PhotoForum Inc. is a non-profit New Zealand photography organisation founded 12 December 1973 in Wellington "dedicated to the promotion of photography as a means of communication and expression," and is also the title of its magazine, first published in February 1974. [1]
The magazine issues were discontinued after 1984, but the organisation continues to publish a series of books on New Zealand photography and photographers with the same ISSN. One of these, number 83, is a 273 page, large format history of PhotoForum Inc. published with Rim Books and edited by art historian Nina Seja. [2] [3]
Desmond Kelly and John B. Turner [4] screened documentary films, and held discussions, on photography in Wellington [5] over 1969/70. [6] [7] They and their audience noted the prevalent lack of attention to, or analysis of, [8] photography in New Zealand other than as a commercial profession or an amateur activity. [9] Photography publications existed but were mostly books presenting the country's landscape often with an eye to tourism, [10] [11] and hobby, trade, technical and photographic society journals; New Zealand Studio, the journal of the New Zealand Professional Photographers’ Association 1952–1975; New Zealand Camera, journal of the Photographic Society of New Zealand, launched in 1954; and Photographics New Zealand magazine 1961–1963.
Kelly and Turner met Bruce Weatherall who subsequently in 1970 published the newsletter Photographic Art & History, which was the precursor to Photo-Forum magazine. Its first issue covered conservation of photographs, appreciation of fine art photography, collecting photographic equipment, and the history of photography, and called for expressions of interest in contributing to further newsletters. Kelly and Turner became co-editors of the magazine with Weatherall from issue 2. [4]
They turned attention to New Zealand photographers Tudor Collins, Mac Miller, John Daley, and the current Maori in Focus exhibition, and in issue 3 covered Ans Westra, Mac Miller, and Hill & Adamson in New Zealand. After issue 4, featuring reviews of the 19th Century New Zealand Photography exhibition; Photography, A Visual Dialect, Gernsheim’s History of Photography; Hardwicke Knight’s First Century of Photography exhibition; and an article on the photographer J.N. Crombie, the journal was renamed New Zealand Photography.[ citation needed ]
Under the new title New Zealand Photography and from 1971 the content was more internationally focused and included Keri McCleary's reviews of New Zealand exhibitions of Brassaï and Photography 1971 exhibitions, and articles on the American Bruce Davidson and the French photojournalist Cartier-Bresson, with others on New Zealanders James Chapman-Taylor and others.[ citation needed ]
Through 1972/73 more attention was given to New Zealand photographers and exhibitions, with articles on, and photographs by, Alan Leatherby; Richard Collins; [12] Roger Leach; James McDonald; Lloyd Homer; Keri McCleary; Max Oettli; D.L. Mundy; Simon Buis; John Fields; [12] Walter Logeman; Mike Hammersley; Allan McDonald; Don Roy; Clive Stone; John Milnes; Jim Payne; Harry Foster; Ans Westra; Barry Lett Galleries; Bryan James; Historical New Zealand photographs in Australia; Bryan James; Ken Foster; Corynne Bootten; Graham Mitchell; Grant Douglas; the Elam Workshop; John Daley; Victorian photographs of Wellington; Michael Hawkins; the Photographic Communication Symposium; Barry Myers; Barry Hesson; Paul Cooper; Gary Baigent; [12] Paul Gilbert; Rev. John Kinder; Christchurch photographers at Victoria Market Gallery; Leith F. Jennings.
After Weatherall departed for a position as Lecturer in Journalism at the University of Canterbury in 1974, Turner took over New Zealand Photography magazine and re-launched it as Photo-Forum magazine in February 1974, [13] the title inspired by the American Artforum. [4] As well as its magazine, the organisation also produced posters, postcard sets, diaries, calendars, newsletters and books. [14]
PhotoForum ceased publication as a magazine in 1984, replaced by the irregular issue of book-format titles which continued the magazine numbering and its ISSN. Subscribed members received MoMento, published from January 2008. [15]
On 12 December 1973, founders Ken Browning, Paul Fudakowski, Bob Jones, Peter Maughan, Max Oettli, Peter Robson, Larence N. Shustak, and John B. Turner contributed $1000 each to register PhotoForum as an Incorporated Society. Max Oettli became first President of the Society, [16] [17] Treasurer was Wendy Turner; Secretary, Janet Mayo; Photo-Forum (originally hyphenated thus) Editor was John Turner, and Associate Editors Laurence Shustak and Do Van Toan. [18]
In 1989 a restructure, which replaced the position of President with a Director, Sally Symes was appointed to the role, which she retained until her resignation and replacement by John B. Turner in 1993. He resigned in July 2012, precipitated by his relocation to Beijing, though he retained his role as co-Managing Editor beside Haruhiko Sameshima. Geoffrey Short, who featured in the 2012 MoMento 10, and who had been employed as gallery Manager in 1987, replaced Turner as Director.
1974
1975
1976
1977
Photo-Forum 41 was the last A4 size Photo-Forum (designed by Karen Sarno-Woodroffe). [2]
1978
With issue 42 the magazine format is reduced and centres more on images. Photo-Forum Supplement, launched at the end of 1977, is in tabloid newsprint format to provide space for more discourse and news.
1979
1980
1981
From issue 48 the hyphen in the title was dropped. [2]
1982
1983
1984
From 1986 PhotoForum Newsletter was renamed PhotoForum ReView and changed to A5 format under new editors Janet Bayly and Athol McCredie. [2]
Anna Jacoba Westra, known as Ans Westra, was a Dutch-born New Zealand photographer, well known for her depictions of Māori life in the 20th century. Her prominence as an artist was amplified by her controversial 1964 children's book Washday at the Pa.
New Zealand photography first emerged in the mid-nineteenth century, and over time has become an important part of New Zealand art. A number of photography associations exist to support photographers in New Zealand.
David Moore was an Australian photojournalist, historian of Australian photography, and initiator of the Australian Centre for Photography.
Louis Athol Shmith was an Australian studio portrait and fashion photographer and photography educator in his home city of Melbourne, Australia. He contributed to the promotion of international photography within Australia as much as to the fostering of Australian photography in the world scene.
Julian Dashper, was regarded as one of New Zealand's most well known contemporary artists.
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Peter Turner (1947–2005) was a photographer, curator, and writer. He was the longest-serving editor of Creative Camera.
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"New Topographics: Photographs of a Man-Altered Landscape" was a groundbreaking exhibition of contemporary landscape photography held at the George Eastman House's International Museum of Photography from October 1975 to February 1976. The show, curated by William Jenkins, had a lasting impact on aesthetic and conceptual approaches to American landscape photography. The New Topographics photographers, including Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Frank Gohlke, Nicholas Nixon, and Stephen Shore, documented built and natural landscapes in America, often capturing the tension between natural scenery and the mundane structures of post-war America: parking lots, suburban homes, crumbling coal mines. The photographs, stark and documentary, are often devoid of human presence. Jenkins described the images as "neutral" in style, "reduced to an essentially topographic state, conveying substantial amounts of visual information but eschewing entirely the aspects of beauty, emotion, and opinion".
František Simon Hofmann, widely known as Frank Simon Hofmann was a Czech photographer who was recognised for his art in both Europe and New Zealand.
Fiona Dorothy Pardington is a New Zealand artist, her principal medium being photography.
William Jay was a photographer, writer on and advocate of photography, curator, magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of "the immensely influential magazine" Creative Camera (1968–1969); and founder and editor of Album (1970–1971). He is the author of more than 20 books on the history and criticism of photography, and roughly 400 essays, lectures and articles. His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art. He is known for his portrait photographs of photographers.
Laurence Craddock Le Guay, was an Australian fashion photographer.
The Active Eye was a 1975 exhibition of work by contemporary New Zealand photographers, originated by the Manawatu Art Gallery in Palmerston North and touring to other galleries around New Zealand. The exhibition was one of the first to focus on contemporary photography in New Zealand, and attracted considerable controversy around the works included by artist Fiona Clark.
Peter Chanel Peryer was a New Zealand photographer. In 2000, he was one of the five inaugural laureates of the Arts Foundation of New Zealand.
Grant Sheehan is a New Zealand photographer and publisher, raised in Nelson and now based in Wellington.
Philip Quirk is an Australian photographer, photojournalist and educationist, known for his specialist imagery of landscape, geographic and documentary photography, and as a founding member of the Wildlight agency.
WOPOP: Working Papers on Photography was a short-lived non-profit academic photography journal irregularly published in nine issues between 1978 and 1983, which developed from a 1977 conference in Sydney and incorporated the proceedings of a later conference in Melbourne. It contributed research to the emerging field of photography history and historiography in Australia and exposed readers to significant international experts in the field.
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