Author | Lillian Hellman |
---|---|
Publisher | Little, Brown and Company [1] |
Pentimento: A Book of Portraits is a 1973 book by American writer Lillian Hellman. [2] It takes the form of an autobiographical work, focusing on "portraits" of various people that had effects on the author throughout her life. [1]
The book was subject to controversy over the authenticity of a section about an anti-Nazi Resistance member called "Julia", which was later made into Fred Zinneman's film Julia . A psychiatrist named Muriel Gardiner later suggested that her life story was fictionalized as Julia. Gardiner was a wealthy American who went to medical school in the First Austrian Republic following World War I and became involved in the illegal and underground Social Democratic Party of Austria under the rule of Engelbert Dollfuss and the later Austrian Resistance to Nazism there before her return to the US in 1939. [3]
Contemporary reviews of the book were generally positive. [4] [5] [1] Christopher Lehmann-Haupt, thought it a response to criticisms of a lack of self confidence in her previous autobiographical work, An Unfinished Woman , and thought it was an extremely revealing about Hellman. [4]
The Oscar-winning film Julia was based on one chapter of Pentimento. [3] Following the film's release in 1977, New York psychiatrist Muriel Gardiner claimed she was the basis for the title character. The story presents "Julia" as a close friend of Hellman's living in pre-Nazi Austria. Hellman helps her friend to smuggle money for anti-Nazi activity from Russia. In fact Hellman had never met Gardiner. Hellman denied that the character was based on Gardiner, but never identified a real-life alternative. [6] Hellman and Gardiner had the same lawyer (Wolf Schwabacher) who had been privy to Gardiner's memoirs. The events depicted in the film conformed to those described in Gardiner's 1983 memoir Code Name Mary. [6] [7]
An investigation by Samuel McCraken into the particulars of Hellman's Julia story that was published in Commentary in June 1984 concluded that the funeral home in London where Hellman said Julia's body was sent did not exist, there was no record that Hellman had sailed to England to claim Julia's body on the ship she said she had made the transatlantic crossing on, and there was no evidence that Julia had lived or died. Furthermore, McCracken found it highly unlikely, as did Gardiner, who had worked with the anti-fascist underground, that so many people would have been used to help Hellman get money to Julia, or that money would be couriered in the way that Hellman said it did as Hellman admitted that Julia received money from the J. P. Morgan Bank. [8]
Ephraim London, Hellman's attorney in her libel suit against Mary McCarthy (who had publicly questioned Hellman's veracity, including her "Julia" story), admitted that while he believed that there had been a real Julia, Hellman has most likely dramatized her story and added incidents and plot elements that were not strictly true. [8]
Watch on the Rhine is a 1943 American drama film directed by Herman Shumlin and starring Bette Davis and Paul Lukas. The screenplay by Dashiell Hammett is based on the 1941 play Watch on the Rhine by Lillian Hellman. Watch on the Rhine was nominated for the Academy Award for Best Picture and Paul Lukas won the Academy Award for Best Actor for his performance as Kurt Muller, a German-born anti-fascist in this film.
Alfred Zinnemann was an Austrian-American film director and producer. He won four Academy Awards for directing and producing films in various genres, including thrillers, westerns, film noir and play adaptations. He began his career in Europe before emigrating to the US, where he specialized in shorts before making 25 feature films during his 50-year career.
Samuel Dashiell Hammett was an American writer of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the characters he created are Sam Spade, Nick and Nora Charles, The Continental Op and the comic strip character Secret Agent X-9.
Julia is a 1977 American WWII drama film directed by Fred Zinnemann, from a screenplay by Alvin Sargent. It is based on a chapter from Lillian Hellman's 1973 book Pentimento about the author's relationship with a lifelong friend, Julia, who fought against the Nazis in the years prior to World War II. The film stars Jane Fonda, Vanessa Redgrave, Jason Robards, Hal Holbrook, Rosemary Murphy, Maximilian Schell, and Meryl Streep in her film debut.
Lillian Florence Hellman was an American playwright, prose writer, memoirist and screenwriter known for her success on Broadway, as well as her communist sympathies and political activism. She was blacklisted after her appearance before the House Committee on Un-American Activities (HUAC) at the height of the anti-communist campaigns of 1947–1952. Although she continued to work on Broadway in the 1950s, her blacklisting by the American film industry caused a drop in her income. Many praised Hellman for refusing to answer questions by HUAC, but others believed, despite her denial, that she had belonged to the Communist Party.
Mary Therese McCarthy was an American novelist, critic and political activist, best known for her novel The Group, her marriage to critic Edmund Wilson, and her storied feud with playwright Lillian Hellman. McCarthy was the winner of the Horizon Prize in 1949 and was awarded two Guggenheim Fellowships, in 1949 and 1959. She was a member of the National Institute of Arts and Letters and the American Academy in Rome. In 1973, she delivered the Huizinga Lecture in Leiden, the Netherlands, under the title Can There Be a Gothic Literature? The same year she was elected a Fellow of the American Academy of Arts and Sciences. She won the National Medal for Literature and the Edward MacDowell Medal in 1984. McCarthy held honorary degrees from Bard, Bowdoin, Colby, Smith College, Syracuse University, the University of Maine at Orono, the University of Aberdeen, and the University of Hull.
Christopher Lehmann-Haupt was an American journalist, editor of the New York Times Book Review, critic, and novelist, based in New York City. He served as senior Daily Book Reviewer from 1969 to 1995.
Lucile Watson was a Canadian actress, long based in the United States. She was "famous for her roles of formidable dowagers."
Muriel Gardiner Buttinger was an American psychoanalyst and psychiatrist.
Wolf Schwabacher was a prominent Jewish entertainment lawyer, a partner in the New York City law firm of Hays, Wolf, Schwabacher, Sklar & Epstein, whose clients included the Marx Brothers, Lillian Hellman, and Erskine Caldwell.
Joseph Chamberlain Furnas was an American freelance writer.
Nechama Tec was a Polish-American historian who was Professor Emerita of Sociology at the University of Connecticut. She received her Ph.D. in sociology at Columbia University, where she studied and worked with the sociologist Daniel Bell, and was a Holocaust scholar. Her book When Light Pierced the Darkness (1986) and her memoir Dry Tears: The Story of a Lost Childhood (1984) both received the Merit of Distinction Award from the Anti-Defamation League of B'nai B'rith. She is also the author of the book Defiance: The Bielski Partisans on which the film Defiance (2008) is based, as well as a study of women in the Holocaust. She was awarded the 1994 International Anne Frank Special Recognition prize for it.
Peter Feibleman was an American author and screenwriter. He won critical acclaim for his novels and received multiple awards for his writings, including a Guggenheim Award in 1960 and a Golden Pen Award in 1983. He also wrote a number of plays and screenplays.
Marion Meade was an American biographer and novelist. She was best known for her portraits of writers and filmmakers.
Here at The New Yorker is a 1975 best-selling book by American writer Brendan Gill, writer and drama critic for The New Yorker magazine.
The Season: A Candid Look at Broadway is an account of the 1967–1968 season on and off-Broadway by American novelist and screenwriter William Goldman. It originally was published in 1969 and is considered one of the better books ever written on American theater. In The New York Times, Christopher Lehmann-Haupt called the book “Very nearly perfect...It is a loose-limbed, gossipy, insider, savvy, nuts-and-bolts report on the annual search for the winning numbers that is now big-time American commercial theatre.”
Watch on the Rhine is a 1941 American play by Lillian Hellman. In an essay on World War II, a contributor to The Companion to Southern Literature (2002) wrote that the play's "peculiar combination of drawing-room comedy in a genteel southern home with sinister corruption of the Nazi regime in Europe made for a unique and powerful drama, one strong enough to win the New York Drama Critics' Circle Award."
Lillian Hellman: An Imperious Life is a 2014 book by Dorothy Gallagher. It is a critical biography of the American playwright and writer Lillian Hellman.
A pentimento is an alteration in a painting evidenced by traces of previous work.
Das Boot is a 1973 autobiographical German novel by Lothar-Günther Buchheim based on his experiences as a war correspondent on U-boat submarines. Buchheim recorded his time on submarine U-96 and submarine U-309 during World War II. The Buchheim historical drama book was published in 1973 by Piper Verlag, the book has sold millions of copies and was translated into 18 languages. The novel portrayed the harsh and difficult submarine warfare life on a German submarine.
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