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Peter d'Agostino is an artist and a professor of Film and Media Arts, Temple University, Philadelphia.
Surveys of his work include: Peter d'Agostino: COLD / HOT-Walks, Wars & Climate Change, Muhlenberg College, PA; World-Wide-Walks / between earth & sky / 1973- 2012, UPV / EHU Art Gallery, Bilbao, Spain; Between Earth & Sky: MX (1973-2007), Laboratorio Arte Alemeda, Mexico City; Between Earth & Sky, 1973/2003, University of Paris I Pantheon-Sorbonne; Interactivity and Intervention, 1978–99, Lehman College Art Gallery, New York. Major group exhibitions include: Whitney Museum of American Art (Biennial [1] , and The American Century - Film and Video in America 1950–2000); São Paulo Bienal, Brazil; Kwangju Biennial,Korea; California Video, Getty Museum, Los Angeles; Under the Big Black Sun, MOCA, LA; State of Mind: New California Art Circa 1970, ICI, NY traveling exhibition. His works are in the collections of: The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Kunsthaus, Zurich; Foundation La Caixa, Barcelona, Spain; University Art Museum/Pacific Film Archive, Berkeley; and his videos are distributed by Electronic Arts Intermix. [2]
His interactive multimedia projects (Web, DVD, CD-ROM, Laserdisc) include: "World-Wide-Walks" , "DOUBLE YOU" (and X,Y,Z.), "TransmissionS", "TRACES", "STRING CYCLES", "VR/RV: a Recreational Vehicle in Virtual Reality", "YOO (YearZEROZERO)", and "@Vesu.Vius." The installations have not been exhibited at the Philadelphia Museum of Art, Long Beach Museum of Art, as part of the Video Viewpoints series at The Museum of Modern Art, the Festival des Arts Electroniques, Rennes, France, the Interactions exhibition at the Rijksmuseum Twenthe in Enschede, the Netherlands, and the European Media Arts Festival, Osnabruck, Germany. "The TransmissionS: In the WELL "installation (1990) and "VR/RV" (1995) both received honorary awards for interactive art at [Prix Ars Electronica, Linz, Austria]. [3]
He was an artist-in-residence at the TV Laboratory, WNET, New York, the Banff Centre for the Arts, Canada, the Rockefeller Foundation's Bellagio Center, Italy, the Experimental Television Center [4] as well as a visiting artist at the National Center for SuperComputing Applications, University of Illinois, and the American Academy in Rome.
D’Agostino's books include: World-Wide- Walks: Crossing Natural-Cultural-Virtual Frontiers (2019),Transmission: toward a post-television culture, The Un/Necessary Image and TeleGuide-including a Proposal for QUBE. He is also a contributor to: Art & Electronic Media, Photography and Language, Illuminating Video, and Theories and Documents of Contemporary Art. Publications featuring his work include: "Video Art," "New Media in Art", and "Digital Art" in the Thames & Hudson World of Art series. [5]
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Manfred Mohr is a German artist considered to be a pioneer in the field of digital art. He has lived and worked in New York since 1981.
Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.
Roy Ascott FRSA is a British artist, who works with cybernetics and telematics on an art he calls technoetics by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art.
Peter Campus, often styled as peter campus, is an American artist and a pioneer of new media and video art, known for his interactive video installations, single-channel video works, and photography. His work is held in the collections of numerous public institutions, including The Museum of Modern Art, Whitney Museum of American Art, Solomon R. Guggenheim Museum, Hamburger Bahnhof - Museum für Gegenwart, Tate Modern, Museo Reina Sofía, Albright-Knox Art Gallery, Walker Art Center, and the Centre Georges Pompidou. The artist works on the south shore of Long Island.
Nancy Holt was an American artist most known for her public sculpture, installation art, concrete poetry, and land art. Throughout her career, Holt also produced works in other media, including film and photography. Since 2018, her legacy has been cared for by Holt/Smithson Foundation.
Michael Smith is an American artist known for his performance, video and installation works. He emerged in the mid-1970s at a time when performance and narrative-based art was beginning to claim space in contemporary art. Included among the Pictures Generation artists, he also appropriated pop culture, using television conventions rather than tropes from static media. Since 1979, much of Smith's work has centered on an Everyman character, "Mike," that he has portrayed in various domestic, entrepreneurial and artistic endeavors. Writers have described his videos and immersive installations as "poker-faced parodies" that sit on the edge between art and entertainment, examining ideas, cultural shifts and absurdities involving the American dream, consumerism, the art world, and aging. Village Voice critic Jerry Saltz called Smith "a consummate explorer of the land of the loser … limning a fine line between reality and satire [in] a genre sometimes called installation verité."
Rea Tajiri is an American video artist, filmmaker, and screenwriter, known for her personal essay film History and Memory: For Akiko and Takashige (1991).
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Sachiko Kodama is a Japanese artist. She is best known for her artwork using ferrofluid, a dark colloidal suspension of magnetic nano-particles dispersed in solution which remains strongly magnetic in its fluid. By controlling the fluid with a magnetic field, it is formed to create complex 3-dimensional shapes as a "liquid sculpture".
Tamiko Thiel is an American artist, known for her digital art. Her work often explores "the interplay of place, space, the body and cultural identity," and uses augmented reality (AR) as her platform. Thiel is based in Munich, Germany.
Phyllis Baldino is an American visual artist whose art engages in a conceptual practice that merges performance art, video art, sculpture, and installation in an exploration of human perception. Her single-channel videos are distributed by Electronic Arts Intermix in New York, NY. She currently lives and works in Brooklyn, New York.
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).
Frank Gillette is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pioneer in video research [...] with an almost scientific attention for taxonomies and descriptions of ecological systems and environments". His seminal work Wipe Cycle –co-produced with Ira Schneider in 1968– is considered one of the first video installations in art history. Gillette and Schneider exhibited this early "sculptural video installation" in TV as a Creative Medium, the first show in the United States devoted to Video Art. In October 1969, Frank Gillette and Michael Shamberg founded the Raindance Corporation, a "media think-tank [...] that embraced video as an alternative form of cultural communication.
John Sanborn is a key member of the second wave of American video artists that includes Bill Viola, Gary Hill, Dara Birnbaum and Tony Oursler. Sanborn's body of work spans the early days of experimental video art in the 1970s through the heyday of MTV music/videos and interactive art to digital media art of today.
Fernanda D'Agostino is an American artist and sculptor from Portland, Oregon. Her 30-year career includes works that "integrated personal, societal and environmental concerns" into public art installations. Her new media works frequently incorporate technically sophisticated interactive elements.
Shalom Gorewitz is an American visual artist. Gorewitz was among the first generation of artists who used early video technology as an expressive medium. Since the late 1960s, he has created videos that "transform recorded reality through an expressionistic manipulation of images and sound". His artworks often "confront the political conflicts, personal losses, and spiritual rituals of contemporary life". Gorewitz has also made documentary and narrative films.
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