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The hammered dulcimer is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman word dulcimer derives from the Latin dulcis (sweet) and the Greek melos (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked.
Klezmer is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre—also sometimes known by the earlier term freilach music —incorporated elements of many other musical genres including Ottoman music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.
Henry "Hank" Sapoznik is an American author, record and radio producer and performer of traditional Yiddish and American music.
The Klezmorim, founded in Berkeley, California, in 1975, was the world's first klezmer revival band, widely credited with spearheading the global renaissance of klezmer in the 1970s and 1980s. Initially featuring flute and strings—notably the exotic fiddling of co-founder David Skuse—the ensemble reorganized into a "loose, roaring, funky" brass/reed/percussion band fronted by co-founder Lev Liberman's saxophones and founding member David Julian Gray's clarinets. As a professional performing and recording ensemble focused on recreating the lost sounds of early 20th century klezmer bands, The Klezmorim achieved crossover success, garnering a Grammy nomination in 1982 for their album Metropolis and selling out major concert venues across North America and Europe, including Carnegie Hall and L'Olympia in Paris. The band performed steadily until 1993, regrouping in 2004 for a European tour.
KlezKamp was a yearly Klezmer music and Yiddish culture festival in New York State.
Joel Rubin is an American clarinetist, Klezmer musician, ethnomusicologist, and scholar of Jewish music. Since becoming involved in the Klezmer revival in the late 1970s, he has been researching, teaching and performing Klezmer music and related genres. He has been a member of, or performed with, such groups as Brave Old World, the Joel Rubin Ensemble, and Veretski Pass.
Yale Strom is an American violinist, composer, filmmaker, writer, photographer and playwright. Strom is a pioneer among klezmer revivalists in conducting extensive field research in Central and Eastern Europe and the Balkans among the Jewish and Romani communities since 1981. Initially, his work focused primarily on the use and performance of klezmer music between these two groups. Gradually, his focus increased to examining all aspects of their culture, from post-World War II to the present. He was among the first of the klezmer revivalists to identify the connection between klezmer and lautare and explore that connection in his scholarly and artistic works.
Alicia Svigals is an American violinist and composer. A co-founder of the Grammy-winning band The Klezmatics, she is considered by many to be the world's foremost living klezmer fiddler.
Michael Alpert is a klezmer musician and Yiddish singer, songwriter, multi-instrumentalist, scholar and educator who has been called a key figure in the klezmer revitalization, beginning in the 1970s. He has performed solo and in a number of ensembles since that time, including Brave Old World, Kapelye, Khevrisa, The Brothers Nazaroff, Voices of Ashkenaz and The An-Sky Ensemble, and has collaborated with clarinetist David Krakauer, hip-hop artist Socalled, singer/songwriter/actor Daniel Kahn, bandurist Julian Kytasty, violinist Itzhak Perlman, ethnomusicologist and musician Walter Zev Feldman, trumpeter/composerFrank London and numerous others.
Leon Schwartz, Yiddish אריה–לייב שווארץ (1901-1990) was a klezmer and classical music violinist born in the village Karapchiv, Austria-Hungary near the town of Vashkivtsi in today’s Vyzhnytsia Region of the Bukovina area of Ukraine.
Mames Babegenush is a Danish Klezmer band formed in 2004 in Copenhagen.
Mames Babegenush is the East meeting the North. Strong Scandinavian roots merging with the vibrant dance music of Eastern Europe. From the great ambience of Nordic pine trees to lively weddings in Romania the music of Mames Babegenush gives a sense of both melancholy and ecstatic joy. In the beginning doing quite traditional klezmer music—with inspiration from artists such as Naftule Brandwein, Abe Schwartz and Dave Tarras—but has increasingly developed their own sound.
Margot Leverett is a New York-based clarinettist. Born in Ohio, she lived in Pittsburgh, Pennsylvania and Buffalo, New York before studying at Indiana University School of Music. At Indiana, she was classically trained. Leverett later became interested in klezmer, a traditional musical style of the Jews of Eastern Europe. She studied with klezmer clarinettist Sidney Beckerman and was a founding member of The Klezmatics in 1985. The Klezmatics, a band associated with the Klezmer revival would later become the first klezmer band to win a Grammy Award.
Adrienne Cooper was a Yiddish singer, musician and activist who was integral to the contemporary revival of klezmer music.
Elie Rosenblatt is a klezmer violinist known for his interpretation and recreation of early nineteenth century klezmer violin style. Hailing from Canada, he immigrated to Israel where he is involved in klezmer performances with the Jerusalem Klezmer Association. He has performed and taught internationally, and had participated at the annual Klezkanada program from its inception. In 2001, Rosenblatt released his first CD with tsimbl player Pete Rushefsky entitled Tsimbl un Fidl: Klezmer Music for Hammered Dulcimer & Violin. The album was hailed as a work of "impeccable scholarship with virtuoso performances" and considered "essential in any klezmer collection".
Eleanor Reissa is an American actress, singer, theatre director, playwright, librettist, choreographer, translator, and author based in New York City. She works and performs in English and Yiddish speaking stages, and also interprets and performs Yiddish theatre and songs.
KlezKanada is a Canadian organization for the promotion of klezmer music and Yiddish culture. Its principal program is a week-long Jewish music festival founded in 1996 that takes place annually in August at Camp B'nai B'rith in Lantier, Quebec. The organization also hosts workshops, concerts, and other educational programs in Montreal throughout the year.
Max Leibowitz was an American klezmer violinist, composer and bandleader in New York City primarily in the 1910s and 1920s.
Beyond the Pale is an album by the klezmer band Brave Old World, released in 1994. The album title refers to the Pale of Settlement.
Michael Winograd is an American Klezmer clarinetist and composer. He has performed with such groups and artists as Vulfpeck, Tarras Band, Geoff Berner, Socalled, Adrienne Cooper, Daniel Kahn & the Painted Bird and Michael Winograd and the Honorable Mentshn.
Christian Dawid is a German clarinetist, Klezmer musician, educator, and composer. He is generally regarded as one of the top Klezmer musicians in Germany, and has performed with groups such as Trio Yas and Khupe, as well as with international Klezmer groups such as Brave Old World, Daniel Kahn & the Painted Bird, Ben Caplan, Budowitz and The Other Europeans.
References
- ↑ "Jewish Music is World Music". North Adams Transcript, via Newspaper Archives. December 13, 2001 - Page 31
- ↑ "Yiddish New York Transports Viewers to an Alternative Universe". Forward. Seth Rogovoy December 24, 2015
- ↑ "Klezmer’s True North: Remembering the clarinetist who sparked the klez revival.". 03/17/2010 George Robinson, The Jewish Week
- ↑ "KlezKamp Lives On With 'Yiddish New York'". Jon Kalish. ForwardAugust 11, 2015
- ↑ "Klezmer for the new year, 2001".
- ↑ Rogovoy, Seth. Tsimbl Un Fidl: Klezmer Music For Hammered Dulcimer & Violin.(Elie Rosenblatt and Pete Rushefsky) (sound recording review) Sing Out! March 22, 2002
- ↑ "Review of Tsimbl un Fidl: Klezmer Music for Hammered Dulcimer and Violin". Archived from the original on 2018-10-12. Retrieved 2020-05-04.
