Ragtime – also spelled rag-time or rag time – is a musical style that enjoyed its peak popularity between 1895 and 1919. Its cardinal trait is its syncopated or "ragged" rhythm.
Scott Joplin was an African-American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became ragtime's first and most influential hit, and has been recognized as the archetypal rag.
"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911 and is often inaccurately cited as his first global hit. Although not a traditional ragtime song, Berlin's jaunty melody nonetheless "sold a million copies of sheet music in 1911, then another million in 1912, and continued to sell for years afterward. It was the number one song from October 1911 through January 1912." The song might be regarded as a narrative sequel to "Alexander and His Clarinet," which Berlin wrote with Ted Snyder in 1910. The earlier song is mostly concerned with a reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson, but also highlights Alexander's innovative musical style.
Joseph Russel Robinson was an American ragtime, dixieland, and blues pianist and composer who was a member of the Original Dixieland Jass Band.
Joseph Francis Lamb was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly engaging. His use of long phrases was influenced by classical works he had learned from his sister and others while growing up, but his sense of structure was potentially derived from his study of Joplin's piano rags. By the time he added some polish to his later works in the 1950s, Lamb had mastered the classic rag genre in a way that almost no other composer was able to approach at that time, and continued to play it passably as well, as evidenced by at least two separate recordings done in his home, as well as a few recorded interviews.
Benjamin Robertson "Ben" Harney was an American songwriter, entertainer, and pioneer of ragtime music. His 1895 composition "You've Been a Good Old Wagon but You Done Broke Down" is regarded as among the earliest, if not the earliest, ragtime composition. Though now probably more associated with Scott Joplin, in 1924 The New York Times wrote that Ben Harney "probably did more to popularize ragtime than any other person." Time Magazine termed him "Ragtime's Father" in 1938.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, and became the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. As a result, Joplin became dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. It was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos. The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar.
David Thomas Roberts is an American composer and musician, known primarily as a modern ragtime composer. Roberts is also a painter in a primitivist style.
Harry James LincolnakaHarry Jay Lincoln was a music composer from Williamsport, Pennsylvania.
Thomas William Shea was an American ragtime composer.
Trebor Jay Tichenor was a recognized authority on Scott Joplin and the ragtime era. He collected and published others' ragtime piano compositions and composed his own. He authored books about ragtime, and both on his own and as a member of The St. Louis Ragtimers, became a widely known ragtime pianist.
Lyons and Yosco were an American comedy duo, consisting of Italian American musicians George Lyons and Bob Yosco. They were defined by the Ottawa Evening Journal "the finest pair of Italian street musicians playing in the Vaudeville ranks." They toured the United States from 1909 into 1923, doing a musical and comedy act. The News Journal described their performance, saying they were "the best vocalists and instrumentalists of the street variety on the stage, proved intensely interesting, while their droll comedy kept the audience laughing much of the time."
Irene Marie Giblin, also known as Irene Giblin O'Brien, was an American pianist and composer of ragtime. She published a total of ten pieces between 1905 and 1911. Her song "Chicken Chowder" of 1905 was her biggest success.
Fleta Jan Brown Spencer was an American songwriter, composer, pianist, and singer.
Ellen "Nellie" Weldon Cocroft was an American composer.
Alma M. Sanders was an American songwriter and composer of popular music, including several Broadway musicals, with her composer husband, Monte Carlo.
Ford Thompson Dabney was an American ragtime pianist, composer, songwriter, and acclaimed director of bands and orchestras for Broadway musical theater, revues, vaudeville, and early recordings. Additionally, for two years in Washington, from 1910 to 1912, he was proprietor of a theater that featured vaudeville, musical revues, and silent film. Dabney is best known as composer and lyricist of the 1910 song "That's Why They Call Me Shine," which for eleven decades, through 2019, has endured as a jazz standard. As of 2020, in the jazz genre, "Shine" has been recorded 646 times Dabney and one of his chief collaborators, James Reese Europe (1880–1919), were transitional figures in the prehistory of jazz that evolved from ragtime and blues — and grew into stride, boogie-woogie, and other next levels in jazz. Their 1914 composition, "Castle Walk" – recorded February 10, 1914, by Europe's Society Orchestra with Dabney at the piano – is one of the earliest recordings of jazz.
