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Widerstehe doch der Sünde, BWV 54, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714. It is Bach's first extant church cantata for a solo voice.
James Nicholas McGegan OBE is a British harpsichordist, flutist, conductor and early music expert.
Antonius Gerhardus Michael "Ton" Koopman is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir.
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The American Bach Soloists (ABS) is an American baroque orchestra based in the San Francisco Bay Area. The orchestra was founded in Belvedere, California, in 1989. Performers share music from Johann Sebastian Bach and his contemporaries during the Classical era, including Handel, Vivaldi, and Mozart, with modern audiences.
Richard Kapp was an American conductor.
Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort, BWV 20, in Leipzig for the first Sunday after Trinity, which fell on 11 June in 1724. Bach composed it when beginning his second year as Thomaskantor in Leipzig. It is the first cantata he composed for his second annual cycle which was planned to contain chorale cantatas, each based on a Lutheran hymn. The cantata is focused on Johann Rist's 1642 hymn "O Ewigkeit, du Donnerwort", with a chorale melody by Johann Schop. The topic of death and eternity matches the Gospel for the Sunday, the parable of the Rich man and Lazarus.
Darzu ist erschienen der Sohn Gottes, BWV 40, is a church cantata by Johann Sebastian Bach. He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche. It was the first Christmas cantata Bach composed for Leipzig. The title of the cantata also appears in more modern German as Dazu ist erschienen der Sohn Gottes.
Johann Sebastian Bach composed the church cantata Schwingt freudig euch empor, BWV 36, in Leipzig in 1731 for the first Sunday in Advent. He drew on material from previous congratulatory cantatas, beginning with Schwingt freudig euch empor, BWV 36c (1725). The Gospel for the Sunday was the Entry into Jerusalem, thus the mood of the secular work matched "the people's jubilant shouts of Hosanna". In a unique structure in Bach's cantatas, he interpolated four movements derived from the former works with four stanzas from two important Advent hymns, to add liturgical focus, three from Luther's "Nun komm, der Heiden Heiland" and one from Nicolai's "Wie schön leuchtet der Morgenstern". He first performed the cantata in its final form of two parts, eight movements, on 2 December 1731.
Oscar Ravina, born in Warsaw, Poland, was a violinist, violin teacher and concertmaster based in New York, who has had a prolific career as a performer as well as being a current professor emeritus at Montclair State University, where a talent grant in his name is regularly given to outstanding full-time freshmen studying string instruments.
The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach. The selection is taken from the 281 recordings listed on the Bach Cantatas Website as of 2018, beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, and eventually to recordings using the one-voice-on-a-vocal-part scoring first argued for by Joshua Rifkin in 1982.
Recordings of the St John Passion are shown as a sortable table of selected notable recordings of Johann Sebastian Bach's St John Passion, BWV 245. The selection is taken from the 241 recordings listed on bach-cantatas as of 2015.
As Thomaskantor, Johann Sebastian Bach provided Passion music for Good Friday services in Leipzig. The extant St Matthew Passion and St John Passion are Passion oratorios composed by Bach.
Cornelia Samuelis is a German classical soprano who has performed in opera, oratorio, lieder and chamber music both in her native Germany and internationally. Her many recordings as a soprano soloist include Bach's St Matthew Passion conducted by Ton Koopman and the sacred works of Alessandro Melani conducted by Hermann Max.
Miguel Ángel Girollet (1947–1996) was an Argentine classical guitar player whose repertoire included music from the 16th century to the contemporary era. In the 1970s, he formed part of the renowned Martínez Zárate String Quartet. He was born in Buenos Aires, Argentina, in 1947, and died in Madrid, Spain, in 1996.
Schiersteiner Kantorei is a German concert choir, founded in 1962 at the Christophoruskirche in Wiesbaden-Schierstein. The choir performs regularly in the Marktkirche, Wiesbaden, and in Eberbach Abbey. It is known internationally through its tours and recordings. The choir was awarded the Culture Prize of the City of Wiesbaden in 1990.
Ray Still was an American classical oboist. He was the principal oboe of the Chicago Symphony Orchestra for 40 years, from 1953 to 1993.
Mela Tenenbaum was a classical violinist and violist, also playing viola d'amore. She performed with the Kyiv Philharmonic and other orchestras. She inspired composers such as Dmitri Klebanov to write pieces for her. She emigrated to the United States and was from the early 1990s concertmaster of the Philharmonia Virtuosi. She recorded works from Vivaldi to salon music, especially chamber music.
Susanne Ingegerd Rydén is a Swedish soprano who has been called "Sweden's most renowned singer specialising in early and classical music". She has performed across Europe and abroad. She is currently the preses (chairman) of the Royal Swedish Academy of Music.
Aryeh Nussbaum Cohen is an American countertenor known for bringing his "ravishing…otherworldly" instrument to a broad range of repertoire spanning the Baroque to the contemporary. Acclaimed as both a "complete artist" and "young star" in The New York Times, and as "extravagantly gifted... poised to redefine what's possible for singers of this distinctive voice type" in the San Francisco Chronicle, Nussbaum Cohen's passion for creating performances of great vocal beauty and dramatic intensity have earned him a reputation as "a redefining force in the countertenor field" (Limelight).
References
- ↑ Oron, Aryeh. "Philharmonia Virtuosi of New York (Chamber Orchestra)" Short Biographies. 2005. 29 Oct. 2008 <http://www.bach-cantatas.com/Bio/PVNY.htm>
- ↑ Melvin, Tessa (1987-09-13). "Two Birthday Celebrations Enliven the Concert Season; Philharmonia Virtuosi Observes Its 10th Anniversary". The New York Times . Retrieved 2008-10-28.
Philharmonia Virtuosi ... will open its 10th anniversary season under the direction of Richard Kapp, its founder and musical director.
- ↑ Oron, Aryeh. "Richard Kapp (Conductor)" Short Biographies. 2005. 30 Oct. 2008 <http://www.bach-cantatas.com/Bio/Kapp-Richard.htm>
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