Pete Peterson | |
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Born | Svend Aage Pedersen September 30, 1903 Denmark |
Died | February 24, 1962 (aged 58) Los Angeles, California, United States |
Occupation | Special effects technician |
Pete Peterson (born Svend Aage Pedersen; September 30, 1903 - February 24, 1962) was an American motion picture special effects and stop-motion animation pioneer, best remembered for his work with Willis H. O'Brien on Mighty Joe Young (1949), The Black Scorpion (1957) and The Giant Behemoth (1959). [1]
Pete Peterson, who changed to this name in 1945, worked as a grip at RKO studios in Hollywood in the 1940s and was assigned to work on Mighty Joe Young (1949) lighting the miniature sets where technical creator Willis H. O'Brien and his first technician Ray Harryhausen were creating the stop-motion animation of the title character. Peterson became fascinated with the process and experimented at home in his spare time by placing tape on people’s arms and legs to gauge movement and filming the results to better understand the process of animation. As the production began to fall behind schedule Peterson volunteered his own services, and as second technician was responsible for several memorable scenes including the nightclub scene where Joe appears on stage for the first time and the escape in the truck. The film won the 1950 Academy Award for Best Visual Effects. It was while working on this film that Peterson met and married his wife, who died three months later.
Willis H. O’Brien later asked Peterson to assist him on the production of the stop motion animation for The Black Scorpion (1957) and Peterson, who had contracted multiple sclerosis and was unable to continue working as a grip, accepted. The two spent a few months on set in Mexico before returning to California to complete such memorable scenes as the descent into the scorpion’s lair, the train wreck and the final conflict in the stadium. Peterson subsequently reused some of the sets and miniatures from this film to create his own test footage including the later-discovered Las Vegas Monster test footage.
Eugene Louriè, the original director of The Black Scorpion who had hired O’Brien for that film, contacted O’Brien and Peterson again regarding the effects work on The Giant Behemoth (1959), but producer David Diamond hired visual effects supervisors Jack Rabin and Irving Block, who subcontracted the stop-motion animation back to O’Brien and Peterson on a meagre portion of the total $20,000 effects budget. O’Brien and Peterson nevertheless came up with innovative solutions to the problems presented by the limited budget and Peterson’s physical deterioration, which required miniature sets be built close to the ground so Peterson could animate whilst seated. After the film Peterson again worked on his own test footage including the colour Beetlemen test footage.
Peterson was diagnosed with kidney cancer and died whilst in surgery in February 1962, and O’Brien died in November of that same year. Some years after the deaths of Peterson and O’Brien, a group of young animators, including Jim Danforth and Dennis Muren, discovered a trunk containing Peterson’s test footage and models, which they used on the production of Flesh Gordon (1974).
Las Vegas Monster is a 1958 American short black-and-white silent animated test film, animated and directed by Pete Peterson, featuring a giant mutated baboon on the rampage. The film was discovered along with the Beetlemen test footage and some of the models used in these and other productions in a trunk recovered from the wife of a former neighbour of Peterson after his death in 1962. One of the young animators who discovered the trunk was Laine Liska who used the armature of the Las Vegas Monster model to create the Great God Porno animated by David W. Allen, Jim Aupperle, and Robert Maine in Flesh Gordon (1974). [2] [3]
Beetlemen is a 1960 American short silent animated test film, animated and directed by Pete Peterson, featuring a group of mutated human astronauts, who were trapped in suspended animation in a pressure chamber, marching over a hill. The film was discovered along with the Las Vegas Monster test footage and some of the models used in these and other productions in a trunk recovered from the wife of a former neighbour of Peterson after his death in 1962. One of the young animators who discovered the trunk was Jim Danforth who used one of the Beetlemen models in Flesh Gordon (1974). [4] [5]
King Kong is a 1933 American pre-Code adventure horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise. The film stars Fay Wray, Robert Armstrong and Bruce Cabot. In the film, a giant ape dubbed King Kong captured from Skull Island attempts to possess a beautiful young woman.
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints or plasticine figures are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation.
Special effects are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. It used to be called SFX but this short form has also expanded to include “sound effects” as well.
Willis Harold O'Brien, known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on The Lost World (1925), King Kong (1933), The Last Days of Pompeii (1935) and Mighty Joe Young (1949), for which he won the 1950 Academy Award for Best Visual Effects.
Raymond Frederick Harryhausen was an American-British animator and special effects creator who created a form of stop motion model animation known as "Dynamation". His works include the animation for Mighty Joe Young (1949) with his mentor Willis H. O'Brien ; his first color film, The 7th Voyage of Sinbad (1958); and Jason and the Argonauts (1963), which featured a sword fight with seven skeleton warriors. His last film was Clash of the Titans (1981), after which he retired.
Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.
It Came from Beneath the Sea is a 1955 American science fiction monster horror film from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed by Robert Gordon, that stars Kenneth Tobey, Faith Domergue, and Donald Curtis. The screenplay by George Worthing Yates was designed to showcase the stop motion animation special effects of Ray Harryhausen.
The Valley of Gwangi is a 1969 American fantasy Western film produced by Charles H. Schneer and Ray Harryhausen, directed by Jim O'Connolly, written by William Bast, and starring James Franciscus, Richard Carlson, and Gila Golan.
Mighty Joe Young is a 1949 American black and white fantasy film distributed by RKO Radio Pictures and produced by the same creative team responsible for King Kong (1933). The film was produced by Merian C. Cooper, directed by Ernest B. Schoedsack, and Ruth Rose wrote the screenplay. It stars Robert Armstrong, Terry Moore, and Ben Johnson in his first credited screen role. Animation effects were handled by Ray Harryhausen, Pete Peterson and Marcel Delgado.
Flesh Gordon is a 1974 American superhero sex comedy feature film serving as a spoof of Universal Pictures's first Flash Gordon serial films from the 1930s. The film was produced by Walter R. Cichy, Bill Osco, and Howard Ziehm. It was co-directed by Ziehm and Michael Benveniste, who also wrote the screenplay. The cast includes Gregory Loquist, Suzanne Fields, John Hoyt and William Dennis Hunt. It was distributed by Mammoth Films.
The Lost World is a 1925 American silent fantasy giant monster adventure film directed by Harry O. Hoyt and written by Marion Fairfax, adapted from Arthur Conan Doyle's 1912 novel of the same name.
The Black Scorpion is a 1957 black-and-white Mexican-American giant arachnid horror film from Warner Bros., produced by Jack Dietz and Frank Melford, directed by Edward Ludwig, and starring Richard Denning, Mara Corday, Carlos Rivas, and Mario Navarro. The film's stop-motion animation special effects were created by Willis O'Brien. In the film, volcanic activity releases giant prehistoric scorpions from the earth. They wreak havoc in the rural countryside and eventually threaten Mexico City.
James Danforth is an American stop-motion animator, known for model-animation, matte painting, and for his work on When Dinosaurs Ruled the Earth (1970), a theme-sequel to Ray Harryhausen's One Million Years B.C. (1967). He later went on to work with Ray Harryhausen on the film Clash of the Titans (1981) to mainly do the animation of the winged horse Pegasus.
David W. Allen was an American film and television stop motion model (puppet) animator.
Marcel Delgado was a sculptor and model-maker. His technique revolutionized the stop motion film industry. He is best known for his work on the 1933 film King Kong.
Model animation is a form of stop motion animation designed to merge with live-action footage to create the illusion of a real-world fantasy sequence.
The Giant Behemoth is a 1959 British-American science fiction action horror film directed by Eugène Lourié, with special effects by Willis H. O'Brien, Pete Peterson, Irving Block, Jack Rabin, and Louis de Witt. The film stars Gene Evans and André Morell. The screenplay was written by blacklisted author Daniel Lewis James with director Lourié.
The Animal World is a 1956 American documentary film that was produced, written and directed by Irwin Allen. The film includes live-action footage of animals throughout the world, along with a ten-minute stop motion animated sequence about dinosaurs.
Events in 1903 in animation.