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Established | 1970 |
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Website | www |
The Pinacoteca Giovanni Morscio is an Italian museum, located in Dolceacqua. The Pinacoteca is located in the Palazzo Luigina Garoscio.
The museum was founded in 1970, thanks to a donation by the local painter Giovanni Morscio of paintings of him and other Italian and French painters of his time. [1]
Morscio (1887-1972) was mainly devoted to still life and frescos; he was active in Liguria and Nice, and he exhibited at the Salon des Indépendants in 1930 and practiced in France also as a gallery owner.
The collection was enlarged by the municipal administration in the eighties. After an initial location in the former town hall, the museum was transferred to the Palazzo Luigina Garoscio.
The original collection is focused on a selection of works by Morscio [2] and some Italian and French painters of his time: Eloi Noël Bouvard, Mario Ameglio, Eugenio Bonivento, Cyrano Castelfranchi, Georges Chappuis, Gaston Cirmeuse, Yves Diey, Robert Duflos, Charley Garry, Maurice Martin, Maurice Louis Monnot, Fernando Pelosini, Alberto Rossi, André Salomon Le Tropezien.
After Morscio's death collection has been enlarged with paintings by Achille Cabiati, Marcello Cammi, Franco Giglio and Mario Raimondo.
Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space. The academy helped propel painters of the School of Bologna to prominence.
Giovanni Francesco Barbieri, better known as (il) Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
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