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Perception Records was an American jazz/R&B record label.
What originally began as a production company in 1967 for pop and progressive rock acts, singer/songwriter/producer Jimmy Curtiss transitioned into Perception Ventures in 1969. Eventually expanding its roster to cater to other music genres, Perception's soul music output was released by both of its flagship labels, Perception Records and Today Records, the latter of which was run by Perception's executive vice-president, Patrick Adams.
Its parent label is Perception Ventures, Inc.
# | Artist | Album | Year |
---|---|---|---|
1 | Jimmy Curtiss [1] | J.C. Life | 1969 |
2 | Dizzy Gillespie | The Real Thing | 1969 |
3 | J. J. Jackson | J. J. Jackson's Dilemma | 1970 |
4 | The Albert | The Albert | |
5 | Floyd Westerman | Custer Died for Your Sins | 1970 |
6 | James Moody | Teachers | 1970 |
9 | The Albert | 1970 | |
13 | Dizzy Gillespie | Portrait of Jenny | 1970 |
14 | Floyd Westerman | Indian Country | |
16 | John Simson | We Can Be Everything | |
18 | Wanda Robinson | Black Ivory | 1971 |
19 | Dizzy Gillespie, Bobby Hackett, Mary Lou Williams | Giants | 1971 |
20 | Jon Bartel | Bartel | 1972 |
22 | James Moody | Heritage Hum | 1971 |
23 | Pendulum | Pendulum | 1972 |
24 | Would | Would | 1972 |
25 | Tom Sullivan | If You Could See What I Hear | 1972 |
27 | The Eight Minutes | An American Family | |
28 | Fatback Band | Let's Do It Again | 1972 |
29 | Astrud Gilberto | Astrud Gilberto Now | 1972 |
30 | Johnny Hartman | Today | 1972 |
31 | Shirley Horn | Where Are You Going | 1973 |
33 | Steve Karliski | Gotta Keep Movin' | 1973 |
34 | Larry Young | Lawrence of Newark | 1973 |
35 | Jimmie Lunceford | The Original... | 1973 |
36 | King Harvest | Dancing in the Moonlight | 1972 |
37 | Wanda Robinson | Me and a Friend | 1973 |
39 | J. J. Barnes | Born Again | 1973 |
40 | Tyrone Washington | Roots | 1973 |
41 | Johnny Hartman | I've Been There | 1973 |
43 | The Fatback Band | People Music | 1973 |
45 | Johnny Pate | Brother on the Run (soundtrack) | 1973 |
46 | The Fatback Band | Feel My Soul | 1974 |
MCA Inc. was an American media conglomerate founded in 1924. Originally a talent agency with artists in the music business as clients, the company became a major force in the film industry, and later expanded into television production. MCA published music, booked acts, ran a record company, represented film, television, and radio stars, and eventually produced and sold television programs to the three major television networks, especially NBC.
Worldbeat is a music genre that blends pop music or rock music with world music or traditional music. Worldbeat is similar to other cross-pollination labels of contemporary and roots genres, and which suggest a rhythmic, harmonic or textural contrast between its modern and ethnic elements.
Monument Records is an American record label in Washington, D.C. named for the Washington Monument, founded in 1958 by Fred Foster, Buddy Deane, and business manager Jack Kirby. Buddy Deane soon left the company, and in the early '60s bought KOTN in Pine Bluff, Arkansas, where he lived in retirement until his death. Foster and Kirby relocated to the Nashville suburb of Hendersonville, Tennessee. Monument's releases include a variety of genres including rock and roll, country, jazz, and rhythm and blues.
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972.
The Knack was an American rock band based in Los Angeles that rose to fame with its first single, "My Sharona", an international number-one hit in 1979.
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop, R&B, rock, and hip hop.
Bertelsmann Music Group (BMG) was a division of a German media company Bertelsmann before its completion of sale of the majority of its assets to Sony Corporation of America on 1 October 2008. Although it was established in 1987, the music company was formed as RCA/Ariola International in 1985 as a joint venture to combine the music label activities of RCA's RCA Records division and Bertelsmann's Ariola Records and its associated labels which include Arista Records. It consisted of the BMG Music Publishing company, the world's third largest music publisher and the world's largest independent music publisher, and the 50% share of the joint venture with Sony Music, which established the German American Sony BMG from 2004 to 2008.
Interscope Records is an American record label owned by Universal Music Group through its Interscope Geffen A&M imprint. Founded in late 1990 by Jimmy Iovine and Ted Field as a $20 million joint venture with Atlantic Records of Warner Music Group and Interscope Communications, it differed from most record labels by letting A&R staff control decisions and allowing artists and producers full creative control. Its first hit records arrived in under a year, and it achieved profitability in 1993. Chair and CEO until May 2014, Iovine was succeeded by John Janick.
Ariola is a German record label. In the late 1980s, it was a subsidiary label of the Bertelsmann Music Group, which in turn has become a part of the international media conglomerate Sony Music Entertainment.
Sony Music Entertainment (SME), simply known as Sony Music, is an American multinational music company owned by Sony Entertainment and managed by the American umbrella division of Japanese multinational conglomerate Sony. It is the recording division half of the Sony Music Group, with the other half being the publishing division, Sony Music Publishing.
Universal Music Group Nashville is Universal Music Group's country music subsidiary. Some of the labels in this group include MCA Nashville Records, Mercury Nashville Records, Lost Highway Records, Capitol Records Nashville and EMI Records Nashville. UMG Nashville not only handles these imprints, but also manages the country music catalogues of record labels Universal Music and predecessor companies acquired over the years including ABC Records, Decca Records, Dot Records, DreamWorks Records, Kapp Records, MGM Records and Polydor Records.
Colgems Records was a record label that existed from 1966 to 1971.
Avex Inc. is a Japanese entertainment conglomerate led by founder Max Matsuura and headquartered in Tokyo, Japan. Founded in 1988, the company manages J-pop talents like Ayumi Hamasaki and internet sensation PikoTaro. It has also shifted into other business domains like anime, video games and live music events, partnering with Ultra Music Festival and hosting the annual A-nation. The company is a member of the Mitsubishi UFJ Financial Group (MUFG) keiretsu.
Gallo Record Company is the largest record label in South Africa. It is based in Johannesburg, South Africa, and is owned by Arena Holdings. The current Gallo Record Company is a hybrid of two South African record labels, rivals between the 1940s and 1980s: the original Gallo Africa (1926–85) and G.R.C.. In 1985 Gallo Africa acquired G.R.C.; as a result, Gallo Africa became known as Gallo-GRC. Five years after the acquisition, the company was renamed Gallo Record Company.
A&M Octone Records was an American record label owned as a joint venture between Universal Music Group and Octone Records. A full-service artist development label, it was founded in 2007 as a merger between Octone and Interscope Geffen A&M's defunct A&M Records label. For its six years of existence, A&M Octone operated music publishing, merchandising, and touring entities, in addition to specializing in recorded music.
Al Bell is an American record producer, songwriter, and record executive. He is best known as having been an executive and co-owner of Stax Records, based in Memphis, Tennessee, during the latter half of the label's 19-year existence.
A&M Records was an American record label founded as an independent company by Herb Alpert and Jerry Moss in 1962. Due to the success of the discography A&M released, the label garnered interest and was acquired by PolyGram in 1989 and began distributing releases from Polydor Ltd. from the UK. Throughout its operations, A&M housed well-known acts such as Alpert himself, Squeeze, Gin Blossoms, Joe Cocker, Procol Harum, Captain & Tennille, Sting, Supertramp, Bryan Adams, Burt Bacharach, Liza Minnelli, The Carpenters, Paul Williams, Quincy Jones, Janet Jackson, Cat Stevens, Peter Frampton, Elkie Brooks, Carole King, Styx, Dennis DeYoung, Extreme, Amy Grant, Joan Baez, The Police, Jann Arden, CeCe Peniston, Shanice, Blues Traveler, Soundgarden, Duffy, Phil Ochs, Sheryl Crow, Yellow Magic Orchestra, and Nazareth.
BMG Rights Management GmbH is an international music company based in Berlin, Germany. It combines the activities of a music publisher and a record label.
LaFace Records was an American record label based in Atlanta, Georgia, that operated as a unit of Sony Music Entertainment from 2008 to 2011 and was historically a part of Bertelsmann Music Group from 1989 to 2004. It was most active and achieved its greatest commercial success during the 1990s, dealing largely in the field of urban music. It was originally distributed by its co-creator Arista Records from 1989 through 2001, after which it was shuttered and absorbed into Arista. In 2004, the label was rebooted, and it began operating through Jive Records until both were absorbed into RCA Records in 2011. Today, the label's back catalog and reissues are managed by Legacy Recordings.
The term "world music," meaning folk music from around the world, has been credited to ethnomusicologist Robert E. Brown, who coined it in the early 1960s at Wesleyan University in Connecticut, where he developed undergraduate through doctoral programs in the discipline. To enhance the learning process, he invited more than a dozen visiting performers from Africa and Asia and began a world music concert series.