Mercier Philip "Merce" Cunningham was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He was notable for frequent collaboration with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance.
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance.
Gordon Mumma is an American composer. He is known most for his work with electronics, many devices of which he builds himself, and for his performances on horn.
The American Dance Festival (ADF) under the direction of Executive Director Jodee Nimerichter hosts its main summer dance courses including Summer Dance Intensive, Pre-Professional Dance Intensive, and the Dance Professional Workshops. It also hosts a six-week summer festival of modern dance performances, currently held at Duke University and the Durham Performing Arts Center in Durham, North Carolina. Several site-specific performances have also taken place outdoors at Duke Gardens and the NC Art Museum in Raleigh, NC.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement.
Michael Duncan Clark CBE is a Scottish dancer and choreographer.
Steve Paxton is an experimental dancer and choreographer. His early background was in gymnastics while his later training included three years with Merce Cunningham and a year with José Limón. As a founding member of the Judson Dance Theater, he performed works by Yvonne Rainer and Trisha Brown. He was a founding member of the experimental group Grand Union and in 1972 named and began to develop the dance form known as Contact Improvisation, a form of dance that utilizes the physical laws of friction, momentum, gravity, and inertia to explore the relationship between dancers.
Dixon Place is a theater organization located in New York City dedicated to the development of works-in-progress from a broad range of performers and artists. It exists to serve the creative needs of artists—emerging, mid-career and established—who are creating new work in theater, dance, music, literature, puppetry, performance, variety and visual arts.
David Gordon is an American dancer, choreographer, writer, and theatrical director prominent in the world of postmodern dance and performance. Based in New York City, Gordon's work has been seen in major performance venues across the United States, Europe, South America and Japan, and has appeared on television on PBS's Great Performances and Alive TV, and the BBC and Channel 4 in Great Britain.
The Foundation for Contemporary Arts (FCA), is a nonprofit based foundation in New York City that offers financial support and recognition to contemporary performing and visual artists through awards for artistic innovation and potential. It was established in 1963 as the Foundation for Contemporary Performance Arts by artists Jasper Johns, John Cage, and others.
Jonah Bokaer is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.
Valda Setterfield is a British postmodern dancer and actress, noted for her work as a soloist with the Merce Cunningham Dance Company and for her performances in works by her husband, postmodern choreographer and director David Gordon. She has been described as his muse. Their son, playwright and actor Ain Gordon, has worked with Setterfield on a number of projects as well.
Tere O'Connor is an American dancer, choreographer and educator.
Action Theatre is an improvisational performance technique developed by the American performance artist, Ruth Zaporah. Action Theatre is defined by its focus on embodied awareness, the tracking of the present moment through sensory experience, and by a structured training that uses exploration to build the performer's 'formal dexterity and the ability to “listen” to oneself and one’s acting partners'. This physical theatre technique is documented in Zaporah's 1995 book, Action Theatre: The Improvisation of Presence.
Ishmael Houston-Jones is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. His work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM. THEM was performed at Performance Space 122, the American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP, Theatre and Auditorium of Poitiers, France. The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.
Barbara Dilley (Lloyd) is an American dancer, performance artist, improvisor, choreographer and educator, best known for her work as a prominent member of the Merce Cunningham Dance Company (1963-1968), and then with the groundbreaking dance and performance ensemble The Grand Union, from 1969 to 1976. She has taught movement and dance at Naropa University in Boulder, Colorado, since 1974, developing a pedagogy that emphasizes what she calls “embodied awareness,” an approach that combines dance and movement studies with meditation, “mind training” and improvisational composition. She served as the president of Naropa University from 1985 to 1993.
Blondell Cummings was an American modern dancer and choreographer. She is known for her experimental choreography and was a fixture in the New York and Harlem dance scene for decades.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
Muna Tseng is a Chinese-American dancer, choreographer, author and lecturer. She has lived in New York since 1978 and in 1984 founded Muna Tseng Dance Projects in New York City. She created over 40 dance productions and performed in over 30 cities and festivals in 15 countries. Since 1990 she been the director and executrix of her late brother Tseng Kwong Chi's photography archive. She has served for several years on the 'Current Practice' subcommittee for the annual Bessie Awards, also known as the New York Dance and Performance Awards.
Faye Driscoll is an American dancer, choreographer, and director. Her works have been presented throughout the United States and around the world. On Broadway, Driscoll choreographed Young Jean Lee's play Straight White Men. Driscoll also choreographed Josephine Decker's film Madeline's Madeline.
