Phil Hall (born 1964) is an American writer and film critic.
Hall is a writer/editor for the online Cinema Crazed and was a contributing editor for the online magazine Film Threat [1] [2] [3] and the author of several film-related books, including The Encyclopedia of Underground Movies: Films from the Fringes of Cinema (2004), Independent Film Distribution (2006), The History of Independent Cinema (2009), The Greatest Bad Movies of All Time (2013), In Search of Lost Films (2016), The Weirdest Movie Ever Made: The Patterson-Gimlin Bigfoot Film (2018), Jesus Christ Movie Star (2021) and 100 Years of Wall Street Crooks (2022). [3] [4] [5] [6] He has also written for The New York Times , New York Daily News and American Movie Classics Magazine. [7] [8] [9] [10] Hall is a member of the Online Film Critics Society. [11]
Hall is a senior enterprise editor for Westfair Communications’ Westchester and Fairfield County Business Journal, and was an editor and research analyst for the financial site Profit Confidential. [12] [13] He has written for Progress in Lending and he was formerly an editor for two mortgage banking magazines, Secondary Marketing Executive and Servicing Management, and the daily MortgageOrb news site. [14]
Hall also authored Moby Dick: The Radio Play, an audio theater adaptation of Herman Melville's Moby-Dick which was performed on the radio series Nutmeg Junction and was published as an e-book. [15]
Hall is the director of the New England Underground Film Festival, an annual event held in Connecticut. [16] He was the director of the New Haven Underground Film Festival in 2008, [15] and previously programmed the Light+Screen Film Festival in New York. [17] Hall also served as a member of the Governing Committee of the Online Film Critics Society. [18] He is also the host of the SoundCloud podcast The Online Movie Show with Phil Hall. [19]
From 1994 to 2004, Hall was the president of Open City Communications, a New York City-based public relations agency. [20]
A 20-minute documentary short by Leszek Drozd titled A Writer Named Phil Hall featured Hall talking about his career in the media, the books he authored, and his advice for young writers who want to get published. [21] [22]
Hall has also appeared as an actor in a number of independently produced films, including the Bikini Bloodbath series of horror-comedies, Rudyard Kipling's Mark of the Beast and the Michael Legge comedy Monochromia. [16] [23] [24]
Fairfield is a town in Fairfield County, Connecticut, United States. It borders the city of Bridgeport and towns of Trumbull, Easton, Weston, and Westport along the Gold Coast of Connecticut. As of 2020, the town had a population of 61,512. The town is part of the Greater Bridgeport Planning Region.
Michael Legge is a Massachusetts-born American B-movie filmmaker and actor. He is known for producing low-budget comedy-horror films that he writes, directs and generally stars in. He founded the production company Sideshow Cinema.
Mark Kermode is an English film critic, musician, radio presenter, television presenter, author and podcaster. He is the co-presenter, with Ellen E. Jones, of the BBC Radio 4 programme Screenshot and co-presenter of the film-review podcast Kermode & Mayo's Take, alongside long-time collaborator Simon Mayo. Kermode is a regular contributor to The Observer, for which he was chief film critic between September 2013 and September 2023.
Jonathan Rosenbaum is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has contributed to such notable film publications as Cahiers du cinéma and Film Comment.
Jack Sargeant is a British writer specialising in cult film, underground film, and independent film, as well as subcultures, true crime, and other aspects of the unusual. In addition he is a film programmer, curator, academic and photographer. He has appeared in underground films and performances. He currently lives in Australia.
Maitland McDonagh is an American film critic, writer-editor and podcaster. She is the author of Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento (1991) and other books and articles on horror and exploitation films, as well as about erotic fiction and erotic cinema. In 2022, McDonagh was inducted into the Rondo Hatton Classic Horror Awards' Monster Kid Hall of Fame. She is the founder of the small press 120 Days Books, which became an imprint of Riverdale Avenue Books.
CTNow is a free weekly newspaper in central and southwestern Connecticut, United States, published by the Hartford Courant.
Thomas Edward Seymour is an American filmmaker and actor.
The Phantom of the Movies' Videoscope is an American movie magazine devoted to cult cinema and genre movies and exploitation films that was released four times a year through end its end with issue #115, after the death of its primary founder and editor, Joe Kane. Sometimes, though not on the cover, the last word in the magazine's title is spelled VideoScope.
Alexander Kendrick is an American pastor, film writer, producer, director, and actor. He is best known for directing and starring in notable faith-based films, including Facing The Giants, War Room, Overcomer, Courageous, and Fireproof. He is one of only two film directors to have three films receive an "A+" grade on CinemaScore.
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole.
The History of Independent Cinema is a 2009 book by film historian Phil Hall.
Steven Rea is an American journalist, film critic, web producer, and writer. He was a film critic for The Philadelphia Inquirer from 1992 through late 2016.
Wyndham Paul Wise is a Canadian film historian, critic, editor and publisher. He was the founder and editor-in-chief of the film magazine Take One: Film & Television in Canada (1992-2006).
BC Fourteen is an American screenwriter, novelist, film director and editor. He began his career with a slate of award-winning short films and music videos, and has written commercially for the page and screen under numerous pseudonyms. His legal name is BC Fourteen.
Let's Make a Movie, also titled Director's Cut is a 2010 American independent comedy-drama film and the directorial debut of Elana A. Mugdan. The film won Best Comedy at the NYC Downtown Feature Film Festival in 2011, the Indie Spirit Award in the Boston International Film Festival and the Indie Spirit Award at the New Hope Film Festival in 2011.
Amy Virginia Talkington is an American filmmaker, screenwriter, and author.
Vulgar auteurism is a movement that emerged in early 2010s cinephilia and film criticism associated with championing or reappraising filmmakers, mostly those working in the horror, sci-fi and action genres and whose work has otherwise received little attention or negative reception in the critical mainstream. It became a controversial topic in the cinephile community following the publication of an article in the Village Voice in 2013 and has been described as "a critical movement committed to assessing the 'unserious' artistry of popcorn cinema with absolute seriousness."
CHUD.com, also known as Cinematic Happenings Under Development, was an American film review and film news website created by Nick Nunziata in 1999 which is currently owned by Bigfoot Entertainment. In addition to the movie reviews and news it hosted a movie of the day column. It was one of the longest-running sites of its kind.
The Rondo Hatton Classic Horror Award, often called the Rondo Award, is an annual award founded in 2002 that honors journalism, scholarship and film preservation in the horror genre, particularly of classic horror film and their modern-day counterparts.
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