Mercier Philip "Merce" Cunningham was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance.
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance.
Michael Duncan Clark CBE is a Scottish dancer and choreographer.
David Gordon was an American dancer, choreographer, writer, and theatrical director prominent in the world of postmodern dance and performance. Based in New York City, Gordon's work has been seen in major performance venues across the United States, Europe, South America and Japan, and has appeared on television on PBS's Great Performances and Alive TV, and the BBC and Channel 4 in Great Britain.
Robert Ellis Dunn was an American musician and choreographer who led classes in dance composition, contributing to the birth of the postmodern dance period in the early 1960s in New York City.
Jonah Bokaer is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.
Valda Setterfield was a British-born American postmodern dancer and actress. She was noted for her work as a soloist with the Merce Cunningham Dance Company and for her performances in works by her husband, postmodern choreographer and director David Gordon. She was described as his muse, and together they were called "The Barrymores of post-modern dance." Their son, playwright, theatrical director and actor Ain Gordon, has worked with Setterfield on a number of projects as well.
Richard Move is an American choreographer, dancer, performing artist, director, and filmmaker. They are the Artistic Director of MoveOpolis! and Move- It! Productions. Move is known for their interest in Martha Graham and the ability to recreate her performances. They are a TEDGlobal Oxford Fellow and was named 1 of 12 TED Fellows who inspire by producing art that confronts social injustice, and provokes action. Move is Assistant Arts Professor at New York University in the Tisch School of the Arts’ Department of Dance. In 2018, Move was Artist in Residence at Pratt Institute and Monash University’s MADA Artist in Residence in Melbourne, Australia. From 2014 – 2019, Move served as Assistant Professor of Dance in the Department of Drama, Theatre and Dance at Queens College, CUNY and from 2012-2014, as Lecturer in Design at Yale School of Drama.
Jérôme Bel is a French dancer and choreographer.
Ishmael Houston-Jones is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. His work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM. THEM was performed at Performance Space 122, the American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP, Theatre and Auditorium of Poitiers, France. The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.
Barbara Dilley (Lloyd) (born 1938) is an American dancer, performance artist, improvisor, choreographer and educator, best known for her work as a prominent member of the Merce Cunningham Dance Company (1963-1968), and then with the groundbreaking dance and performance ensemble The Grand Union, from 1969 to 1976. She has taught movement and dance at Naropa University in Boulder, Colorado, since 1974, developing a pedagogy that emphasizes what she calls “embodied awareness,” an approach that combines dance and movement studies with meditation, “mind training” and improvisational composition. She served as the president of Naropa University from 1985 to 1993.
Perry Bard lives and works in New York City. She is an interdisciplinary artist who works with film, site-specific public art installation projects around the world, and on the Internet.
Sally Gross was an American postmodernist dancer.
Blondell Cummings was an American modern dancer and choreographer. She is known for her experimental choreography and was a fixture in the New York and Harlem dance scene for decades.
Sarah Michelson is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008). She has served as associate director of The Center for Movement Research and associate curator of dance at The Kitchen. Currently choreographer in residence at Bard's Fisher Center, she is the recipient of their four-year fellowship to develop a commissioned work with Bard students and professional dancers.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
Okwui Okpokwasili is a Nigerian-American artist, actress, performer, choreographer, and writer. Her multidisciplinary performances draw upon her training in theatre, and she describes her work as at "the intersection of theatre, dance, and the installation." Okpokwasili is known for starring as Vertigo in the television miniseries Agatha All Along.
Faye Driscoll is an American dancer, choreographer, and director. Her works have been presented throughout the United States and around the world. On Broadway, Driscoll choreographed Young Jean Lee's play Straight White Men. Driscoll also choreographed Josephine Decker's film Madeline's Madeline.
luciana achugar is a Uruguayan American choreographer and dancer. Based in Brooklyn, she creates contemporary dance pieces which have been presented at the Danspace Project, The Kitchen, the Dance Theater Workshop, the Fusebox Festival, and the Walker Art Center. Her works explore themes of decolonization and incorporate elements of audience engagement and the breaking of the fourth wall.
