| Pinups | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1993 | |||
| Recorded | August – September 1992 | |||
| Label | Triple X | |||
| Human Drama chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Pinups is an album by Human Drama. A tribute to various artists, including Joy Division, David Bowie, Lou Reed, Pink Floyd, Genesis, John Lennon and Leonard Cohen, it was released by Triple X in 1993. The cover photo imitates Pin Ups , Bowie's own covers album.
Air is a French music duo from Versailles, consisting of Nicolas Godin and Jean-Benoît Dunckel. Their critically acclaimed debut album, Moon Safari, including the track "Sexy Boy", was an international success in 1998. Its follow-up, The Virgin Suicides, was the score to Sofia Coppola's first film The Virgin Suicides. The band has since released the albums 10 000 Hz Legend, Talkie Walkie, Pocket Symphony, Love 2, Le voyage dans la lune and Music for Museum. The band is influenced by a wide variety of musical styles and artists.
Anthony Frederick Levin is an American musician and composer specializing in electric bass guitars, Chapman Stick and upright bass. He also sings and plays synthesizer. Levin is best known for his work with King Crimson (1981–2021) and Peter Gabriel. He is also a member of Liquid Tension Experiment, Bruford Levin Upper Extremities (1998–2000) and HoBoLeMa (2008–2010). He has led his own band, Stick Men, since 2010.
Transformer is the second solo studio album by American recording artist Lou Reed. Produced by David Bowie and Mick Ronson, the album was released on November 8, 1972 by RCA Records. It is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, prostitution and drug use. Although Reed's self-titled debut solo album had been unsuccessful, Bowie had been an early fan of Reed's former band the Velvet Underground and used his fame to promote Reed, who had not yet achieved mainstream success.
Patrick Ray Leonard is an American songwriter, keyboardist, film composer, and music producer, best known for his longtime collaboration with Madonna. His work with Madonna includes her albums True Blue (1986), Who's That Girl (1987), Like a Prayer (1989), I'm Breathless (1990) and Ray of Light (1998). He scored Madonna's 2008 documentary I Am Because We Are, played keyboards with her at Live Aid (1985), and was musical director and keyboardist on The Virgin Tour (1985) and the Who's That Girl World Tour (1987).
I'm Your Man is the eighth studio album by Canadian singer-songwriter Leonard Cohen, released on February 2, 1988, by Columbia Records. The album marked Cohen's further move to a more modern sound, with many songs having a synthesizer-oriented production. It soon became the most successful studio album which Cohen had released in the US, and it reached number one in several European countries, transforming Cohen into a best-selling artist.
Pin Ups is the seventh studio album by the English musician David Bowie, released on 19 October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring glam rock and proto-punk versions of songs by 1960s bands who were influential to Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd.
"Satellite of Love" is a song by American musician Lou Reed. It is the second single from his 1972 album Transformer. At the time of its release, it achieved minor US chart success, though it later became a staple of his concerts and compilation albums.
Mojo is a popular music magazine published monthly in the United Kingdom, initially by Emap, and since January 2008 by Bauer. Following the success of the magazine Q, publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. Mojo was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for Blender and Uncut. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, David Fricke, Jon Savage and Mick Wall. The launch editor of Mojo was Paul Du Noyer and his successors have included Mat Snow, Paul Trynka, Pat Gilbert and Phil Alexander. The current editor is John Mulvey.
The Amazing Kornyfone Record Label (TAKRL) was one of the first bootlegging record labels in America. Kornyfone was based in Southern California in the 1970s. The label released albums from such artists as The Beatles, David Bowie, Bob Dylan, The Grateful Dead, Led Zeppelin, Elton John, Joni Mitchell, Pink Floyd, Genesis, and others. Kornyfone was known for its packaging, with interesting artwork and informative covers.
"Mother" is a song by the English musician John Lennon, first released on his 1970 album John Lennon/Plastic Ono Band. An edited version of the song was issued as a single in the United States on Apple Records, on 28 December 1970. The single edit runs 1:41 shorter than the album due to removing the tolling bells that start the song and a quicker fade-out. The B-side features "Why" by Yoko Ono. The song peaked in the United States at number 19 on the Cashbox Top 100 and number 43 on the Billboard Hot 100. In Canada the song reached number 12.
1001 Albums You Must Hear Before You Die is a musical reference book first published in 2005 by Universe Publishing. Part of the 1001 Before You Die series, it compiles writings and information on albums chosen by a panel of music critics to be the most important, influential, and best in popular music between the 1950s and the 2010s. The book is edited by Robert Dimery, an English writer and editor who had previously worked for magazines such as Time Out and Vogue.
Sylvie Simmons is a London-born, California-based music journalist, named as a "principal player" in Paul Gorman's book on the history of the rock music press In Their Own Write. A widely regarded writer and rock historian since the late 1970s, she is one of the few women to be included among the predominantly male rock elite. Simmons is the author of a number of books, including biography and cult fiction. Simmons is also a singer-songwriter, ukulele player and recording artist.
The Pavillon de Paris was a large concert space in Paris, France, located near the Porte de Pantin Métro stop, on the northern edge of the city. With a seating capacity of approximately 10,000 spectators, the Pavillon was the city's largest indoor music arena throughout its brief operating history from September 1975 until 1980. The Pavillon was opened as a music venue at the initiative of KCP, who had previously struggled to present rock concerts in smaller, less suitable venues, most notably the Palais des Sports de Paris.
The Word was a monthly music magazine published in London. It was voted UK 'Music Magazine Of The Year' in 2007 and 2008. It ran for 114 issues, the last bearing the cover date August 2012.
Afterhours is an Italian alternative rock band. The band was named after the Velvet Underground song of the same name.
Doug Sax was an American mastering engineer from Los Angeles, California. He mastered three The Doors' albums, including their 1967 debut; six Pink Floyd's albums, including The Wall; Ray Charles' multiple-Grammy winner Genius Loves Company in 2004, and Bob Dylan's 36th studio album Shadows in the Night in 2015.
Gregory Calbi is an American mastering engineer at Sterling Sound, New Jersey.
"Hang Down Your Head" is a song by Tom Waits appearing on his 1985 album Rain Dogs and released as a single that year by Island Records. It is in the same vein as Tom Waits' earlier work, featuring a more conventional melodic structure compared to other songs on Rain Dogs, albeit featuring an idiosyncratic arrangement. Allmusic critic Stewart Mason called the song "among the most direct and effective things Waits has ever written."
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