The Kitchen is a non-profit, multi-disciplinary art and performance space located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
Eleanor Antin is an American performance artist, film-maker, installation artist, conceptual artist and feminist artist.
Zilpha Keatley Snyder was an American author of books for children and young adults. Three of Snyder's works were named Newbery Honor books: The Egypt Game, The Headless Cupid and The Witches of Worm. She was most famous for writing adventure stories and fantasies.
Warren Burt is an Australia-based composer of American birth. He is known for composing in a wide variety of new music styles, ranging from acoustic music, electroacoustic music, sound art installations, and text-based music. Burt often employs elements of improvisation, microtonality, humour, live interaction, and lo-fi electronic techniques into his music.
The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca."
Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.
Helen Lundeberg (1908–1999) was a Southern Californian painter. Along with her husband Lorser Feitelson, she is credited with establishing the Post-Surrealist movement. Her artistic style changed over the course of her career, and has been described variously as Post-Surrealism, Hard-edge painting, and Subjective Classicism.
Terry Fox was an American video, conceptual, sound, and performance artist.
Kim Jones is a contemporary artist who lives and works in New York City.
Linda Vallejo is a Mexican-American artist known for painting, sculpture and ceramics. Her work often addresses her ethnic identity within the context of American art and popular culture. The founder of the commercial art gallery Galería Las Américas, she is also an arts educator and has been involved intraditional Native American and Mexican rituals and ceremonies for many years.
Agnes Denes is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media - from poetry and philosophy writings, to complex hand and computer rendered diagrams, sculpture, and international environmental installations, such as Wheatfield -- A Confrontation (1982), a two-acre wheatfield in downtown Manhattan.
Howard Fried is an American conceptual artist who became known in the 1970s for his pioneering work in video art, performance art, and installation art.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
Ilene Segalove is a conceptual artist working with appropriated images, photography and video whose work can be understood as a precursor to The Pictures Generation.
Ree Morton was an American visual artist who was closely associated with the postminimalist and feminist art movements of the 1970s.
Wolfgang Eberhard Stoerchle was a German-American conceptual artist known for influential performance and video works made in Southern California in the 1970s.
Anthony Ramos is an American video artist, performance artist and painter. He was born in 1944 in Providence, Rhode Island, and lives in the South of France.
Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, and set designer with a career spanning five decades. Her work has been exhibited in museums and galleries around the world, including the Studio Museum in Harlem and the California African American Museum in Los Angeles. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson’s oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings. Jackson has spent time throughout her career teaching students and influencing future generations of artists and culture creators, as well as building and participating in close-knit art communities with peer artists and thinkers. She worked in San Francisco through San Francisco State University with Bay Area artists and teachers including Charles White. She worked in Los Angeles during the 1960s-80s, founding Gallery 32, and exhibiting additional work at the Ankrum Gallery. During the 1980's she lived in Idyllwild, CA teaching and creating art. She also worked at Yale University, and in New York and Philadelphia in the 1990s. She has worked in the Savannah, GA art community since 1996.
Helen Margaret Rockel is a New Zealand artist.
