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The Academy of Motion Picture Arts and Sciences is a professional honorary organization in Beverly Hills, California, United States of America, with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches.
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Motion Picture Sound Editors (M.P.S.E.) is an American honorary society of motion picture sound editors founded in 1953. The society's goals are to educate others about and increase the recognition of the sound editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E. The current president is Mark Lanza. The names of active members of the MPSE will generally appear in film credits with the post-nominal letters "MPSE".
Jeremy Zuckerman is an American composer of concert music, film and television music, music for modern dance, and experimental music. He is best known as the composer for the animated series Avatar: The Last Airbender and its sequel series The Legend of Korra.
Peter Zinner was an Austrian-American film editor. Following nearly fifteen years of uncredited work as an assistant sound editor, Zinner received credits on more than fifty films from 1959 to 2006. His most influential films are likely The Godfather and The Godfather Part II, both of which appear on a 2012 listing of the 75 best edited films of all time compiled by the Motion Picture Editors Guild.
Up (Original Motion Picture Soundtrack) is the film score to the 2009 Disney-Pixar film of the same name composed by Michael Giacchino. This is his third feature film for Pixar after The Incredibles and Ratatouille. Giacchino wrote a character theme-based score that the filmmakers felt enhanced the story of the film. Up received positive reviews from music critics and won major awards. Despite being well regarded, Up was not released as a compact disc (CD) until 2011, when it became available via Intrada Records.
"The Box" is the second episode of the third season of the American science fiction drama television series Fringe. The episode was co-written by Josh Singer and Graham Roland, and directed by Jeffrey Hunt. The third season spent its time alternating between the prime and parallel universes, and "The Box" was set in the former. It followed a mysterious box that when opened, killed whoever heard it. The fringe team of Fauxlivia, Peter, and Walter investigate, with unknown consequences to the creation of a doomsday device.
Peter Berkos was an American sound editor. He received the Special Achievement Academy Award during the 1975 Academy Awards for the film The Hindenburg. This was for the Sound Editing of the film. In 1996, he received the Lifetime Achievement award at the Motion Picture Sound Editors awards. He also did the sound effects for the original Battlestar Galactica, as well as the TV movies of Buck Rogers in the 25th Century.
Higher Ground Productions, also known simply as Higher Ground, is an American production company founded in 2018 by former United States President Barack Obama and former First Lady Michelle Obama.
John Warhurst is a British music and sound supervisor. He won the Academy Award for Best Sound Editing for the film Bohemian Rhapsody (2018).
The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Animated is an annual award given by the Cinema Audio Society to live action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when feature motion pictures were separated into two categories; achievement in live action sound mixing, and achievement in animated sound mixing. Before this, the category was labeled Outstanding Achievement in Sound Mixing for Motion Pictures, and was given annually starting in 1994.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Animated Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of film; in this case, their work in the field of music editing in theatrically released motion pictures. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. Until 2005, animated films had their own category; since then, they have been eligible for this award. In 2022, a category was presented exclusively for documentary features.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of music editing in television. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. The term "long form" was added to the category in 2002, as long form television had been awarded under both the category titled Best Sound Editing – Television Movies of the Week – Music, and Best Sound Editing – Television Episodic – Music, or some moniker of them, since 1997. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Non-Theatrical Documentary Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in non-theatrical documentary broadcast media.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Short Form Animation Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in short form animated broadcast media.
Tristan Myles is a British-Canadian visual effects artist. He won two Academy Awards in the category Best Visual Effects for the films First Man and Dune.
References
- ↑ Neglia, Matt (2022-01-24). "The 2021 Motion Picture Sound Editors (MPSE) Golden Reel Award Nominations". Next Best Picture. Retrieved 2024-01-25.
- ↑ "Motion Picture Sound Editors Awards: Full 2022 Nominees". headlinermagazine.net. Retrieved 2024-01-25.
- ↑ "Top Grossing Music Editor at the Worldwide Box Office". The Numbers. Retrieved 2024-01-25.
