crime.
The Free Ai Weiwei street art campaign was a series of protests during the PRC government's secret detention of Chinese artist Ai Weiwei for 81 days in 2011, organised by Hong Kong artists and art supporters. Various slogans calling for the immediate release of the artist such as "Free Ai Weiwei", and "Who's afraid of Ai Weiwei" accompany stencilled images of Ai were applied onto pavements, pedestrian overpass, and building walls all over Hong Kong, and similar posters and signs were displayed worldwide.
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