Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
Jacint Rigau-Ros i Serra, known in French as Hyacinthe Rigaud, was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.
In art history, "Old Master" refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print made by an artist in the same period. The term "old master drawing" is used in the same way.
Philippe de Champaigne was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie royale de peinture et de sculpture in Paris, the premier art institution in the Kingdom of France in the eighteenth century.
Guillaume Coustou the Elder was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Château de Marly, whose replicas now stand in the Place de la Concorde in Paris.
Antoine Coypel was a French painter, pastellist, engraver, decorative designer and draughtsman. He became court painter first to Philippe I, Duke of Orléans, and later to King Louis XV. He became director of the Académie Royale. He was given the title of Garde des tableaux et dessins du roi, a function which combined the role of director and curator of the king's art collection. He was raised to the nobility by the French king. He is known for his history paintings, biblical, mythological and allegorical works, portraits and genre scenes.
Nicolas de Largillière was a French painter and draughtsman.
The three Le Nain brothers were painters in 17th-century France: Antoine Le Nain (c.1600–1648), Louis Le Nain (c.1603–1648), and Mathieu Le Nain (1607–1677). They produced genre works, portraits and portrait miniatures.
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
Jacques Sarazin or Sarrazin was a French sculptor in the classical tradition of Baroque art. He was instrumental in the development of the Style Louis XIV through his own work as well as through his many pupils. Nearly all his work as a painter was destroyed and is only known through engravings.
Pierre Max Rosenberg is a French art historian, curator, and professor. Rosenberg is the honorary president and director of the Musée du Louvre in Paris, and since 1995, he has held the 23rd seat of the Académie Française. He was Slade Professor of Fine Art at the University of Cambridge in 1987.
The Louis XV style or Louis Quinze is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence, it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV. From about 1730 until about 1750, it became more original, decorative and exuberant, in what was known as the Rocaille style, under the influence of the King's mistress, Madame de Pompadour. It marked the beginning of the European Rococo movement. From 1750 until the King's death in 1774, it became more sober, ordered, and began to show the influences of Neoclassicism.
Events from the year 1599 in art.
Cornelis Saftleven was a Dutch painter who worked in a great variety of genres. Known in particular for his rural genre scenes, his range of subjects was very wide and included portraits, farmhouse interiors, rural and beach scenes, landscapes with cattle, history paintings, scenes of Hell, allegories, satires and illustrations of proverbs.
Édouard Debat-Ponsan was a French academic painter noted for his allegorical works, scenes of peasant life and Orientalist works.
The Adoration of the Shepherds by the Le Nain Brothers is in the National Gallery in London. The painting dates from about 1640, and is relatively unusual as a religious subject or history painting in their oeuvre; they are best known for genre painting, especially groups of peasants. As with most of the works of Antoine, Louis and Mathieu (1607–1677) Le Nain, it is not possible to establish which brother, or combination of brothers, painted it. This painting is unsigned, but when they signed their works, from 1641 to 1648, it was simply as Lenain.
Abraham Willemsens or Abraham Willemsen, was a Flemish painter of history and genre paintings. His genre scenes were reminiscent of the style of the Le Nain brothers. He also produced copies after the works of Rubens.
Everhard or Eberhard Jabach was a French businessman, art collector, and director of the French East India Company. He was born in Cologne in the Holy Roman Empire but later naturalised as a French subject.
The Louis XIV style or Louis Quatorze, also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643–1715), imposed upon artists by the newly established Académie royale de peinture et de sculpture and the Académie royale d'architecture. It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. Major architects of the period included François Mansart, Jules Hardouin-Mansart, Robert de Cotte, Pierre Le Muet, Claude Perrault, and Louis Le Vau. Major monuments included the Palace of Versailles, the Grand Trianon at Versailles, and the Church of Les Invalides (1675–1691).
Adolphe Hervier, in full: Louis-Henri-Victor-Jules-François-Adolphe Hervier was a French painter and engraver, known for his rural genre scenes. Over his lifetime, his style changed from a strict Romanticism to an early type of Impressionism.
