Pierrekin de la Coupele

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Pierrekin de la Coupele ( fl. 1240–60) was a north French trouvère from the Pas-de-Calais, probably the localities nowadays called Coupelle-Vieille and Coupelle-Neuve. He is regarded as a poor poet. His literary connexions and the period of his activity can be established by his song Je chant en aventure, which was directed at an unnamed Count of Soissons, probably Jehan de Nesle, whose brother and predecessor as count, Raoul, was a trouvère.

Floruit, abbreviated fl., Latin for "he/she flourished", denotes a date or period during which a person was known to have been alive or active. In English, the word may also be used as a noun indicating the time when someone flourished.

Trouvère, sometimes spelled trouveur[tʁuvœʁ], is the Northern French form of the langue d'oc (Occitan) word trobador. It refers to poet-composers who were roughly contemporary with and influenced by the troubadours but who composed their works in the northern dialects of France. The first known trouvère was Chrétien de Troyes and the trouvères continued to flourish until about 1300. Some 2130 trouvère poems have survived; of these, at least two-thirds have melodies.

Pas-de-Calais Department of France

Pas-de-Calais is a department in northern France named after the French designation of the Strait of Dover, which it borders.

Six pieces by Pierrekin survive, half with their music. One of the latter, A mon pooir ai servi, a later addition to the Chansonnier du Roi , is through-composed in mensural notation. Lines equivalent in length are not all treated as rhythmically identical. Pierrekin's other songs with surviving music are Cançon faz non pas vilaine and Je chant en aventure. The three songs J'ai la meillor qui soit en vie, Quant ivers et frois depart, and Quant li tens jolis revient do not have surviving music.

Chansonnier du Roi

The Manuscrit du Roi or Chansonnier du Roi is a prominent songbook drawn towards the middle of the thirteenth century, probably between 1255 and 1260 and a major testimony of European medieval music. It is currently French manuscript 844 of the Bibliothèque nationale de France. It is known by various sigla, depending on which of its contents are the focus of study: it is troubadour manuscript W, trouvère manuscript M, and motet manuscript R.

In music theory about musical form, through-composed music is relatively continuous, non-sectional, or non-repetitive music. A song is said to be through-composed if it has different music for each stanza of the lyrics. This is in contrast to strophic form, in which each stanza is set to the same music. Sometimes the German durchkomponiert is used to indicate the same concept. Musicologist James Webster says of the term:

In general usage, a 'through-composed' work is one based on run-on movements without internal repetitions.

Mensural notation musical notation system used for European vocal polyphonic music

Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like musica mensurata or cantus mensurabilis to refer to the rhythmically defined polyphonic music of their age, as opposed to musica plana or musica choralis, i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation.

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