The People's Flag Show was a November 1970 exhibition at Judson Memorial Church in New York City by Faith Ringgold, Jean Toche and Jon Hendricks, known as the Judson Three. The exhibition was raided by the police and the artists arrested on a charge of flag desecration. They were convicted and fined $100 each, but this was later overturned with support from the New York Civil Liberties Union. [1] [2]
The organizers of the exhibition wanted to test the boundaries of “repressive laws governing so-called flag desecration.” [3] This intent was posted on a flyer calling for artist participation for the week-long event. While the exhibition was not explicitly an antiwar event, it grew out of the antiwar movement, with many of the works included in the exhibition referencing and in some cases expressing disapproval of the Vietnam War.
The People’s Flag Show was inspired by the 1967 conviction of New York art gallery owner Stephen Radich, whose case was pending in the U.S. Supreme Court at the time of the 1970 exhibition.
In December 1966, Radich presented sculptures by artist Marc Morrel, who incorporated American flags into works of art criticizing the U.S.’s involvement in Vietnam. In 1967, following the exhibition, Radich was convicted of “casting contempt on the American flag," [4] thereby “violating a state law against its desecration.” [5]
Prior to his first appeal in 1967, Radich made the statement that losing the case “could affect the future of art galleries, a very important industry in New York whose right to show new work without interference from police could be severely threatened.” [6] Radich's conviction was upheld by the New York State Court of Appeals, prompting Radich to appeal to the United States Supreme Court in 1971. After a vote of 4 to 4, with Justice William O. Douglas taking “no part in the consideration or decision of this case," [7] the Circuit Court of Appeals ruled “that a tie vote did not represent an actual adjudication, thereby allowing for yet another appeal.” [8] A federal judge finally overturned the conviction in 1974.
Other participants of the group protest exhibition included feminist writer Kate Millett, political and social activist Abbie Hoffman, as well as choreographer Yvonne Rainer.
In texts referencing Rainer's participation in The People’s Flag Show, the event is often referred to as the "Judson Flag Show.” [9] [10]
Rainer's contribution involved an iteration of her iconic dance, Trio A . This iteration of the dance, titled “Trio A with Flags,” was performed by Rainer and five members of the Grand Union dance troupe; Barbara Lloyd, David Gordon, Nancy Green, Steve Paxton, and Lincoln Scott. [11]
The performers danced Trio A twice through wearing “only an American flag tied like a bib around the neck." [12] The six dancers performed simultaneously but not in unison.
Rainer has stated that the performance was “a double protest,” against both censorship and war, [13] and in her book, WORK 1961-73, Rainer writes, “To combine the flag and nudity seemed a double-barreled attack on repression and censorship.” [14]
Trio A with Flags continues to be performed today. On April 22 and 23, 1999, seven dancers performed Trio A with Flags at Judson Memorial Church as part of a benefit to help raise money for the church. [15]
Trio A with Flags has also been restaged at the Museum of Modern Art, [16] at the Joyce Theater with the Stephen Petronio Company, [17] and at galas and other benefits to both celebrate and help raise money for institutions such as Printed Matter [18] and Performa.
The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue between 88th and 89th Streets on the Upper East Side of Manhattan in New York City. It hosts a permanent collection of Impressionist, Post-Impressionist, early Modern, and contemporary art and also features special exhibitions throughout the year. It was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director, Hilla von Rebay. The museum adopted its current name in 1952, three years after the death of its founder Solomon R. Guggenheim. It continues to be operated and owned by the Solomon R. Guggenheim Foundation.
The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art world's vanguard circle.
The Brooklyn Museum is an art museum in the New York City borough of Brooklyn. At 560,000 square feet (52,000 m2), the museum is New York City's second largest and contains an art collection with around 500,000 objects. Located near the Prospect Heights, Crown Heights, Flatbush, and Park Slope neighborhoods of Brooklyn, the museum's Beaux-Arts building was designed by McKim, Mead & White.
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance.
Yvonne Rainer is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental. Her work is sometimes classified as minimalist art. Rainer currently lives and works in New York.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance.
Steven Douglas Paxton was an American experimental dancer and choreographer. His early background was in gymnastics while his later training included three years with Merce Cunningham and a year with José Limón. As a founding member of the Judson Dance Theater, he performed works by Yvonne Rainer and Trisha Brown. He was a founding member of the experimental group Grand Union and in 1972 named and began to develop the dance form known as Contact Improvisation, a form of dance that utilizes the physical laws of friction, momentum, gravity, and inertia to explore the relationship between dancers.
Dorothea Rockburne DFA is an abstract painter, drawing inspiration primarily from her deep interest in mathematics and astronomy. Her work is geometric and abstract, seemingly simple but very precise to reflect the mathematical concepts she strives to concretize. "I wanted very much to see the equations I was studying, so I started making them in my studio," she has said. "I was visually solving equations." Her attraction to Mannerism has also influenced her work.
Simone Forti is an American postmodern artist, dancer, choreographer, and writer. Since the 1950s, she has exhibited, performed, and taught workshops all over the world. Her innovations in Postmodern dance, including her seminal 1961 body of work, Dance Constructions, along with her contribution to the early Fluxus movement, have influenced many notable dancers and artists. Forti first apprenticed with Anna Halprin in the 1950s and has since worked alongside artists and composers Nam June Paik, Steve Paxton, La Monte Young, Trisha Brown, Charlemagne Palestine, Peter Van Riper, Dan Graham, Yoshi Wada, Robert Morris and others. Forti's published books include Handbook in Motion, Angel, and Oh Tongue. She is currently represented by The Box L.A. in Los Angeles, CA, and has works in the permanent collections of the Museum of Modern Art (MOMA) in New York, the Stedelijk Museum in Amsterdam, the Generali Foundation in Vienna, the Whitney Museum of American Art in New York, and the Moderna Museet in Stockholm.
Claes Oldenburg was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg lived and worked in New York City.
Sally Rachel Banes was a notable dance historian, writer, and critic.
The Foundation for Contemporary Arts (FCA), is a nonprofit based foundation in New York City that offers financial support and recognition to contemporary performing and visual artists through awards for artistic innovation and potential. It was established in 1963 as the Foundation for Contemporary Performance Arts by artists Jasper Johns, John Cage, and others.
The Art Students League of New York Building is a building on 57th Street in Midtown Manhattan in New York City. The structure, designed by Henry Janeway Hardenbergh in the French Renaissance style, was completed in December 1892 and serves as the headquarters of the Art Students League of New York. The building was developed by the American Fine Arts Society (AFAS), formed in 1889 by five organizations including the Art Students League, the Society of American Artists, and the Architectural League of New York.
Stephen Burrows is an American fashion designer based in New York City. Burrows studied at Fashion Institute of Technology, then began work in the New York City's Garment Center, alternately managing his own businesses and working closely with luxury department store Henri Bendel. He is known for being one of the first African-American fashion designers to sell internationally and develop a mainstream, high-fashion clientele. His garments, known for their bright colors and "lettuce hem" curly-edges, became an integral part of the "Fun City" New York City disco-dancing scene of the 1970s.
John Millard Ferren was an American artist and educator. He was active from 1920 until 1970 in San Francisco, Paris and New York City.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
Pennerton West was an American artist best known for her prints.
The American pavilion is a national pavilion of the Venice Biennale. It houses the United States' official representation during the Biennale.
Cristos Gianakos is an American postminimalist artist known for his large-scale ramp sculptures and installations. He lives and works in New York, where he has been teaching at the School of Visual Arts since 1963.
Jon Hendricks is an American artist, curator and political activist. Since 2008, he has served as the Fluxus Consulting Curator of the Gilbert and Lila Silverman Collection at the Museum of Modern Art (MoMA).
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