Pinturas de Tamayo

Last updated

Pinturas de Tamayo (Pictures of Tamayo) is an orchestral composition in five movements by the American composer Steven Stucky. The work was commissioned by the Chicago Symphony Orchestra, who premiered the work on March 28, 1996, under the conductor Michael Gielen in Symphony Center, Chicago. The piece is inspired by the paintings of the Mexican artist Rufino Tamayo. [1] [2]

Orchestra large instrumental ensemble

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola, cello, and double bass, brass instruments such as the horn, trumpet, trombone and tuba, woodwinds such as the flute, oboe, clarinet and bassoon, and percussion instruments such as the timpani, bass drum, triangle, snare drum and cymbals, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.

Steven Stucky American composer

Steven Edward Stucky was a Pulitzer Prize-winning American composer.

Chicago Symphony Orchestra American symphony orchestra in Chicago, IL

The Chicago Symphony Orchestra (CSO) was founded by Theodore Thomas in 1891. The ensemble makes its home at Orchestra Hall in Chicago and plays a summer season at the Ravinia Festival. The music director is Riccardo Muti, who began his tenure in 2010. The CSO is one of five American orchestras commonly referred to as the "Big Five".

Contents

Composition

Inspiration

Stucky recalled his first encounter with the works of the painter Rufino Tamayo in the score program notes, writing:

Rufino Tamayo Mexican painter, printmaker, and sculptor

Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.

In April 1991 I visited the Rufino Tamayo Museum in Mexico City. I had never heard of Tamayo, but immediately I found myself drawn to his work, and I stood for a long while, transfixed by his painting La gran galaxia (The Great Galaxy). Indeed, that first encounter with his vibrant, mysterious, deeply human paintings is indelibly fixed in my memory as one of the great artistic experiences of my life.

He continued:

[Tamayo] died in June 1991, only two months after I first saw his work. Since then I have studied as many of his paintings and learned as much about him as I could, and when the Chicago Symphony invited me to write a new work for them, I decided to use the opportunity to pay homage to him in the only way I could, by making my own work of art. [1]

Structure

The work has a duration of roughly 22 minutes and is composed in five movements named after Tamayo paintings: [1]

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

  1. Amigas de los pájaros (Friends of the Birds): Vivo
  2. Anochecer (Sunset): Calmo
  3. Mujeres alcanzando la luna (Women Reaching for the Moon): Moderato
  4. Músicas dormidas (Sleeping Musicians): Adagio
  5. La gran galaxia (The Great Galaxy): Tranquillo

Reception

Reviewing the world premiere, John von Rhein of the Chicago Tribune felt that the work did not live up to Tamayo's art and wrote:

<i>Chicago Tribune</i> major daily newspaper based in Chicago, Illinois, United States

The Chicago Tribune is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper", it remains the most-read daily newspaper of the Chicago metropolitan area and the Great Lakes region. It is the eighth-largest newspaper in the United States by circulation.

To translate visual into aural art is always a tricky business. Gunther Schuller managed it rather well with his Paul Klee studies but I can't say Stucky's work is anywhere near as compelling. Color reproductions of the five Tamayo paintings are on display in the Grainger Ballroom and, even though poorly reproduced, the comparisons are odious. [2]

Mark Swed of the Los Angeles Times received the piece in a more positive light, however, writing, "Tamayo makes a visual splash, and Stucky responds with a colorful orchestral equivalent." [3] Richard Whitehouse of Gramophone similarly remarked, "Pinturas de Tamayo (1995) draws on the more tangible imagery of Mexican artist Rufino Tamayo, but the music for the most part is hardly less understated – witness the luminous poise of 'Sunset' or the rapt introspection of 'The Great Galaxy' which makes for an unusually thoughtful apotheosis." [4]

<i>Los Angeles Times</i> Daily newspaper published in Los Angeles, California

The Los Angeles Times is a daily newspaper which has been published in Los Angeles, California, since 1881. It has the fourth-largest circulation among United States newspapers, and is the largest U.S. newspaper not headquartered on the East Coast. The paper is known for its coverage of issues particularly salient to the U.S. West Coast, such as immigration trends and natural disasters. It has won more than 40 Pulitzer Prizes for its coverage of these and other issues. As of June 18, 2018, ownership of the paper is controlled by Patrick Soon-Shiong, and the executive editor is Norman Pearlstine.

<i>Gramophone</i> (magazine) UK monthly magazine published in London devoted to classical music, particularly to reviews of recordings

Gramophone is a magazine published monthly in London devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher.

Discography

A recording of Pinturas de Tamayo, performed by Evelyn Glennie and the Singapore Symphony Orchestra under the conductor Lan Shui, was released April 27, 2010 through BIS Records and features Stucky's other orchestral works Spirit Voices and the Concerto for Orchestra No. 2. [4] [5]

Evelyn Glennie Scott percussionist

Dame Evelyn Elizabeth Ann Glennie, is a Scottish virtuoso multi-percussionist. She has been profoundly deaf since the age of 12 and has taught herself to hear with parts of her body other than her ears.

The Singapore Symphony Orchestra (SSO) is a symphony orchestra based in Singapore. Its principal concert venue is the Esplanade Concert Hall. The orchestra also gives concerts at the Victoria Concert Hall, and overall performs about 100 concerts per year. The orchestra's current music director is Shui Lan, since 1997.

Lan Shui is a Chinese-American conductor. He was the Music Director of the Singapore Symphony Orchestra from 1997 to 2019. He retire as Music Director on January 26 2019, and was given the title of Conductor Laureate by chairman of the SSO Mr Goh Yew Lin.

Related Research Articles

Bernard Haitink Dutch conductor and violinist

Bernard Johan Herman Haitink is a Dutch conductor.

Spirit Voices is a concerto for percussion and orchestra in seven movements by the American composer Steven Stucky. The work was jointly commissioned by the Singapore Symphony Orchestra and the Aspen Music Festival for percussionist Evelyn Glennie. It was first performed by soloist Evelyn Glennie the Singapore Symphony Orchestra under conductor Lan Shui November 14, 2003.

Emanations, also referred to by its original German title Emanationen or by its Polish title Emanacje, is a composition for two orchestras by Polish composer Krzysztof Penderecki. Composed in 1958, it is one of his early compositions.

Music for Orchestra is a one-movement orchestral composition by the American composer Jerry Goldsmith. The piece was commissioned by Leonard Slatkin and the St. Louis Symphony in 1970 and premiered later that year.

Heimdall's Trumpet is a concerto for trumpet and orchestra by the American composer Christopher Rouse. It was commissioned by the Chicago Symphony Orchestra for its principal trumpeter Christopher Martin. The piece was completed January 21, 2012 and premiered December 20, 2012 at Symphony Center in Chicago.

The Second Concerto for Orchestra is a concerto for orchestra by the American composer Steven Stucky. The work was commissioned by the Los Angeles Philharmonic while Stucky was their composer-in-residence for the inaugural season of the Walt Disney Concert Hall. It was completed in 2003 and was first performed on March 12, 2004, with the conductor Esa-Pekka Salonen leading the Los Angeles Philharmonic. The piece was awarded the 2005 Pulitzer Prize for Music.

<i>August 4, 1964</i>

August 4, 1964 is an oratorio for mezzo-soprano, soprano, tenor, baritone, choir, and orchestra written by the American composer Steven Stucky with a libretto by Gene Scheer. It was commissioned by the Dallas Symphony Orchestra in honor of the centennial of the birth of 36th U.S. President Lyndon B. Johnson. The piece premiered September 18, 2008 at the Morton H. Meyerson Symphony Center in Dallas, with conductor Jaap van Zweden leading mezzo-soprano Kelley O'Connor, soprano Laquita Mitchell, baritone Robert Orth, tenor Vale Rideout, the Dallas Symphony Chorus, and the Dallas Symphony Orchestra. The work specifically follows the events of August 4, 1964 during Johnson's presidency, including the Gulf of Tonkin incident and the discovered bodies of three murdered civil rights workers in Neshoba County, Mississippi.

Rhapsodies for Orchestra is a single-movement orchestral composition by the American composer Steven Stucky. The work was jointly commissioned by the New York Philharmonic and the BBC for the Philharmonic's European tour in August and September 2008. The piece had its world premiere August 28, 2008 in Royal Albert Hall at The Proms, with the New York Philharmonic performing under conductor Lorin Maazel.

Jeu de timbres is a single-movement orchestral composition by the American composer Steven Stucky. The work was commissioned by the National Symphony Orchestra and completed in late 2003. It was premiered in January 2004, with the National Symphony Orchestra performing under conductor Leonard Slatkin.

Son et lumière is a symphonic poem by the American composer Steven Stucky. It was commissioned by the Baltimore Symphony Orchestra and composed between June and December 1988. The work was premiered in Baltimore by the Baltimore Symphony Orchestra under conductor David Zinman, May 18, 1989.

Nyx is a symphonic poem by the Finnish composer Esa-Pekka Salonen. The work was jointly commissioned by Radio France, the Barbican Centre, the Atlanta Symphony Orchestra, Carnegie Hall, and the Finnish Broadcasting Company. It was premiered February 19, 2011 in the Théâtre du Châtelet, Paris, with Salonen conducting the Orchestre Philharmonique de Radio France. The piece is titled after the Goddess Nyx from Greek mythology.

The Stars and the Roses is a three-movement composition for tenor solo and orchestra set to the poetry of Czesław Miłosz by the American composer Steven Stucky. The work was commissioned by the Berkeley Symphony, for which Stucky was then composer-in-residence. It was first performed on March 28, 2013 by the tenor Noah Stewart and the Berkeley Symphony under the conductor Joana Carneiro. The work was rewritten by Stucky in a chamber arrangement of the piece that premiered on October 18, 2013 by the Curtis 20/21 Contemporary Music Ensemble and tenor Roy Hage. The piece is dedicated to Stucky's wife Kristen.

The Symphony No. 6 is an orchestral symphony in six movements by the American composer Howard Hanson. The work was commissioned by the New York Philharmonic under the direction of Leonard Bernstein for the orchestra's 125th anniversary. It was composed in 1967 and was given its world premiere on February 29, 1968, by the New York Philharmonic conducted by Hanson.

Old and Lost Rivers is a short orchestral composition by the American composer Tobias Picker. The work was commissioned to commemorate the sesquicentenary of Texas by the Houston Symphony, for which Picker had recently been appointed composer-in-residence. The work was composed in the spring of 1986 and was given its world premiere by the Houston Symphony under the conductor Sergiu Comissiona in Jones Hall, Houston on May 9, 1986. Later that year, Picker adapted the work for solo piano as a birthday present for the pianist Ursula Oppens; this rendition of the work was premiered by Oppens at Carnegie Hall in March 1987. The piece is dedicated to Stephen M. Aechternacht and is one of Picker's most frequently performed compositions.

The Concerto for Orchestra is an orchestral composition by the Finnish composer Magnus Lindberg. The work was commissioned by the BBC and was composed between 2002 and 2003. It was given its world premiere by the BBC Symphony Orchestra under the direction of Jukka-Pekka Saraste on September 30, 2003 at the Barbican Centre, London.

Dreamwaltzes is an orchestral composition by the American composer Steven Stucky. The work was commissioned by the Minnesota Orchestra for their annual Sommerfest series with support from the Jerome Foundation. The piece was completed in April 1986 and its world premiere was given by the Minnesota Orchestra under the direction of Leonard Slatkin on July 17, 1986. It is dedicated to the violinist Sonya Monosoff and Carl Pancaldo. The piece brought Stucky to prominence in the contemporary classical community and remains one of his most popular compositions.

Sculpture is an orchestral composition by the Finnish composer Magnus Lindberg. The music was commissioned by the Los Angeles Philharmonic with support from the Koussevitzky Music Foundation to celebrate the orchestra's inaugural season at the Walt Disney Concert Hall. Its world premiere was given by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on October 6, 2005.

Still Life is a mural executed by Rufino Tamayo in 1954. It is on permanent display at the Museo Soumaya.Fundación Carlos Slim in Plaza Carso, Mexico City, Mexico.

A percussion concerto is a type of musical composition for a percussion soloist and a large ensemble, such as a concert band or orchestra. Two notable figures in the genre are the percussionists Colin Currie and Evelyn Glennie, who have separately commissioned and premiered numerous entrees to the repertoire. Two common subsets of the percussion concerto are the timpani concerto and the marimba concerto.

References

  1. 1 2 3 Stucky, Steven. Pinturas de Tamayo (Paintings of Tamayo, 1995) for orchestra: Program Note by the Composer. Retrieved July 11, 2015.
  2. 1 2 Rhein, John von (March 30, 1996). "Gielen Leads Cso In Beethoven, Steven Stucky's World Premiere". Chicago Tribune . Retrieved July 11, 2015.
  3. Swed, Mark (October 25, 1997). "Color the Philharmonic Inspired by Tamayo". Los Angeles Times . Retrieved July 11, 2015.
  4. 1 2 Whitehouse, Richard (October 2010). "Stucky Pinturas de Tamayo: Stucky's attractive yet challenging orchestral works are worth investigating". Gramophone . Retrieved July 11, 2015.
  5. Stucky – Pinturas de Tamayo (CD liner). BIS Records. 2010. Retrieved July 11, 2015.