Bali is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller offshore islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. Denpasar metropolitan area is the extended metropolitan area around Denpasar. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s, and becoming an Indonesian area of overtourism. Tourism-related business makes up 80% of the Bali economy.
Balinese Hinduism, also known in Indonesia as Agama Hindu Dharma, Agama Tirtha, Agama Air Suci or Agama Hindu Bali, is the form of Hinduism practised by the majority of the population of Bali. This is particularly associated with the Balinese people residing on the island, and represents a distinct form of Hindu worship incorporating local animism, ancestor worship or Pitru Paksha, and reverence for Buddhist saints or Bodhisattava.
The culture of Indonesia has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures.
Rangda is the demon queen of the Leyaks in Bali, according to traditional Balinese mythology. Terrifying to behold, the child-eating Rangda leads an army of evil witches against the leader of the forces of good — Barong. The battle between Barong and Rangda is featured in a Barong dance which represents the eternal battle between good and evil.
Pendet dance is a traditional dance from Bali, Indonesia, in which floral offerings are made to purify the temple or theater as a prelude to ceremonies or other dances. Pendet is typically performed by young girls, carrying bowls of flower petals, handfuls of which are cast into the air at various times in the dance. Pendet can be thought of as a dance of greeting, to welcome the audience and invite spirits to enjoy a performance. It is one of the oldest Balinese dances, although the current form was codified in the 1950s.
Hinduism is the third-largest religion in Indonesia, based on civil registration data in 2023 from Ministry of Home Affairs, is practised by about 1.68% of the total population, and almost 87% of the population in Bali. Hinduism was the dominant religion in the country before the arrival of Islam and is one of the six official religions of Indonesia today. Hinduism came to Indonesia in the 1st-century through Indian traders, sailors, scholars and priests. A syncretic fusion of pre-existing Javanese folk religion, culture and Hindu ideas, that from the 6th-century also synthesized Buddhist ideas as well, evolved as the Indonesian version of Hinduism. These ideas continued to develop during the Srivijaya and Majapahit empires. About 1400 CE, these kingdoms were introduced to Islam from coast-based Muslim traders, and thereafter Hinduism, which was previously the dominant religion in the region, mostly vanished from many of the islands of Indonesia.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand. It is also worn in parts of southern Philippines and Cambodia.
Galungan is a Balinese holiday celebrating the victory of dharma over adharma. It marks the time when the ancestral spirits visit the Earth. The last day of the celebration is Kuningan, when they return. The date is calculated according to the 210-day Balinese Pawukon calendar.
Nyepi is a Balinese "Day of Silence" that is commemorated every Isakawarsa according to the Balinese calendar.
Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.
Ogoh-ogoh are statues built for the Ngrupuk parade, which takes place on the eve of Nyepi day in Bali, Indonesia. Ogoh-ogoh normally take the form of mythological beings, mostly demons. As with many creative endeavours based on Balinese Hinduism, the creation of Ogoh-ogoh represents spiritual aims inspired by Hindu philosophy.
Christmas in Indonesia, locally known as Natal from the Portuguese word for Christmas, is celebrated with various traditions throughout the country.
Canggu is a coastal village with a 10 km-long beach on the south-west coast of Bali, Indonesia.
Jembrana Regency is a regency (kabupaten) in the southwest of Bali, Indonesia. It has an area of 841.8 km2 and had a population of 261,638 at the 2010 Census and 317,064 at the 2020 Census; the official estimate as at mid 2022 was 327,850. Its regency seat is the town of Negara.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Balinese textiles are reflective of the historical traditions of Bali, Indonesia. Bali has been historically linked to the major courts of Java before the 10th century; and following the defeat of the Majapahit kingdom, many of the Javanese aristocracy fled to Bali and the traditions were continued. Bali therefore may be seen as a repository not only of its own arts but those of Java in the pre-Islamic 15th century. Any attempt to definitively describe Balinese textiles and their use is doomed to be incomplete. The use of textile is a living tradition and so is in constant change. It will also vary from one district to another. For the most part old cloth are not venerated for their age. New is much better. In the tropics cloth rapidly deteriorates and so virtue is generated by replacing them.
An Odalan is a Balinese village temple festival in Indonesia. It is an occasion when the Hindu village community comes together, invite the gods to visit them for three or more days, perform religious services together offering refreshments and entertainment. It is a periodic event, one that celebrates Balinese Hindu heritage and performance arts. The Odalan celebrations are a social occasion among Indonesian Hindus, and have historically contributed to the rich tradition of theatre and Balinese dance forms.
Omed-omedan, also known as "The Kissing Ritual", is a ceremony that is held by the young people of Banjar Kaja Sesetan, Denpasar, Bali. Omed-omedan is held on the day of ngembak geni to celebrate the Saka new year. The name is derived from the Balinese language and means pull-pull.
Panyembrama is a secular Balinese dance form designed by I Wayan Berata and first performed in 1971. It includes movements from several sacral Balinese dances. The dance was intended to replace for performances in front of tourists.
A wantilan is a Balinese pavilion (bale) used for activities involving large crowds. A wantilan is the largest type of bale in Balinese architecture. A wantilan is basically a large wall-less hall placed under a large multi-tiered roof. A wantilan as a public building is usually located at a village's main square or main junction and functions as an open hall to hold large community activities such as meeting halls or a public musical gamelan performance. A wantilan is also a religious building, an integral part of Balinese temples used to hold the Balinese cockfighting ceremony.
