Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Nam June Paik was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Madeline Charlotte Moorman was an American cellist, performance artist, and advocate for avant-garde music. Referred to as the "Jeanne d'Arc of new music", she was the founder of the Annual Avant Garde Festival of New York and a frequent collaborator with Korean American artist Nam June Paik.
Jodi, is a collective of two internet artists, Joan Heemskerk and Dirk Paesmans, created in 1994. They were some of the first artists to create Web art and later started to create software art and artistic computer game modification. Their most well-known art piece is their website wwwwwwwww.jodi.org, which is a landscape of intricate designs made in basic HTML. JODI is represented by Upstream Gallery, Amsterdam.
Cory Arcangel is an American post-conceptual artist who makes work in many different media, including drawing, music, video, performance art, and video game modifications, for which he is best known.
Joan Jonas is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada.
Shigeko Kubota was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it to a "new paintbrush." Kubota is known for constructing sculptural installations with a strong DIY aesthetic, which include sculptures with embedded monitors playing her original videos. She was a key member and influence on Fluxus, the international group of avant-garde artists centered on George Maciunas, having been involved with the group since witnessing John Cage perform in Tokyo in 1962 and subsequently moving to New York in 1964. She was closely associated with George Brecht, Jackson Mac Low, John Cage, Joe Jones, Nam June Paik, and Ay-O, among other members of Fluxus. Kubota was deemed "Vice Chairman" of the Fluxus Organization by Maciunas.
Kalup Linzy is an American video and performance artist who currently lives and works in Tulsa, OK. His performance are characterized by their low-tech quality, themes of community, socializing, family, the church, sexuality and homosexuality.
Terry Alan Fox was an American Conceptual artist known for his work in performance art, video, and sound. He was of the first generation conceptual artists and he was a central participant in the West Coast performance art, video and Conceptual Art movements of the late 1960s and early 1970s. Fox was active in San Francisco and in Europe, living in Europe in the latter portion of his life.
New Langton Arts was a not-for-profit arts organization focusing on contemporary art founded in 1975 and located the South of Market neighborhood in San Francisco, California. Part of the first wave of alternative art spaces in the United States, and New Langton Arts was a leader in exhibiting new media forms in art and involving artists in the decision-making process. Its first directors were Judy Moran and Renny Pritikin.
Peter d'Agostino is an artist and a professor of Film and Media Arts, Temple University, Philadelphia.
Skip Blumberg is one of the original camcorder-for-broadcast TV producers, and among the first wave of video artists in the 1970s. His early work reflects the era's emphasis on guerrilla tactics and medium-specific graphics, but his more recent work takes on more global issues. His work has screened widely on television and at museums. His video Pick Up Your Feet: The Double Dutch Show (1981) is considered a classic documentary video and was included in the Museum of Television and Radio's exhibition TV Critics' All-time Favorite Shows. His cultural documentaries and performance videos have been broadcast on PBS, National Geographic TV, Showtime, Bravo, Nickelodeon, among others.
La Mamelle, Inc. / Art Com was a not-for-profit arts organization, artist-run space, or alternative exhibition space, active from 1975 through 1995, and was located at 70-12th Street in the South of Market-area of San Francisco, California.
Vertical Roll is a 1972 video art piece by American video and performance artist Joan Jonas. It is a sequel to Jonas' first video work Organic Honey's Visual Telepathy. Jonas' interfacing with the material grammar of video was significant to the late 1960s and early 1970s experimentation with new video technology. Among others, Steina and Woody Vasulka, Nam June Paik and Peter Campus also contributed to the emergent material discourse of video art.
Dimitri Devyatkin is an American director, producer, screenwriter, video artist, and journalist. Devyatkin uses elements of humor, art and new technology in his work. He is known as one of the first video makers to combine abstract synthesized imagery with camera footage. His programs have been broadcast domestically and internationally on ABC, PBS, Channel 4, WDR, France 3, TF1 and Channel One Russia. His works consist of digital media, computer art, broadcast news and feature filmmaking. His activities in the creation of new independent US filmmaking have been documented by Jonas Mekas in "Birth of a Nation" (1997).
Jud Yalkut (;1938–2013) was an experimental film and video maker and intermedia artist.
Larry Miller is an American artist, most strongly linked to the Fluxus movement after 1969. He is "an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines. He was in the vanguard of using DNA and genetic technologies as new art media." Electronic Arts Intermix, a pioneering international resource for video and new media art has said, "Miller has produced a diverse body of experimental art works as a key figure in the emergent installation and performance movements in New York in the 1970s... His installations and performances have integrated diverse mediums [sic] and materials."
Frank Gillette is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pioneer in video research [...] with an almost scientific attention for taxonomies and descriptions of ecological systems and environments". His seminal work Wipe Cycle –co-produced with Ira Schneider in 1968– is considered one of the first video installations in art history. Gillette and Schneider exhibited this early "sculptural video installation" in TV as a Creative Medium, the first show in the United States devoted to Video Art. In October 1969, Frank Gillette and Michael Shamberg founded the Raindance Corporation, a "media think-tank [...] that embraced video as an alternative form of cultural communication.
Shalom Gorewitz is an American visual artist. Gorewitz was among the first generation of artists who used early video technology as an expressive medium. Since the late 1960s, he has created videos that "transform recorded reality through an expressionistic manipulation of images and sound". His artworks often "confront the political conflicts, personal losses, and spiritual rituals of contemporary life". Gorewitz has also made documentary videos.
Video Gallery SCAN was the first Japanese art gallery exclusively dedicated to the exhibition, preservation, and promotion of video art. Founded in 1980 by the female performance artist and fog sculptor Fujiko Nakaya, SCAN was an independent, artist-run organization situated in Tokyo's Harajuku neighborhood. While small in scale, the Gallery was a multifunctional space whose services included a video distribution service, video archive & library, screening studio, and exhibition area.
