Pietro Francesco Ferranti, also known as cavalier Ferrante (circa 1612 - 1681) was an Italian painter of the Baroque period.
He was born in Bologna. He was apparently a pupil of Giovanni Francesco Gessi. Other sources attribute him a pupil of Guido Reni. He painted a St Paul calms the Storm (1642) for the choir of San Paolo Maggiore, Bologna. A fresco depicting the Miracle of St Anthony of Padua painted under the portico of San Francesco in Bologna is attributed to Ferrante. he worked in Piacenza in 1644, where he painted some frescoed angels for the church of Santa Maria Maddalena delle Convertite, and a Virgin with Saints Carlo, Andrea, Teresa, Elizabeth, as well as a donor for the church of Sant'Antonino. Some sources attribute his death as early as 1653 or as late as 1676. [1] Some sources say he died in Sicily. [2]
Giovanni Francesco Barbieri, better known as (il) Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
Alessandro Tiarini was an Italian Baroque painter of the Bolognese School.
Giovanni Gioseffo dal Sole was an Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the Guido Moderno.
Vitale da Bologna, also known as Vitale di Aymo de' Cavalli or Vitale degli Equi, was an Italian painter of the Early Renaissance.
Vittorio Bigari was an Italian painter of the late-Baroque period.
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early-Baroque.
Ercole Grandi was an Italian painter of the early-Renaissance period, active mainly in Ferrara. Also known as Ercole da Ferrara and Ercole di Giulio Cesare Grandi, he has been claimed to be a favourite pupil of the painter Lorenzo Costa. Ercole Grandi first appeared in the historical record as being in the service of the house of Este in 1489. Between 1489 and 1495, Ercole Grandi seems to have been working in Bologna, both in San Petronio and in the Cappella Bentivoglio of San Giacomo Maggiore, as an assistant to Lorenzo Costa. In 1495, he was in Ferrara as the chief architect for realising Duke Ercole's plans to embellish the city and renovate the churches; the facade and interior of Santa Maria in Vado were executed from his design. He worked with Ludovico Mazzolino and others on the decoration of the Castello, and painted in the apartments of Lucretia Borgia. Also in Ferrara, he painted the frescoes for the church of San Pietro Martire, although some frescoes are preserved. One problem in assigning attribution to the hand of Ercole Grandi is that none of his works is signed or dated, or accompanied by supporting documents, but he is thought by some scholars to have painted—in the manner of Mantegna—or had a hand in, the decorative frescoed ceiling in the Sala del Tesoro of the Palazzo Costabili in Ferrara between 1503 and 1506. Other scholars attribute the work to Benvenuto Tisi da Garofalo. Confusingly, the identity of Ercole Grandi is sometimes conflated with Garofalo, and an Ercole da Bologna, and with that of Ercole di Antonio Roberti or Ercole de' Roberti, who was first documented as being in Ferrara in 1479, and was author of the great frescoes of the Garganelli chapel in Bologna. Most of Ercole Grandi's works have been reattributed to other Ferrarese painters, such as Giovan Francesco Maineri and Lorenzo Costa, while other scholars insist that Ercole Grandi is a mythical character.
Lazzaro Baldi was an Italian painter and engraver of the Baroque period active mainly in Rome.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Giuseppe Peroni was an Italian painter of the Baroque period.
Michele di Matteo, also sometimes used with further qualifications of da Bologna or Lambertini was an Italian painter of the late Gothic period in Bologna.
Domenico Pedrini was an Italian painter. Fiercely provincial in his geographic activity, Pedrini's works were mainly completed in and around Bologna, and yet his atavistic style strayed far afield into Bologna's strong Baroque ancestry.
Bartolomeo Baderna (1655-1681) was an Italian painter and engraver of the Baroque period.
Abate Francesco Antonio Chiozzi was an Italian painter and Franciscan cleric, active mainly in Casalmaggiore, Italy.
San Francesco is a Romanesque and Gothic-style, Roman Catholic church located at Piazza San Francesco in Pescia, region of Tuscany, Italy.