Related Research Articles
Sir Robert Murray Helpmann CBE was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War, Helpmann took over from him while continuing as a principal dancer.
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
Anastasia Yuryevna Volochkova is a former Russian prima ballerina.
Sir Kenneth MacMillan was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992.
Dame Gillian Barbara Lynne was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera. At age 87, she was made a DBE in the 2014 New Year Honours List.
Dame Catherine Margaret Mary Scott, was a South African-born pioneering ballet dancer who found fame as a teacher, choreographer, and school administrator in Australia. As the first director of the Australian Ballet School, she is recognised as one of the founders of the strong ballet tradition of her adopted country.
Lynn Seymour was a Canadian-born ballerina, mostly associated with the Royal Ballet in London. She was a muse of choreographer Kenneth MacMillan, creating lead roles in Romeo and Juliet, The Invitation, Concerto, Anastasia and Mayerling, among others. She originated lead roles for several ballets by Frederick Ashton, including The Two Pigeons, Five Brahms Waltzes in the Manner of Isadora Duncan and A Month in the Country. She also guested with various ballet companies throughout her life.
Galina Samsova was a Russian ballet dancer and company director.
Georgina Parkinson was an English ballet dancer and ballet mistress. She joined The Royal Ballet in 1957 and was promoted to principal dancer in 1962. Best known for dancing 20th-century works, she was a frequent collaborator of choreographer Kenneth MacMillan, and had also created roles for Frederick Ashton. In 1978, she accepted the invitation to become a ballet mistress at the American Ballet Theatre for a year, before assuming the position permanently in 1980. She also performed character roles with the American Ballet Theatre.
Miracle in the Gorbals (1944) is a one-act ballet choreographed by Robert Helpmann to a story by Michael Benthall, with music by Arthur Bliss. The setting is the 1940s slums in the Gorbals area of Glasgow. It became a staple of the Royal Ballet, performed each season from 1944 to 1950 and receiving a revival in 1958.
Derek Rencher was a British ballet dancer. A commanding figure among Royal Ballet character dancers for more than four decades, he was probably the most prolific performer in the company's history.
Andrée Howard, originally Louise Andréa Enriqueta Howard, was a British ballet dancer and choreographer. She created over 30 ballets.
Gerd Larsen born Gerd Elly was a Norwegian ballerina who performed frequently with England's Royal Ballet, in a career lasting over fifty years up until her seventy-fifth birthday. In her later years, she was known for her mime roles.
Mona Inglesby , was a British ballet dancer, choreographer, director of the touring company International Ballet, and the person who saved the Sergeyev Collection for posterity.
Alexis Rassine was a South African ballet dancer who enjoyed his greatest success with the Sadler's Wells Ballet in England in the 1940s and early 1950s. He is remembered as a classical dancer who made "a major contribution to British ballet" during wartime and "helped to keep the flag flying when all about was chaos and disaster."
Brian Shaw was a British ballet dancer and teacher. As a leading dancer with the Royal Ballet during the 1950s and 1960s, he was widely regarded as "one of the finest classical male dancers of his generation".
Elizabeth Anderton is a retired British ballet dancer and director. After graduating from the Sadler's Wells School, in 1955 she joined the Sadler's Wells Opera Ballet. From 1957 to 1974 she worked at the Royal Ballet, becoming soloist in 1958 and principal in 1961. In 1976 she became involved with London Festival Ballet, first as teacher and guest dancer and later as assistant artistic director. She returned to the Royal Ballet in the 1990s.
Céline Gittens is a Trinidadian ballerina. She is a principal dancer at the Birmingham Royal Ballet, in Birmingham, England.
Barbara Fallis was an American ballet dancer and educator. She danced for many prominent companies, including the American Ballet Theatre and New York City Ballet, and later started her own school, the New York School of Ballet, with husband Richard Thomas.
References
- ↑ "Clayden, Pauline (1922–)". HighBeam. Archived from the original on 28 March 2015. Retrieved 29 October 2014.
- 1 2 3 "Pauline Clayden". Birmingham Royal Ballet. Archived from the original on 29 October 2014. Retrieved 29 October 2014.
- ↑ Crosland, Margaret (1957). Ballet Carnival: A Companion to Ballet. Arco Publications. p. 16. Retrieved 11 December 2021.
- ↑ Macaulay, Alastair. "Pauline Clayden, now aged one hundred, and her menagerie of ballet roles". alastairmacaulay.com. Retrieved October 18, 2022.
- ↑ @TheRoyalBallet (October 12, 2022). "🎂 Happy 100th birthday to Pauline Clayden, a soloist of Sadler's Wells Ballet from 1942-56!" (Tweet) – via Twitter.
 | This British biographical article is a stub. You can help Wikipedia by expanding it. |
 | This dance-related article is a stub. You can help Wikipedia by expanding it. |