Gerhard Rohlfs was a German linguist. He taught Romance languages and literature at the universities in Tübingen and Munich. He was described as an "archeologist of words".
The Gottfried Wilhelm Leibniz Prize, or Leibniz Prize, is awarded by the German Research Foundation to "exceptional scientists and academics for their outstanding achievements in the field of research". Since 1986, up to ten prizes have been awarded annually to individuals or research groups working at a research institution in Germany or at a German research institution abroad. It is considered the most important research award in Germany.
Benno Besson was a Swiss Theatre Director.
Hans G Helms was a German experimental writer, composer, and social and economic analyst and critic.
Josef Szeiler is an Austrian theatre director. As co-founder of the group Theater Angelus Novus he is first of all known for his experimental approach to texts by Heiner Müller, Bertolt Brecht, Homer and Greek dramas.
Gerd Dose was a professor of English literature and culture at the University of Hamburg from 1985 to 2007. His main research interests were medieval English literature, English comic literature, cultural studies, Australian studies, and the reception of war and the military in English comic literature. Also, research on constancy and variation in behaviour in Shakespeare's tragedy Coriolanus. He set up "modern English language literatures" as an area of teaching and research.
James Reynolds studied contemporary music under John Adams, as well as percussion at the San Francisco Conservatory of Music and composition in Cologne under Michael von Biel. Informed by many different influences – from Neue Musik, Broadway and European music theatre to avant-garde synthpop – Reynolds’ compositions explore the combination of words, sounds and images. He was Composer in Residence at the Stiftung Laurenz-Haus in Basel and Visiting Artist at the University of California, Santa Barbara. For over three decades, he has written music for literary productions, thrillers, fairytales and children’s radio plays for West German Radio (WDR/Cologne). His compositions for music theatre, dance-theatre, film and television productions are performed and broadcast for and to an international audience.
Hann Trier was a German artist, best known for his giant ceiling painting in the Charlottenburg Palace. He was married to the sociologist Renata Mayntz and was the elder brother of the art historian Eduard Trier.
William Marshall Grange is Professor of Theatre at the University of Nebraska–Lincoln's Johnny Carson School of Theatre and Film. His research publications are mostly concerned with the history of German-language theater and German-language literature. The author of over a dozen books, his most recent work was Cabaret. He is also the author of numerous book chapters, articles in scholarly journals, reviews of both books and productions, and has presented dozens of papers at scholarly conferences both in the United States and abroad.
Hamletmachine is a postmodernist drama by German playwright and theatre director Heiner Müller. Written in 1977, the play is loosely based on Hamlet by William Shakespeare. The play originated in relation to a translation of Shakespeare's Hamlet that Müller undertook. Some critics claim the play problematizes the role of intellectuals during the East German Communism era; others argue that the play should be understood in relation to wider post-modern concepts. A characteristic of the play is that it is not centered on a conventional plot, but partially connects through sequences of monologues, where the protagonist leaves his role and reflects on being an actor.
Christa Jansohn is a German scholar of English literature and culture. From 2001-2023 she held the Chair of British Culture at the University of Bamberg in Germany.
Rudolf Sellner, born Gustav Rudolf Sellner was a German actor, dramaturge, stage director, and intendant. He represented in the 1950s a radical Instrumentales Theater. After decades of acting and directing plays, he turned to staging operas, and was a long-time intendant of the Deutsche Oper Berlin from 1961, when the Berlin Wall was built. He staged notable world premieres, including Ernst Barlach's play Der Graf von Ratzeburg in 1951, Ionesco's Mörder ohne Bezahlung in 1958, Giselher Klebe's Alkmene in 1961 for the opening of the Deutsche Oper, and Aribert Reimann's opera Melusine in 1971.
Torsten Fischer is a German assistant director and theater intendant.
Hansgünther Heyme is a German theatre director and prominent figure in the Regietheater movement of the 1960s and 70s. Born in Bad Mergentheim, he studied at Heidelberg University and then under the German director Erwin Piscator. Heyme was the artistic director of the Staatstheater Wiesbaden from 1964 to 1967, the Schauspiel Köln from 1968 to 1979, the Württemberg State Theatre in Stuttgart from 1979 to 1986, the Ruhrfestspiele theatre festival from 1990 to 2003, and the Theater im Pfalzbau in Ludwigshafen from 2004 to 2014. Now in his 80s, he continues to work as a freelance director.
Theresa Georgen is a German art historian and retired professor.
Michael Hampe was a German theatre and opera director, general manager (Intendant) and actor. He developed from acting and directing plays at German and Swiss theatres including the Bern Theatre, to focus on directing opera and managing opera houses, first at the Mannheim National Theatre, then the Cologne Opera from 1975. He was professor at the Hochschule für Musik und Tanz Köln since 1977. Hampe was influential for both the Salzburg Festival and, after the reunification of Germany, the Dresden Music Festival for which he commissioned and directed world premieres. He directed at international opera houses and festivals, including productions recorded for television, film and DVD.
Peter Sühring is a German musicologist, publicist and music critic.
Frank-Manuel Peter is a German dance researcher and historian.
Werner Habicht was a German scholar of English literature and culture and an internationally acclaimed authority in the field of Shakespeare studies in particular. During his academic career, he held Chairs in English Studies at the Universities of Heidelberg (1966–70), Bonn (1970-78), and Würzburg (1978–95). Between 1976 and 1987 he was President of the West German branch of the German Shakespeare Society.
