Related Research Articles
Pintoricchio or Pinturicchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature. He also used it to sign some of his 15th and 16th-century artworks.
Sebastiano Conca was an Italian painter.
Domenico Corvi (1721–1803) was an Italian painter at the close of the 18th century, active in an early Neoclassic style in Rome and surrounding sites.
Alessandro Maganza (1556–1630) was an Italian painter of the Mannerist style, born and active in Vicenza, as well as in Venice.
Antonio d'Enrico, called Tanzio da Varallo, or simply il Tanzio was an Italian painter of the late-Mannerist or early Baroque period.
Giuseppe Angeli was an Italian painter of the late-Baroque, known for depicting both genre and religious subjects.
Grazio Cossali, sometimes called Orazio Cossali was an Italian painter who worked in Brescia, Cremona, and Venice, active during the Mannerist or early Baroque periods.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence or steccato used to corral the numerous devotees who visited a venerated image of the Madonna.
Giovanni Giacomo Barbelli was an Italian painter of the Baroque period, active in Lombardy. He was a canvas and fresco painter known for his religious and mythological scenes that decorate many churches and residences in Lombardy. He was a highly skilled draughtsman and a brilliant colorist. His work shows an inventive imagination and a thorough knowledge of perspective.
The church of Santa Maria delle Grazie in Brescia is located on at the west end of Via Elia Capriolo, where it intersects with the Via delle Grazie. Built in the 16th century and remodeled in the 17th century, it still retains much of its artwork by major regional artists, including one of its three canvases by Moretto. The other two are now held at the Pinacoteca Tosio Martinengo. The interior is richly decorated in Baroque fashion. Adjacent to the church is the Sanctuary of Santa Maria delle Grazie, a neo-gothic work.
Luigi Busi was an Italian painter born in Bologna.
Domenico Pesenti was an Italian painter and antiquarian. He painted mainly vedute.
Antonio Marini was an Italian painter, mainly of sacred subjects for churches in Tuscany. He is distinct from the Antonio Maria Marini from Venice.
Giuseppe Velasquez, Velasques or Velasco was an Italian painter, active in a Neoclassic style.
Giovanni Antonio Pandolfi was an Italian painter active in the Central Italy, including Foligno, Perugia, and his native Pesaro. He died in Perugia.
Agostino Cottolengo was an Italian painter.
San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.
The Church of Santa Sofia is a Roman Catholic church in the city of Lendinara, in the Province of Rovigo, region of Veneto, Italy.
References
- ↑ Palazzo Traversa, short biography.
- ↑ Comune of Bra, entry on painter.
 | This article about an Italian painter born in the 18th century is a stub. You can help Wikipedia by expanding it. |