Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown, blue, or purple.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it's decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. Many talented Korean potters were captured and brought to Japan during the invasions of Korea, where they heavily contributed to advancing Japanese pottery. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Shōji Hamada was a Japanese potter. He had a significant influence on studio pottery of the twentieth century, and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as a world-renowned pottery centre. In 1955 he was designated a "Living National Treasure".
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Hideaki Miyamura is a Japanese-born American potter working in New Hampshire. Miyamura is best known for his unique iridescent glazes, including a compelling gold glaze, the "starry night" glaze on a black background, and a blue hare's fur glaze.
Brother Thomas Bezanson was a Canadian born artist and Benedictine monk primarily known for his porcelain pottery and mastery of complex glazes. Strongly influenced by Asian pottery, often adapting traditional Chinese and Japanese pottery methods and materials to his work.
Tatsuzō Shimaoka was a Japanese mingei potter who studied under Shōji Hamada and later became the second Living National Treasure of Mashiko, Japan. He was best known for his unique Jōmon zogan style of pottery, and was a master of many slip decorating and firing techniques for pottery. Throughout his career, Shimaoka worked collaboratively with a group of workers, students, and apprentices from Japan and abroad. After supervising the loading of what would become his last noborigama firing in late 2007, Shimaoka collapsed, and died several weeks later in late 2007 from acute liver failure at Mashiko in Tochigi Prefecture.
Ladi Kwali, OON, MBE was a Nigerian potter, ceramicist and educator.
Lisa Hammond is a British studio potter.
Charles Fergus Binns was an English-born studio potter. Binns was the first director of the New York State School of Clayworking and Ceramics, currently called the New York State College of Ceramics at Alfred University. He began his position in 1900 and retired in 1931. His work included authorship of several books on the history and practice of pottery. Some of his more notable students included Arthur Eugene Baggs, William Victor Bragdon, R. Guy Cowan, Maija Grotell and Elizabeth Overbeck. This has led Binns to be called "the father of American studio ceramics".
Jack Doherty is a Northern Irish studio potter and author. He is perhaps best known for his vessels made of soda-fired porcelain. He has been featured in a number of books, and his work has been exhibited widely in both Europe and North America. Articles of his have appeared in various pottery journals and he has been Chair of the Craft Potters Association.
Walter Keeler is a British studio potter and was professor of Ceramics at the University of the West of England from 1994 to 2002. Keeler makes salt glaze pottery influenced by early Staffordshire Creamware.
Richard Steward Rudd is an English-born New Zealand potter.
Jane Hamlyn is an English studio potter known for her functional salt glaze pottery.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
Kate Olivia Malone is a British studio potter, ceramic artist and judge, along with Keith Brymer Jones, on BBC2's The Great Pottery Throw Down presented by Sara Cox. Malone is known for her large sculptural vessels and rich, bright glazes.
Dick Lehman is an American ceramics artist based in Indiana. Dozens of articles and photos featuring his techniques and insights have appeared in periodicals and books on ceramic art since 1985, including 34 articles in U.S.-published Ceramics Monthly, the largest circulating magazine in the field, plus articles in 11 other international periodicals.
Donald Lester Reitz was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988. During this period, he adapted the pottery firing technique developed in the Middle Ages, which involved pouring salt into the pottery kiln during the firing stage. The method was taught in European ceramic art schools, but largely unknown in United States studio pottery.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Karl Martz was an American studio potter, ceramic artist, and teacher whose work achieved national and international recognition.
