The National Film Board of Canada is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
Mark Achbar is a Canadian filmmaker, best known for The Corporation (2003), Manufacturing Consent: Noam Chomsky and the Media (1994), and as an Executive Producer on over a dozen feature documentaries.
Shake Hands with the Devil: The Journey of Roméo Dallaire is a 2004 Canadian documentary film about the 1994 genocide in Rwanda. It was directed by Peter Raymont and inspired by the book Shake Hands with the Devil: The Failure of Humanity in Rwanda (2003), by now-retired Canadian Lieutenant-General Roméo Dallaire. It was co-produced by the Canadian Broadcasting Corporation, the Société Radio-Canada, White Pine Pictures, and DOC: The Documentary Channel.
Colin Archibald Low was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations.
Pas de deux is a 1968 short dance film by Norman McLaren, produced by the National Film Board of Canada.
The Border is a Canadian drama that aired on CBC Television and 20 other TV networks worldwide. It was created by Peter Raymont, Lindalee Tracey, Janet MacLean and Jeremy Hole of White Pine Pictures. The executive in charge of production is Janice Dawe. Episodes in the first season were directed by John Fawcett, Michael DeCarlo, Ken Girotti, Kelly Makin, Brett Sullivan and Philip Earnshaw. The first season had a total budget of 20 million dollars, with about 1.5 million dollars per episode.
Walking is a 1968 Canadian animated short film directed and produced by Ryan Larkin for the National Film Board of Canada, composed of animated vignettes of how different people walk.
Lindalee Tracey was a Canadian broadcast journalist, documentary filmmaker, writer, and exotic dancer. She is best known for the documentary film Not a Love Story, a controversial 1981 film about pornography. Her credits include work on many films on controversial topics.
Pierre Perrault was a Canadian documentary film director with the National Film Board of Canada. Over his 40-year career, he directed 32 films and was one of Canada's most important filmmakers, although he is largely unknown outside of Québec.
Thomas Cullen Daly was a Canadian film producer, film editor and film director, who was the head of Studio B at the National Film Board of Canada (NFB).
John Spotton C.S.C. was a Canadian filmmaker with the National Film Board of Canada.
Ric Esther Bienstock is a Canadian documentary filmmaker best known for her investigative documentaries. She was born in Montreal, Quebec and studied at Vanier College and McGill University. She has produced and directed an eclectic array of films from investigative social issue documentaries like Sex Slaves, an investigation into the trafficking of women from former Soviet Bloc Countries into the global sex trade and Ebola: Inside an Outbreak which took viewers to ground zero of the Ebola outbreak in Zaire - to lighter fare such as Penn & Teller’s Magic and Mystery Tour.
John Kastner was a four-time Emmy Award-winning Canadian documentary filmmaker whose later work focused on the Canadian criminal justice system. His films included the documentaries Out of Mind, Out of Sight (2014), a film about patients at the Brockville Mental Health Centre, named best Canadian feature documentary at the Hot Docs Canadian International Documentary Festival; NCR: Not Criminally Responsible (2013), exploring the personal impact of the mental disorder defence in Canada; Life with Murder (2010), The Lifer and the Lady and Parole Dance, and the 1986 made-for-television drama Turning to Stone, set in the Prison for Women in Kingston, Ontario.
Trevor Anderson is a Canadian filmmaker and musician. His films have screened at the Sundance Film Festival, Berlin International Film Festival, and the Toronto International Film Festival.
Julian Biggs (1920–1972) was a director and producer with the National Film Board of Canada and its first Director of English Production. Over the course of his 20-year career, he created 146 films, two of which were nominated for Academy Awards. His film 23 Skidoo (1964) received two BAFTA nominations, including the BAFTA United Nations award.
David Bairstow (1921-1985) was a Canadian producer and director and one of the most prolific filmmakers at the National Film Board of Canada.
Jérémy Comte is a Canadian film director from Quebec. He is best known for his 2018 short film Fauve which has won a Special Jury Prize at the 2018 Sundance Film Festival and was nominated for 91st Academy Awards.
A Promise to the Dead: The Exile Journey of Ariel Dorfman is a 2007 Canadian documentary film directed by Peter Raymont. The film is based on the 1998 memoir Heading South, Looking North by long-exiled Chilean writer and human rights activist Ariel Dorfman, and profiles him during a trip back to his homeland.
Geoff Arbourne is a British film producer and founder of Inside Out Films, an independent company that specialises in film production and television production.
The Lindalee Tracey Award is an annual film award, presented in memory of Canadian documentary filmmaker Lindalee Tracey to emerging filmmakers whose works reflect values of social justice and a strong personal point of view. Created by Peter Raymont, Tracey's widower and former filmmaking partner, through his production studio White Pine Pictures, the award is presented annually at the Hot Docs Canadian International Documentary Festival; however, the award is not limited to documentary films, but may be awarded to films in any genre, and films do not have to have been screened as part of the Hot Docs program to be eligible.
