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Peter Eugene Ball | |
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| Born | 19 March 1943 Coventry, England |
| Nationality | British |
| Known for | Sculptor |
| Notable work | Christus Rex (Southwell Minster), Pietà (Winchester Cathedral), Virgin and Child (Southwark Cathedral) |
Peter Eugene Ball (19 March 1943)[ citation needed ] is an English[ citation needed ] sculptor. [1] He is best known for his religious work which can be seen in churches and cathedrals throughout Britain. He also produces secular sculpture using predominantly driftwood and found objects.
Born on 19 March 1943 in Coventry, Warwickshire, Peter Eugene Ball attended Coventry College of Art from 1957 until 1962 where he obtained the National Diploma of Design. By 1963 his sculptures were already included in mixed exhibitions in the Midlands and at the Marjorie Parr Gallery, London, where he had his first one-man exhibition in 1967. However, it wasn't until 1968 that making sculpture became his full-time occupation, and since that time he has devoted himself to producing both religious work for churches and cathedrals throughout the country and exhibiting and selling his secular work in galleries across Europe and in America.
Arthur Eric Rowton Gill was an English sculptor, letter cutter, typeface designer, and printmaker. Although the Oxford Dictionary of National Biography describes Gill as "the greatest artist-craftsman of the twentieth century: a letter-cutter and type designer of genius", he is also a figure of considerable controversy following the revelations of his sexual abuse of two of his daughters and of his pet dog.
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John Egerton Christmas Piper CH was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career.
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Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
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Jerome Connor was an Irish sculptor.
Francesco Messina was an Italian sculptor of the 20th century.
Steven Barry Sykes was a British artist, known for his Gethsemane Chapel in the rebuilt Coventry Cathedral. He was active in the British desert camouflage unit in the Second World War, and was responsible for the dummy railhead at Misheifa and for the effective camouflage and large-scale military deception in the defence of Tobruk in 1942.
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